Honestly I had no idea there was an actual band behind this or that they did live performances. I used to think this was one of Trevor Horn's studio creations. Really interesting to see and hear.
@SpoonyMcSpoonface17 күн бұрын
It must have been great seeing the band live at this period. Being live means mistakes are made and timing occasionally goes adrift. Better still is that what you hear is different from the album versions. Today they still sound great but lack the human touch of playing much like the robot Ralf tries to portray. I love Ruckzuck in all its forms and wish they would still play it live today.
@AbstractCatsMedia19 күн бұрын
Wow! Cheers from Louisville! I was about 8, in 1975, started getting into Numan and Devo, around 78/79, I heard these guys around 1981... great to know they've been here. :)
@azynkron23 күн бұрын
These frog eaters should be forced to speak English.
@grgoldner24 күн бұрын
If Spinal Tap had a keyboard player. Just Awful.
@djjess955326 күн бұрын
I'm 53..this is gold ..kaftwerk .art of noise..mantronix..
@martiq62499 күн бұрын
I'm 55 and I agree, it is gold. I think I would give my left arm to see them live lol Dont forget Malcolm McClaren Buffalo Gals
@RebeccaTurner-ny1xxАй бұрын
It would be interesting were Kraftwerk to admit that they released three (or four, counting Organisation) albums before Autobahn and play pieces from them. They'd need to change their setup but wouldn't that be fascinating?
@illinoisbearАй бұрын
G.O.A.T!!!!
@Jayholmes518Ай бұрын
80s authentic brilliance at its finest. Europeans guys just experimenting and creating beats and Hip hop gravitated to there sound. This was a huge hit at the height of breakdancing in 84-85. This was an amazing jam to breakdance to. Kraftwerk were also influential in 80s breakdance culture. These guys rule!
@epicsseven768611 күн бұрын
Actually it was the opposite. Groups like Art of Noise was more of contemporary disco. The euro disco started by Giorgio moroder and Donna Sommers. The experimenting in this is more closer to hip hop experimenting and scratching. Kraftwerk. Their influence came from the disco era. Giorgio Moroder. And it's because of the funky sound that's more closer to Black music as far as beats. Is the reason these two bands and a few more of Europe became popular in hip hop community. But the same can be said about Detroit techno, Chicago House and New York electro funk having and influence on 80s Europe electronic music. But even those roots can be found in disco. Stevie Wonder, Blonde etc
@Jayholmes51811 күн бұрын
Like you said they were influenced by Kraftwerk. Even though this song was influenced more closer to hip hop scratching they were still experimenting and creating a different kind of sound that breakdance culture gravitated to. They're European guys dressed in costumes and masks that made there mark in hip hop. They were non hip hop guys like Kraftwerk who both created anthems in breakdancing is pretty amamzing.
@WillyBilliamsАй бұрын
Nice one. These are the songs that need to be documented on KZread
@Bunjamin2729 күн бұрын
Agreed! The staff at Newport KY was really spotty about cameras. Some people they didn't care, but if you had a good vantage point they were very agressive.
@Bunjamin27Ай бұрын
Thank you! The staff at the MegaCorp Pavilion in KY were very aggressive about no cameras during the Autobahn album.
@frankzelazkoАй бұрын
They don't play this track too often
@BoogieBoogsForeverАй бұрын
Crazy how good the raps were. I'm feeling that Melle Mel flow written, right?
@edwardjcurtis85Ай бұрын
Kometenmelodie equals ❤
@leogoulart7229Ай бұрын
Amazing! Did they play the full version of Autobahn that day?
@etc834Ай бұрын
Yep!
@leogoulart7229Ай бұрын
@@etc834 That's great! I was wondering if they played the full version since they played the shorter version in Columbus last week.
@sebr6460Ай бұрын
Oh my god! At the very end, you can hear the same arpeggio/sequence that they played near the end of Showroom Dummies in their 1981 live shows! This is great, I love both the song it's based on and the song it grew into.
@klaushermann2180Ай бұрын
Eis-Blumen(Kristallo) um Mitternacht. "We start to move... so we won't freeze😱"
@ReneAlexisPenalozaMunozАй бұрын
All that gear fits on an iPad in 2024.
@abc80s74Ай бұрын
Never gets old
@abc80s74Ай бұрын
This amazing way ahead of its time whether you were poppin or breaking this it love the extended versions
@RIFKLEАй бұрын
God I love that transition from Nummern to Computerwelt so much. Just everything but the drum machine going silent, such an epic buildup to that "Interpol".
@stephenantonio3713Ай бұрын
One of the greatest beats of all time.. Great jam!
@markpedroza7294Ай бұрын
Get 'em up....
@daevid592 ай бұрын
was there great show
@VocalChainsStudio2 ай бұрын
Rap is America’s best invention.
@DjSnuff6662 ай бұрын
JJ Jeczalik king of sampling
@popnfresh2928Ай бұрын
Yes he is & extremely modest about it too, matter of fact, all Art Of Noise members don't seem to take any of it seriously at all🤣🤣🤣....
