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  @arupsengupta-fy2sw2 сағат бұрын

  This has 31 likes!!!???

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  @s.venkatrao589323 сағат бұрын

  Advudh gayki

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  @kavindusubash9050Күн бұрын

  So beautiful ❤❤❤❤

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  @chandrakantpendorofficial2 күн бұрын

  😂 सर,

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  @kashinathsengupta20932 күн бұрын

  Perfectly and aesthetically rendering of the morning blessed raga LALIT by the internationally renowned adored ustad Maskoor Ali Khan Sahab

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  @sanjuktaphukan29482 күн бұрын

  🙏🙏

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  @rajivkher6932 күн бұрын

  Fantastic,very nice 👌

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  @raghuvirshah11302 күн бұрын

  रासिद खान का संगीत हमेशा अमर रहे।संगीत के बादशाह थे।

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  @alokkumarbhattacharya33463 күн бұрын

  Dare to comment anything. He's & was above almost all s

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  @sumitbasu53133 күн бұрын

  Totally ethereal!!!

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  @amitadvikmishra74233 күн бұрын

  26:20 tabla 💗 🙏🏻

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  @rajaramkodial89544 күн бұрын

  I have been listening you since a very long time Hariharan Ji. I like the way you sing. 💐🌼🌻🌸🌷🌺🌹⚘️🥀✨️🙏

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  @user-wb1rf2bc2n6 күн бұрын

  Sakoon❤

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  @vaishnavishishwal7 күн бұрын

  Wah

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  @DrAslam-kg6gc8 күн бұрын

  ❤ marvelous

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  @waris50559 күн бұрын

  It's a dying art no listeners classical music is dead in indiya

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  @manasbanerjee2599 күн бұрын

  Beyond comment ❤❤

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  @manasbanerjee2599 күн бұрын

  Greatest tribute to ustadji

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  @ASHOK-bp7mi9 күн бұрын

  Very nice ❤

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  @mehtabmehdihasan523611 күн бұрын

  Subbhanallah one and only Ustad Rashid khan sahab Allah maghfirat aur jannat ata kare

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  @ishwarchandraic941811 күн бұрын

  Good

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  @shubhayanganguly587312 күн бұрын

  Ahaaaa kn eto taratari chole gelen😭😭

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  @amamulhaque415112 күн бұрын

  आपकी यादें❤❤❤❤❤❤❤

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  @BhaktiDebnath-lv1gp13 күн бұрын

  Pronam giruji

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  @dharmsis14 күн бұрын

  Most time I sing whenever I travel alone and enjoy it fully.

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  @milindmunje2114 күн бұрын

  ❤ legend है गुरुजी... प्रणाम

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  @VithalNadkarni15 күн бұрын

  In 2012 in August, I wrote a column on Ustadji (Bade Ghulam Ali Khan) in Economic Times which uses that very comment of Khansaheb about classical music and Partition that Kaushiki Chakraborty ji quotes in this recital here: Here is the text of my column (a longer version appeared in The Times of India): Free Band VITHAL C NADKARNI ON Independence Day, Chaiji Jalota gives your columnist a superb composition in the raga Bhairav praising Krishna. She got it from her husband, the maestro of Bhakti Sangit, Purushottam Das Jalota. He had learnt it in turn as a young man from Master Ratan, the renowned musician from Phagwara in un-divided Punjab. Master Ratan had probably learned the piece from the composer himself, the great vocalist of the Patiala gharana, Ustad Bade Ghulam Ali Khansaheb. Khansaheb’s nom de plume was Sabrang, (All Colours), which symbolised the entire spectrum of musical emotions or rasas. Khansaheb’s life was imbued with the same spirit of inclusiveness and tolerance, which is why he could visusalise the divine form of the Blue Lord (Dhana Dhana murat Krishna Murari) with the same fervour with which he sang the glories of Allah in raga Todi. Such secularism seems to be conspicuously absent in these days of migrations of panic-stricken masses from the South to North-Eastern India, wracked by its own brand of communal violence. After Partition, Bade Ghulam Ali Khan had to live in Pakistan which had acquired his place of birth. But he was deeply unhappy with the restrictive atmosphere there: `Hindu’ themes and modes were stigmatised; names of ragas were being changed and the vast majority of his fans and patrons lived `abroad’. He therefore immigrated to India in 1957 although he was opposed to Partition and always said, “This country would never have been divided if in every home one child had been taught classical music!” His bandish is an apt balm today. ENDS ...

