Timestamps (They only work properly when you SMASH like on this video). 2:37 - Resolution 3:56 - Camera Options and Recommendations 6:49 - Frame Rates 8:03 - Teleprompters 9:29 - Lenses and Perspective 11:11 - Crop Factor and Sensor Sizes 12:40 - Lens Recommendations 14:43 - Full-Frame vs Micro-4/3 Sensors 16:14 - Aperture 17:26 - Framing 20:23 - Exposure Settings 23:40 - Lighting Setups 25:57 - Light Temperatures 27:01 - Types of Microphones 29:41 - Microphone Recommendations 30:31 - Recording Audio Correctly 31:41 - Basic EQ Tips 33:24 - Recording Audio for Worship 33:57 - Tips for Mixing Background Music 35:14 - Editing Software 37:42 - Editing Screen Share 38:36 - Syncing Audio and Video Tracks 39:27 - Making Basic Cuts 40:19 - Mixing Voiceover 42:52 - Adding Music 47:08 - Color Correction

@RinaldoJonathan

4 жыл бұрын

you know lying is a sin, don't you

@williamjoyner2306

4 жыл бұрын

Rinaldo Jonathan it’s a joke.

@nomadscentral

3 жыл бұрын

KZread videos are not podcast. They are meant to show not to tell. Show, hook us with an show intro of whatever you are teach! I don't like the telling in this video

On the Shutter Speed: a good rule of thumb for the most natural motion blur is to have a shutter speed that is double your frame rate. So if you are shooting at 24 fps, then set your shutter to 1/50; 30 fps = 1/60; 60 fps = 1/120; 120 fps = 1/240. If you are shooting something with a lot of fast movement and you don't want it to be blurry, then increase your shutter speed further. Keep in mind, though, the faster (higher denominator) your shutter speed, the less light you'll get so you will need to compensate for this by opening up your aperture, raising your iso, or increasing the light of the scene.

@mtdong

4 жыл бұрын

Totally agree. If people put their cameras in Aperture priority mode for video (as suggested at 22:45) they could run into issues since their camera will most likely break the 180 degree rule. So, if people are having issues with their footage looking odd (unnatural blur or strange banding is changing due to flickering lights) then the shutter speed would be the first place I'd look. Like Jake said, ideally you would be shooting in manual mode, but this is just something to note for those just getting started. Great video.

I love that he is talking about basic things that I've never heard before! Like lenses are measured from front to back in millimeters!

Finally got to take advantage of this video and watch it in it's entirety. This video is worth $$$... The fact that you guys take the time to throw this much hands on practical training to struggling worship creatives is a blessing. It's in encouraging to see that I'm using a lot of this already, but I definitely gained some serious new tools. Thank you!

With all due respect to the video’s host and guest, there are many things stated in the video that are incorrect or said in such a way to be misleading without further clarification. The progression of resolutions historically was not 720p to 1080p to 4K. 720p and 1080i were standardized at the same time under SMPTE-292’s 1.5 Gbit/s HD digital bandwidth standard. Then 1080p followed under SMPTE-372 & SMPTE-424 and UHD (ITU-R BT.2020) followed. 4K is a variant of UHD. The only camera types discussed in the video are essentially still photography cameras used for video and video camcorders (with the notable exception of Blackmagic which is difficult to classify). Many other camera types exist in church video production however. What about PTZ or SMPTE/triax tethered cameras, almost all with smaller than 35mm sensors? 24 (23.98) frames per second is NOT the de facto cinema speed. Film projectors would show each frame twice creating a temporal visual experience of 48 frames per second. Modern feature film cinematographers will dial in a 1/48th (aka 180 degree) shutter creating a similar 48 impressions per second temporal experience. 24 (23.98) without projecting each frame twice (or a 1/48th, 180 degree shutter in a digital cinematography cameras) may be susceptible to motion blur. 24 frames per second is NOT “similar to what the human eye sees in real life.” And is not “real smooth.” If thopse statements were true viewers could not perceive 30 or 60 FPS, nor would cinematographers dial in 1/48th shutter. Nor is 30 FPS “the old standard” and 24 “more and more the new” standard. 24 FPS (with or without a 1/48 shutter) predated 30 FPS by decades. It is incorrect “the only reason to shoot 60 FPS is to create slow motion effects in your editor.” A temporal resolution of 60 is the de facto broadcast and video production standard regardless of platform (internet, broadcast TV, etc.) in the United States. Furthermore slo-motion is not created by “fitting in more frames per second” it is created by displaying frames at a slower rate than they were acquired, which may or may not involve acquiring frames at a higher speed. The film term for this process is “over-cranking.” All of the statements in the video regarding lens focal length and resulting field of view assume one is shooting with a 35mm camera.... but the host and guest do not state this underlying assumption. If the camera’s imager size is anything other than 35mm the field of view obtained by the lens focal length changes and therefore the statements in the video is no longer accurate. Stating that “larger sensors take in more light” is an oversimplification. A larger sensor with a greater number of photo sites may be more light sensitive. A larger sensor without a greater quantity of photo sites will have a lower photo site density and therefore will not be more light sensitive. Additionally there are other reasons why a larger sensor camera may be less light efficient than a smaller sensor camera. All comments regarding audio EQ were specific to the mics the host and guest shoot with and how they place those mics. Other mics mounted differently may have different EQ needs. I could go on but all these problems after just seven minutes of content …

