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“Cinema already has its masterpieces (…) Vomiting up old masterpieces is the only way for us to manifest our originality: puking out these masterpieces is our only chance to create cinematic masterpieces of our own,” declares Daniel, the “hero” of the Traité de bave et d’éternité.
The temporary death of cinema is the essential idea here. Besides the fact that no more story is being told, the voluntary repetition of the same image makes invisible that which seems to be visible. The heap of banalities prevents the spectator from giving in to any sort of internal drama. - Frédérique Devaux