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  @kuldeepdongre320916 күн бұрын

  ❤ beautiful ❤️

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  @vasudeoharsh23816 күн бұрын

  Exllelant

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  @artimulaye536517 күн бұрын

  What a soulful singing 🙏

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  @ramprasadpaul875117 күн бұрын

  ওই সময়টা ছিল নিরপেক্ষ বর্তমান সময়ে যদি নিরপেক্ষ নিয়ে চলা যায় চলবেই না আমাদের মহাগুরু বলে গেছেন গঙ্গা-যমুনা নরদ নদী ঐ বহিয়া চলেছে আগের মত কই রে আগের মানুষ কই

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  @ramprasadpaul875117 күн бұрын

  রাগ কাহাকে বলে নিকাশি নালায় সেকে সেকে সেকে ছেঁকে অবশিষ্ট যাহা থাকে সেটাই হচ্ছে রাগ

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  @sougatavlogs879517 күн бұрын

  Pranam guruji 🙏🏽

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  @shyamsen532918 күн бұрын

  Wah sa Kamal kar diya 🎉 by Shyam sunder Arya from Paota Jaipur

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  @kashinathsengupta209318 күн бұрын

  Precise and concise and elegant rendering of delightful raga Madhumad Sarang by learned academic Ustad Maskoor Ali Khan Sahab belonging to world of music lovers and teachers and learners and listeners

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  @kalidasswaminathan434118 күн бұрын

  Jee na karo larkaiyan saiyan. I have heard this cheez from ustad Sarfaraz Husain Khan. Sometimes he put the Sam on Dhaivat! Here, Ghulam Mustafa ji puts it on Pancham. Some people put it on Gandhar also. Gwalior Rampur bandish.

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  @Gayak_DLR18 күн бұрын

  जय हो🙏 कोटी कोटी नमन आपको

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  @kashinathpatel917818 күн бұрын

  बेस्ट गायकी सर आपण दुर्गा राग मध्ये रूप पाहता लोचाणी अभंग बोलवा ही विनंती

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  @kashinathpatel917818 күн бұрын

  बेस्ट गायकी सर आपण दुर्गा राग मध्ये रूप पाहता लोचाणी अभंग बोलवा ही विनंती

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  @mohammedalinaik218618 күн бұрын

  He is once in a lifetime artist. Kya khoob Multani pesh ki. simply divine.

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  @digambarmaharajghonshette414120 күн бұрын

  जय श्री राम 🌹🙏

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  @deepakdwivedimusiclover807721 күн бұрын

  Pl any body tell me lyrics of chhota kyal....pl

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  @meenasarin750821 күн бұрын

  Notation Please 🙏🙏

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  @sushantpaikane166421 күн бұрын

  Master piece...divine 😇😇

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  @AmitChauhan-cz6py22 күн бұрын

  Wah wah kya baat hai hariharan sahab dil bag bag ho gaya sunkar 😊❤

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  @TIYAASCHAKRABORTEE22 күн бұрын

  🙏👣💐

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  @padmajasoori776922 күн бұрын

  Waw it's superb marvellous singing 🙏🙏🙏🙏🙏❤️

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  @alokverma3212322 күн бұрын

  Simply transcendental!!! The accompaniments are so good as well. What a soft smooth honey laced voice!! What music and literature!!!

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  @masiharfan754223 күн бұрын

  Koi bta skta sath sangat kon kr rahy?? Tabla Ustad Mian hussain sab hain?

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  @masiharfan754223 күн бұрын

  Kya bat hai, laajawab