@miltonrichards5532

4 жыл бұрын

..."the video's host and guest." Really?

Thanks richly bless you sir

Thanks Jake

This was an extremely helpful video. While I am a serious amateur, having additional information was fantastic.

The best tutorial about livestream church services ever! Ty

Thank you guys

I'm very knowledgeable of the subject matter already, but I like your audio tips; it was definitely worth the watch. Thanks a bunch.

Color Correcting at 47:00 was super helpful. Thanks Jake!

Jakey, My mind was blown when you showed the difference from no EQ and with EQ. I need to learn how to do those adjustments!

Thanks for sharing your knowledge!

What I learned from this video in order to get good at video production: Smash the "like" button. I joke. Great video guys.

Our church has been paying someone to come and set up, record, and edit our sermons for online. They have been great, but the expense is proving difficult to meet. The church owns a black magic pocketcam 4k. I'm new to the church and the only lense I've found is a laowa c-dreamer 17mm f 1.8. We have a teleprompter, a single tripod, but no lighting. We have limited volunteers to record on Sunday morning, but I'm contemplating experimenting with recording with the 17mm at 4k and then output 1080 to try to mimic multi cam.

hi I'm from bangladesh and I'm watching your videos and this is really helping me to chose camera and to do video also but I'm really looking for and filmaking traning. thank you so much.

Nice stuff guys. Maybe make a series of videos on how to shoot different church promotional videos. Announcements, events, church life, interviews, promo video for website... stuff like that. Thanks again guys, you’re helping me a lot!

Great timely video

Thank you very nice training. Would be interesting to see what impact cabling/networking has the set-up e.g. capture cards, adapting/converting video. a) live recording all cameras & audios b) webinars Difference in performance when I am using NDI / SDI / HDMI. Perhaps idea for a next video : studio/church cabling and networking

It was very informative to anyone that is clueless when it comes to this whole world of video production. I did want to add a note on the video editing software. I have used almost everything out there when in comes to video editing software. I will say the Apple products are the most intuitive when it come to some one with no editing experience. I am using DaVinci currently(Free Version) and for someone with a background in video editing that would be a good choice. I would say it is closer to Media Composer then the Mac apps. I am also using a 2011 iMac 27 inch model(base config) with 32 gb of RAM. So, you don't have to have the most powerful computer to edit in it. They do have some cool plugins but I just use my Waves stuff I use what I know.

Awsome!, Thanks so much, it is super useful!

Great video fellas 🎥👍🏻

So, just started watching the video, so you may end up mentioning this, but PRO TIP: Blackmagic’s DaVinci Resolve is a FANTASTIC and FREE cross-platform pro-grade video editing software. It rivals Final Cut Pro and Adobe Premiere, but even if it only accomplishes 80% of what those programs can do, it is FREE and SUPERIOR to iMovie!!!!!!!

@mahall85

4 жыл бұрын

Annnd, of course you actually mention Resolve, LOL... good on you guys. :) IMO, you’re far too kind to iMovie, as it DOES have some limitations that pro apps do not have. IMO, if people hit that wall, then they should try Resolve, first... it’s FREE and is far closer to Premiere and FCPX than iMovie is. For a pro-grade app, Resolve is very user-friendly. Our church is in the process of making the jump from iMovie to Resolve, and early returns are positive so far!