@KRAFTWERK2K62 ай бұрын
THREE Fairlight CMIs (i suppose the IIx model), a freaking Memorymoog AND a PPG Wave 2. I swear, this still makes me drool even 40 years later. Modern DAWs don't give me the same feeling.
@NOWtheband2 ай бұрын
They're good lads 🙂
@livecoilarchive14582 ай бұрын
Such a goddamn epic version of Heimcomputer. Great concert, just wish this recording was higher quality, or that they'd release the soundboard one in full
@OuahifaAhmedmalek-vu2ci2 ай бұрын
Moi 50 et suis encore midinnette
@jasonfarrar47372 ай бұрын
That poor engineer.
@kevinbowers34992 ай бұрын
I WAS A TEEN BACK THEN ,& Maaan WE Would BATTLE OF OF AON & JUST BREAK IT DOWN ALL THE TYME BABY😮😮🤔😲😌..!!
@paulberger14442 ай бұрын
Did I count at least 3 Fairlights on that stage? 40 years on, I still geek out over that kind of thing.
@OuahifaAhmedmalek-vu2ci2 ай бұрын
Grâce à Anne Clara c et elle qui a créé art of noise
@ashfaq19993 ай бұрын
Remember seeing this brilliant art of noise performance live on the tube back in 1984. Awesome 🎶
@KanalvogtSG3 ай бұрын
1:01:24
@dpalaoro3 ай бұрын
Bringing up all that equipment on stage,I hope it was at least an hour and half show! Where's the rest??
@user-fs9js2ig3j3 ай бұрын
Amazing classic pioneers of hip hop😊😊😊😊
@misterguy90513 ай бұрын
BU BU BU BUP. BUP BOW.
@ninawildr42073 ай бұрын
This is gold❤
@istvan76313 ай бұрын
Wow! EXCELLENT work!
@VALERIOFOTOGRAFOVIDEO3 ай бұрын
622 - bellissima canzone - ciao da VALERIO !!!!!!!!! ❤❤❤❤❤❤❤❤❤
@popnfresh29283 ай бұрын
Here in America, we didn’t get live shows of Art Of Noise like they did for the U.K., so, for 8 years or more (during the non-internet age of the 80’s), my friends & I, never knew what they looked like, we just had Album Art of there records for almost a decade😂😂😂😂….only Trevor Horn (who was part of or the producer of AON), was the person we recognized, by way of his Video Killed The Radio Star performance on MTV from his Buggles band, besides that AON was a complete mystery, we only knew of there mask they wore, drove us young kids nuts 😂😂😂😂😂
@TheCaptScarlettАй бұрын
Not knowing what they looked like was part of the schtick to start with. Once Anne Dudley won her Oscar and ever other music award it was a bit pointless hiding
@popnfresh2928Ай бұрын
Yes indeed, your 100% correct, I believe that was Paul Morley's idea, as he was the brilliant writer who came up with many of there song names, album cover art & album cover wordplay & even the name Art Of Noise was his idea if I remember that correctly...the mystery of there identities & how they created there music was of Paramount Importance in an already highly competitive music industry in the 80's
@Charlietwice3 ай бұрын
I was there, sat next to Andy Mcluskey, didn’t realise until the break at half time when the queues formed for autographs 😀
![Edwin Birdsong - Too Good to Go (When You Get it Right) [1985] [Funk / Electro]](/img/d.gif)
Пікірлер
Kraftwerk pur. Danke fürs einstellen!!
40 years ago! And still fantastic!
Used to break dance to this one .
Music didnt have to be so loud to be good.
Honestly I had no idea there was an actual band behind this or that they did live performances. I used to think this was one of Trevor Horn's studio creations. Really interesting to see and hear.
It must have been great seeing the band live at this period. Being live means mistakes are made and timing occasionally goes adrift. Better still is that what you hear is different from the album versions. Today they still sound great but lack the human touch of playing much like the robot Ralf tries to portray. I love Ruckzuck in all its forms and wish they would still play it live today.
Wow! Cheers from Louisville! I was about 8, in 1975, started getting into Numan and Devo, around 78/79, I heard these guys around 1981... great to know they've been here. :)
These frog eaters should be forced to speak English.
If Spinal Tap had a keyboard player. Just Awful.
I'm 53..this is gold ..kaftwerk .art of noise..mantronix..
I'm 55 and I agree, it is gold. I think I would give my left arm to see them live lol Dont forget Malcolm McClaren Buffalo Gals
It would be interesting were Kraftwerk to admit that they released three (or four, counting Organisation) albums before Autobahn and play pieces from them. They'd need to change their setup but wouldn't that be fascinating?
G.O.A.T!!!!
80s authentic brilliance at its finest. Europeans guys just experimenting and creating beats and Hip hop gravitated to there sound. This was a huge hit at the height of breakdancing in 84-85. This was an amazing jam to breakdance to. Kraftwerk were also influential in 80s breakdance culture. These guys rule!
