The music of this channel remember me years 2000

I don't have a lot of time to watch tutorials any more, but when I do it is always yours, Demis. I also have many of your preset packs and they are absolutely first class, and a lot better and more usable than some other pack from more "well known" producers/sound designers. You don't get as much recognition as you should IMO. Thank you!

The Trance Master Demis in his perfect ELEMENT!

Spot on! This reminds me of those Craig connelly lead sound...

Thank you :D

A master class! ❤

wow that is so good and well explained!!!

I like that melody ,at 10,47 min is very great 🎉🎉🎉

I like the sound of the arp in the tip sections midi for that would be Kwl

@demishellen

Ай бұрын

There a lot of free midi arp tutorials in my playlists. I have a month series of trance arp videos. 😎

Absolute gold my man!

@demishellen

9 ай бұрын

Happy creating, hopefully you can get some time in to try these out at the weekend. 😎

Thank you Demis, great help. Peace Love and Respect.

Oh you could so use that third pattern in a retro game. So cool!

Just a little addition for those logic users (posibly other daws also) if you have you synth layers in a stack you only need the MIDI on the stack & it will play all of the synths in the layers. you can still automate each layer on its own

Thanks Demis! verry usefull!

New subscriber 🎉 love these sounds !! Hopefully I can get a good sounding tune going soon with your help Demis 👍🔥

Man that takes me back!

Love this tutorial like. Reminds me of Marc et claude - need your lovin.

That third melody is so dope

@demishellen

9 ай бұрын

😝 cheers dude 😎

I have ANA2 where do i sign up for your upcoming pack

I do my arp on the minilogue ,in the late 90s i never knew it was arp doing them trance tunes I thought it was stabbing fingered note s ,you make so much interesting tunes up good with delay

Love it as usual Demis

@demishellen

9 ай бұрын

Cheers Wes 😎

Dude! Amazing!! Love it.

You're a genius ❤

awesome video man, always great content

great Video. I use Ableton, but i also try cubase from splice, sadly nothing works. I always get the message no license key.

How do you make the effect of the sound as if it's closing and opening? I'm not sure what it's called as I'm brand new to trance.

great video as always

Thank you!!

A thing I learned regarding layering is dissonance and octaves Having one layer be very out of tune compared to the others. Makes the sound bigger without making it louder. Out of all the synths you have, what's your favourite for workflow and sound? Regarding delay settings, I found having the delays of the layers to be the same work best, whatever synth I'm using each layer. Some people use different delay settings for different layers and I found it makes the sound more mushy and less detailed. What's your take on that?

@demishellen

9 ай бұрын

Dissonance is something I have been wanting to explain but the workload and being out of action recently I have not got round to scripting this one yet. Delays can be seen as extra notation at different times and gain levels. So the more we have going on the more we have to manage. Using delay settings that compliment each other will work better than just using random settings. It's all about the context but delays add more layers. If you have 4 tracks which are plucks and leads, adding delay to each is essentially doubling them to 8 layers. Bit of an extreme scenario but it gets the point across of being creative and mindful 😎

Oh yes! Pure sonic bliss beautifully explained, as always. Have a great w.e.

@demishellen

9 ай бұрын

😎 Appreciate it, have a good weekend too 👍🏻

@DarkSideofSynth

9 ай бұрын

Thanks @@demishellen

tiesto forever !

Dude what a effin source of info, esp. w/ regards to an arpeggio 💯 channel ! ❤ Edit: can't fucken type.

The first pattern sounds like Armin Van Buuren track, from his album. can't pin point it. Been hunting for it. Its a couple of years old. Its from the State of Trance. Unless its your track on his album mix. 🤷‍♀ But it sounds extremely familiar.

@JFlo-ln6dx

4 ай бұрын

Communication

big brain

🙏🙏🙏

I hope I don't sound like a broken record by saying this, but I'd argue that not even a low cut is necessary. It might even be detrimental, especially when it comes to headroom, and you're better off just reducing the low mids with a bell filter by a handful of decibels. Heck, the low end of the lead might not even be interfering with the kick and the bass, since the kick and the bass are going to be much louder than anything else, anyway

@demishellen

9 ай бұрын

That can be the case is some instances depending on the music being created. However the low end needs to be checked especially when the track is played louder, any unnecessary low end movement makes the woofers work harder and worst case scenario of frequency masking will be huge issue. My workflow on leads and plucks usually requires no information in the low region as if I cannot hear it then why leave it unattended adding to potential issues later in my mix. 😎

@UnfortunatelyTheHunger

9 ай бұрын

@@demishellen But that's the thing! Masking in the low frequencies is nowhere near as likely as you think it is, and if it is, the problem is the sound source, not the post-processing. Basically, the solution is to simply not make your lead play low notes, since that's literally what would be causing the frequency clashes. Also, leaving the low end of your leads and your plucks is literally what gives them warmth. Putting a low cut, even a subtle one, is not only going to remove that warmth, but also distort the transients to an unpleasant degree, since all low cuts by definition add significant amounts of post-ringing artefacts. And you also don't have to worry about that low rumble accumulating to affect the kick and/or bass too much, and if they do, again, the problem is in the composition and sound selection, not in the post-processing. Finally, I have never heard of "unnecessary low end movement" causing problems for woofers; woofers are literally designed to handle those frequencies. What may actually cause problems for woofers, is playing highly compressed audio at unity level; there's a reason why live mix engineers have such contempt for bass music DJs. So in this case, the solution is simply to not master above -14 LUFS, since live PA systems are built to withstand transients going above 0 dB, while sustained audio hovering slightly below 0 dB will quickly wear those systems down very quickly. In short: "We'll fix it in post" is a bad habit.

@eroero830

9 ай бұрын

"simply not make your lead play low notes" it's not what you think, it really is extra space that contests with what else that is going on. True if a thing is not happening in that range, then you are right, but rarely is that the case. Often there is movement in that range, and in that space.@@UnfortunatelyTheHunger

@TranceElevation

9 ай бұрын

@@UnfortunatelyTheHunger You can low cut without removing the warmth. Things don't have to be black and white. Indeed it's a common problem for producers, especially newcomers to hi-pass too much their elements making things sound thin and cold. Anyway everything depends on the context, we should judge with our ears. I was just working on a track and I had a fast plucky arpeggio playing during the verse. It sounded absolutely great and then I saw that I didn't EQ it at all, so I tried to make a simple hi-pass up until 120hz, it somehow killed the energy, so I left it clean.

@aaronmichaelmusic_

9 ай бұрын

@@UnfortunatelyTheHungerlol are you a signed record producer? Probably not… so I think Demi’s knows what he’s talking about.

You are genious.🔥 I really love youuu🤍