@ProfitandPixels

4 жыл бұрын

@@mahall85 Good to know! I haven't used Resolve much but it does seem to offer great value for a free editor, I might need to do a review video about that...

This is an extremely helpful video.

Thanks guys for all the guidance!! I do have a question could you possibly do an informative video on church stage lighting? What you recommend and also the most affordable options. Any information would help loads!

Great Video. I’ve just learned so much

I have learned so much and thank you. I just had to share it with someone else so we have an idea what to do for videoconferencing .

Thank you so much for the guide so helpful, what about camera positions in the santuary or auditorium, what's the basic number of cameras and positions to cover a full service??, Worship team, Pastor, people, etc... thank you guys!!

Love it! So much good info here. Definitely a good place to start instead of texting your patient boss all these questions separately...

Great video, was just about to talk with my Pastor about this. God bless

Wow, I just watched the whole video and learnt so much. Thanks guys.

Would like to see something on placement of cameras in your church, how to deal with having a camera operator vs not having a camera operator (fixed position, etc)

@Andrelas11

4 жыл бұрын

The best coverage is: One in the middle that's wide and unmanned (mounted or tripod). One in the middle that's a medium or closeup that follows the lead that's manned (Mounted or Tripod). One on each wing with medium to closeups that's manned (Tripods or mobile rig). One mobile camera that's manned getting supplemental shots either on stage or running around in front of stage if you have no way to do both wings OR in addition to both wings. I would always suggest putting operators on cameras if at all possible.

What would be the next step up from the Canon Vixia HF R800? Staying at the $500 - $600 budget.

A little disappointed there was no mention of Sony Mirrorless cameras. The a6000 series of cameras produce amazing video, the 6100 and up shoot in 4k, the 6500 and 6600 have 5 way image stabilization, the 6300 and up shoot in S-log for good color grading, they have great color, incredible low-light capabilities, the fastest auto focus around, amazing focus tracking, and they start in the $600 range. And that's not mentioning their Full Frame a7 lineup...

@mgleason

4 жыл бұрын

Our church just bought the A7R IV as it came highly recommended by another worship director in our area. Just starting to learn the ins and outs.

@colbydotcom

4 жыл бұрын

@@mgleason nice! I haven't played with that one yet. I use the A7s II and a6300 for my wedding videography and our church has 2 a6300s. I love the Sony lineup and couldn't recommend it enough!

@gioseisa

4 жыл бұрын

Definitely the Sony cameras are awesome! We use an a6100 at our church!

@waynegriffith

4 жыл бұрын

I agree. We use an a6000 and an a7III for our streams and videos. Great quality. Low light and focus are top notch.

@ProfitandPixels

4 жыл бұрын

Yes, the Sony lineup is a great value for 4K video! We're not huge fans of their coloring, but many people are, and the auto-focus and low-light are definitely impressive.

Sony apsc cameras like 6400 great 4k video audio and if you use lenses like sigma 16mm 30mm and 56mm you going to shoot like pro God bless all

This is great for pre recorded videos, using mirrorless cameras is a pain because some of them dont have clean HDMI output

Just a quick clarification. Lenses are not measured in mm from front to back to depict their depth but rather by the distance from the convergence point to the sensor. This is why you will see different sizes of lenses with the same mm rating. Generally its proper advice to spend more money on your lens than on your body as well. Kit lenses are usually quite terrible. Primes are typically more "cinematic" because the quality of glass can be better since there are no moving parts (also making it cheaper) and they can be much faster (have lower f-stop values). The biggest thing I see with framing is people giving WAY too much head room like you said. I like very little headroom. I do sometimes give a "haircut" where the top of the head is just slightly off frame depending on if the moment calls for it which is a perfectly normal framing technique in the right situation. An important note on lighting especially with the 3-point setup. If you want good smooth, wrapping light without a lot of hard highlights then you will want to have a big light source as a key with some diffusion. This doesn't necessarily mean you need a big light, you just need something big to spread it around. Don't shoot an open light directly at someones skin if you want the light to look pleasing. Tungsten lighting will do more for your skin tones as well compared to LED's due to their color science. But LEDs are cool and cheap so that's hard advice to follow.