Actually it was the opposite. Groups like Art of Noise was more of contemporary disco. The euro disco started by Giorgio moroder and Donna Sommers. The experimenting in this is more closer to hip hop experimenting and scratching. Kraftwerk. Their influence came from the disco era. Giorgio Moroder. And it's because of the funky sound that's more closer to Black music as far as beats. Is the reason these two bands and a few more of Europe became popular in hip hop community. But the same can be said about Detroit techno, Chicago House and New York electro funk having and influence on 80s Europe electronic music. But even those roots can be found in disco. Stevie Wonder, Blonde etc
Like you said they were influenced by Kraftwerk. Even though this song was influenced more closer to hip hop scratching they were still experimenting and creating a different kind of sound that breakdance culture gravitated to. They're European guys dressed in costumes and masks that made there mark in hip hop. They were non hip hop guys like Kraftwerk who both created anthems in breakdancing is pretty amamzing.
Nice one. These are the songs that need to be documented on KZread
Agreed! The staff at Newport KY was really spotty about cameras. Some people they didn't care, but if you had a good vantage point they were very agressive.
Thank you! The staff at the MegaCorp Pavilion in KY were very aggressive about no cameras during the Autobahn album.
They don't play this track too often
Crazy how good the raps were. I'm feeling that Melle Mel flow written, right?
Kometenmelodie equals ❤
Amazing! Did they play the full version of Autobahn that day?
Yep!
@@etc834 That's great! I was wondering if they played the full version since they played the shorter version in Columbus last week.
Oh my god! At the very end, you can hear the same arpeggio/sequence that they played near the end of Showroom Dummies in their 1981 live shows! This is great, I love both the song it's based on and the song it grew into.
Eis-Blumen(Kristallo) um Mitternacht. "We start to move... so we won't freeze😱"
All that gear fits on an iPad in 2024.
Never gets old
This amazing way ahead of its time whether you were poppin or breaking this it love the extended versions
God I love that transition from Nummern to Computerwelt so much. Just everything but the drum machine going silent, such an epic buildup to that "Interpol".
One of the greatest beats of all time.. Great jam!
Get 'em up....
was there great show
Rap is America’s best invention.
JJ Jeczalik king of sampling
Yes he is & extremely modest about it too, matter of fact, all Art Of Noise members don't seem to take any of it seriously at all🤣🤣🤣....
THREE Fairlight CMIs (i suppose the IIx model), a freaking Memorymoog AND a PPG Wave 2. I swear, this still makes me drool even 40 years later. Modern DAWs don't give me the same feeling.
They're good lads 🙂
Such a goddamn epic version of Heimcomputer. Great concert, just wish this recording was higher quality, or that they'd release the soundboard one in full
Moi 50 et suis encore midinnette
That poor engineer.
I WAS A TEEN BACK THEN ,& Maaan WE Would BATTLE OF OF AON & JUST BREAK IT DOWN ALL THE TYME BABY😮😮🤔😲😌..!!
Did I count at least 3 Fairlights on that stage? 40 years on, I still geek out over that kind of thing.
Grâce à Anne Clara c et elle qui a créé art of noise
Remember seeing this brilliant art of noise performance live on the tube back in 1984. Awesome 🎶
1:01:24
Bringing up all that equipment on stage,I hope it was at least an hour and half show! Where's the rest??
Amazing classic pioneers of hip hop😊😊😊😊
BU BU BU BUP. BUP BOW.
This is gold❤
Wow! EXCELLENT work!
622 - bellissima canzone - ciao da VALERIO !!!!!!!!! ❤❤❤❤❤❤❤❤❤
Here in America, we didn’t get live shows of Art Of Noise like they did for the U.K., so, for 8 years or more (during the non-internet age of the 80’s), my friends & I, never knew what they looked like, we just had Album Art of there records for almost a decade😂😂😂😂….only Trevor Horn (who was part of or the producer of AON), was the person we recognized, by way of his Video Killed The Radio Star performance on MTV from his Buggles band, besides that AON was a complete mystery, we only knew of there mask they wore, drove us young kids nuts 😂😂😂😂😂
Not knowing what they looked like was part of the schtick to start with. Once Anne Dudley won her Oscar and ever other music award it was a bit pointless hiding
Yes indeed, your 100% correct, I believe that was Paul Morley's idea, as he was the brilliant writer who came up with many of there song names, album cover art & album cover wordplay & even the name Art Of Noise was his idea if I remember that correctly...the mystery of there identities & how they created there music was of Paramount Importance in an already highly competitive music industry in the 80's
I was there, sat next to Andy Mcluskey, didn’t realise until the break at half time when the queues formed for autographs 😀
Of course he can speak French.
Time to run it back, Kentucky!!!
ART OF MAKE GOOD MUSIC 👏👏👏👏