Unlock Your Filmmaking Potential with Must-Have Sony Full-Frame Lenses
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In this ultimate guide, Mark Arnett delves into the world of Sony full-frame lenses and explores which ones are essential for creating documentaries and movies. Whether you're a seasoned filmmaker or just starting out, choosing the right lenses can make a significant difference in the quality of your footage.
From capturing wide-angle shots to achieving cinematic depth of field, Mark covers all the must-have Sony full-frame lenses that he has collected over the years. His expert recommendations will help you navigate through the lens options with confidence, ensuring you have the right tools to bring your creative vision to life.
Discover the power of an inexpensive prime lens like the Sony FE 50mm f/1.8, renowned for its versatility and exceptional image quality. Explore the flexibility of zoom lenses such as the Sony FE 24-70mm f/2.8 GM II, perfect for capturing a wide range of scenes and providing the flexibility you need on-set.
Mark also discusses specialty lenses like the Sony PZ 16-35mm f/4 for ultra-wide angle work and the Sony FE 70-200mm f/4 Macro GII lens, ideal for creating stunning portrait shots and achieving beautiful bokeh effects and allowing you to capture distant subjects with precision.
Join Mark on this journey as he explores the top Sony full-frame lenses that every aspiring filmmaker should consider. From prime to zoom, wide-angle to telephoto, He'll help you determine the lenses that align with your cinematic goals and capture breathtaking visuals.
Remember to like this video, share it with your fellow filmmakers, and subscribe to our channel for more valuable insights on photography and cinematography equipment.
➡️ Time Stamps:
00:00 - The Best Sony Full-Frame Lenses for Filmmakers
00:25 - 24-70mm
03:27 - 50mm
04:25 - 35mm
05:04 - 24mm
05:49 - 16-35mm
07:00 - 70-200mm
08:24 - The Top 6 Sony Full Frame Lenses
08:52 - Have a Lenses Plan
10:02 - Why Sony Lenses
10:57 - The Cheapest Sony Full-Frame Lens
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➡️ Affiliate links (Not sponsored):
Sony FE 24-70mm f/2.8 GM II
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Sony FE 28-70mm f/3.5-5.6 OSS
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Sigma 24-70mm F2.8 DG DN Art for Sony
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Sony - FE 50mm F1.8
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Sony FE 50mm F1.2 GM
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Sony FE 35mm F1.4 GM
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Sigma 35mm F1.4 DG DN for Sony E Mount
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Sony E-mount FE 24mm F1.4 GM
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Sony FE PZ 16-35mm F4 G
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Sony FE 16-35mm F2.8 GM II
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Sigma 16-28 mm F2.8 DG DN Lens for Sony E Mount
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Sony 70-200mm f/4 Macro G OSS II
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Sony FE 70-200mm F2.8 GM OSS II
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Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD
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Sony 90mm f/2.8 Macro G OSS
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Xuan Focus Free 30mm F/10 Body Cap Lens
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➡️ This is not a sponsored video.
"storybabble" is a production of Two Pod Guys LLC dba Random Acts Production Company. ©2023 all rights reserved.
Learn more about Mark Arnett at MarkArnett.com
Пікірлер: 12
@storybabble I'm enjoying your videos. Keep it up.
@storybabble
6 ай бұрын
Thanks, will do! Appreciate the encouragement.
I can relate. I currently own the following lens lineup (I’ve owned a few others that I’ve sold since): Sony 14mm f1.8 GM Sony 24mm f1.4 GM Sony 35mm f1.8 GM Sigma 85mm f1.4 DG DN Sony 24-70mm f2.8 GM II Sony 70-200mm f2.8 GM II I mainly use either the 85mm and compliment it with the 24mm or 35mm for client work. But for personal trips and whatnot, I use the 14mm, 24-70, and 70-200. Those are the ones I brought to a recent trip to Sedona. My favorite are lenses are the 85mm and the 14mm, though. I really wish Sony can drop the 85mm GM II already, though. I’ll likely keep the Sigma, but even if I don’t, the 85mm is my bread and butter, and I’ve got to have the best of the best. 😄🤭
@storybabble
7 ай бұрын
That’s great collection of lenses. Glad to hear that you can relate. Also, Sedona is a great place to shoot. I live in the Phoenix area, so I’ve been fortunate to go to Sedona often. Beautiful.
Agreed the 24-70 f2.8 GM II would be my first choice but that price ouch!!...so I went with the 20-70 f4 G. And love having the extra 4mm on the wide end. Allows me to leave my 16-35 at home many times.
@storybabble
6 ай бұрын
That sounds like a great option. I need to check that lens out. Thanks for the tip.
Check; 24mm, 35mm, 50mm 1.4 GMs and just picked up the 24 to 70mm GM 2.8 for my Alpha One… now I eat Ramen noodles 🍜 for several months! 🤑 but this makes me feel better! Also picked up Samyang for 85mm and 135mm to safe $$$ on lenses that will use… the least. Holding off on 16mm to 24mm for the Sony $5K Cine lens when I feel safe in getting an FX3 for two camera video shoots! True, I can’t imagine how a 3rd party lens will have the schematics to compete with Sony lenses to take best advantage of their high end camera tech! That seems to be consistent with the Gerald Undone videos and other context guys who get deep into the specs & tests… though Samyang and Sigma are close (if not better in fringe aspects) for a fraction of the cost!
@storybabble
7 ай бұрын
I feel your pain about eating Raman Noodles. Lol. Thanks sharing your thoughts.
I'm currently considering a 40 mm lens to be my first prime.. hoping that it would be a nice balance between 35 & 50 mm🤞 Either the Sony 40mm f/2.5 G or the Zeiss Batis 40mm f/2.
@storybabble
19 күн бұрын
I’m sure that you can get great results with either of those lenses. Thanks for watching.
Fellow lens hoarder over here as well 🤣 Solid choices. Despite their shortcomings, I tend to prefer Sigma because of their more filmic "look". Sony lenses are just too sharp for my taste. I don't mind a little lens breathing. I've also recently discovered Gyroflow which works amazingly well as long as you turn all stabilization off.
@storybabble
7 ай бұрын
I can respect your choice. I’ll have to try Gyroflow. Sounds interesting. Thanks for sharing your experience.