Great video, my favorite part was the "Smash that like button" lol you should do it in every video at random times

What do you think of using a speed booster with an mft camera to get a shallower depth of field from your lenses?

Hey guys! Great video! We're playing catch-up in this space. Is there a reliable option to connect a camera at front of house that connects to our ATEM in our sound booth in the back without running a hdmi/sdi cable??

Thanks for the video! Is there a teleprompter link please? Thanks in advance

where can we get the teleprompter?

Have you found any m4/3 powered zoom lenses? I found a panasonic 14-42 and 40-150 with electronic zoom but can’t find any others. Atem camera control is the goal ;-)

You guys are a little confused on how the crop factor works (or at least you are in this video). 11:54 An 85mm lens doesn't act like a 170mm lens on a full frame camera, it acts like an 85mm. On a crop sensor with a crop factor of 2.0, it'd be 170mm. 12:05 A 50mm on a full frame doesn't act like a 25mm on the crop sensor, it would act like a 100mm.

@mgleason

4 жыл бұрын

Riffman42 I think he got it right, but worded it in a way that was confusing. I didn’t know what crop factor was so I looked it up and watched again carefully and figured out what he meant.

@ProfitandPixels

4 жыл бұрын

Yep, I think we may have just gotten a bit tongue-tied there!

@thomasdangelo1018

4 жыл бұрын

A 85mm lens on a full frame 35mm sensor camera (for example a Canon 5D, 6D, 1Dc, 1Dx, Nikon D5, Sony a7R/II/III 4K), shooting HD video and cropped for 1.78:1 (16:9) aspect ratio will achieve an equivalent field of view to a: ¼” imager camera in 1.78:1 at 9.3mm 1/3” imager camera in 1.78:1 at 12.4mm ½” imager camera in 1.78:1 at 16.6mm 2/3” 1.78:1 imager camera at 22.8mm Red Weapon 2K in 1.78:1 at 22.8mm Red Epic/Scarlet 2K in 1.78:1 at 24.7mm Red One 2K in 1.78:1 at 26.3mm Blackmagic URSA 2K (and Mini 2K) in 1.78:1 at 26.8mm Blackmagic Micro (and Pocket) in 1.78:1 at 29.7mm Phantom Flex 4K in 1.78:1 1920x1080 at 30.8mm Nikon 1 in 1.78:1 at 31.4mm Blackmagic Cinema in 1.78:1 at 37.5mm Panasonic AG-AF100 in 1.78:1 at 42.3mm Micro 4/3 camera (like Lumix GH1, GH2) in 1.78:1 at 44.8mm Phantom Flex in 1.78:1 1920x1080 at 45.6mm Red Weapon 4K in 1.78:1 at 45.6mm Blackmagic Ultra (and Mini UltraHD, BM Production) in 1.78:1 at 50.2mm Red One 4K in 1.78:1 at 52.6mm APSC “cropped sensor” camera (like Canon’s 7D/T3i) in 1.78:1 at 53mm Sony F5/F55 in 1.78:1 at 53.7mm Panasonic Varicam35 in 1.78:1 at 54.8mm Nikon D300s / D750 in 1.78:1 at 56mm Blackmagic Mini 4K (and AJA Cion) in 1.78 at 53.3mm Super35mm camera (like the Arri Alexa, Panavision Genesis) in 1.78:1 at 56.5mm Super35mm camera (like the Canon C300) in 1.78:1 at 58.4mm Canon 1D m-IV in 1.78:1 at 66.2mm

There are plenty of NLE's out there besides the three mentioned. There are consumer NLE's that do amazing work, cost under $100, and create videos with much less fuss than Premiere, and it's never ending subscription, and learning curve, and Davinci Resolve Free, which requires a beastly computer. Then there are the computer requirements to edit 4K. A $500 laptop will struggle.

Can we get a link for the teleprompter

Which lens good for Blackmagic pocket camera 4K please suggest

I can only smash the like button once.

@Churchfront

4 жыл бұрын

Unsmash and smash again.

What should I buy for an Audio Eq?

where is best place to position camera(s) and mic(s)

Thanks! This is amazing, that you sharing with us! Is this up above 0dB at 35.15 "Quite a bit of work" ? :)

Why do you recommend Mirrorless cameras as opposed to HDcams for a service that you need studio configurations? What is wrong with those? Curious of your comment on that

Great video! Do you have a link for that teleprompter? I'm having a hard time finding it online..

@ProfitandPixels

4 жыл бұрын

Hey Dan, the teleprompter is padcaster.com/pages/parrot

Brother, you have added content on the cameras, video and editing bit you have skipped what goes in between audio interfaces and video capture devices. Pray why?

What about the canon eos rp? Pls let me know...ty

What’s the brand and model of the teleprompter?

Where is the teleprompter link?

Pl how can I stream live with webcam without camera breaking

How does a professional camcorder compare to dlsr or mirrorless cameras?

👑

Thoughts on Sony? We have an a7iii available to us.

Hello Jake and Spencer. Thank you for sharing your experience and knowledge. I am seriously considering buying the Canon RP DSLR for live streaming. But I cannot find anyone to tell me if this camera has a clean HDMI. Any advice? Thank you, much appreciated.

Would you recommend a Full Frame or 4/3 camera for recording a full service (~1 hour) in medium to low light at 4K?

@video2000ification

3 жыл бұрын

Full frame has an advantage in low light but 4/3 works. The 4/3 camera has a universal mount (brands don't matter), more/unlimited recording time, more lenses and compact too. 4/3 image quality competes with 35mm cams. 12-40, 12-60 or 12-100mm is useful for 4/3

Nice video dude🔥🔥🔥

We recently purchased a Deity V-micD3 and a Canon XA11. We are having difficulty with the sound and how to set it up. We are novices and would like to get some help. Thanks in advance

GREEEEAT video! Really struggling to setup the sanctuary for filming from above --- cheaply. Got any "ghetto" remedies for that problem?

Please review new EOS-R5! Thank you!

what do you use for filming a service? dslr's cant be charged during use, and battery life isn't great

Any videos or tips on how to make those audio adjustments in premiere? Specifically the 6db cut and the 3-5 dB boost

What about gopro??

What lens would you recommend for a Canon M50?

What about going a professional camcorder, such as a Canon XA40?

Hi you mentioned the Canon Eos R as an option. Is it able to record longer than 30min? Or is this on possible using a field monitor like the Atomos Ninja V 5”?

Thank you very much for the Information. The DSLR Cameras you mentioned, are they able to record more than 30 minutes at once? In most situations we're recording 60 to 90 minutes at once. Thanks

@moodyshyamdinakaran3892

4 жыл бұрын

sony a6400 or a6600 mirror less camera has no video record limit

Excellent video - I like the Lumix's that you covered. Also I didn't know you could sync vid/audio with FCP either. I have fallen in love with this software over the last 2 months. FCP has my vote over DaVinci if you are editing in a MacOS environment.

Great Vid Guys as always. What are your thoughts on APC cameras. I currently use the GH5 and EOS R for my business but I've loaned my church the canon 80D with the 55-250 glass and it seems to work great.

hi we bought the panasonic HC X 1000, can anyone help me with the camera settings for live stream ,thanks appreciate

The GH5 is a bit out of our budget. I was looking at the G95. I have heard several people call it the baby brother to the GH5. Looking for thoughts on that.

What is good editing software? How do I add worship lyrics into my video?

@Reyfox1

4 жыл бұрын

"Good" is subjective. And with all the video editing software out there, you will have just as many suggestions. Premiere is subscription and you will never learn the software. You have to decide how much you want to spend. Many "consumer" editors are extremely good and easy to use. Pinnacle Studio, VideoStudio Pro, Vegas Movie Studio are consumer editors that can do what you want quickly and easily. There is even free editors, and I am not talking Davinci Resolve. Shotcut, OpenShot, and Hitfilm Express to name a few. Adding text to video is easy with any editor. Me? I use Vegas Pro 17 Suite with full Boris Continuum 2020.5, Sapphire plugins, NBFX and Ignite Pro. I also edit with Pinnacle Studio 23 Ultimate.

@iwmusic

4 жыл бұрын

I use Davinci and Proclaim. Export the Proclaim lyric slides with no background and lay the slides in along the video timeline, Typically a white font works for me. The flow follows the projection slide format I'd use in a live service with 3 or 4 lyrics lines on screen at a time.

Can you use the G5 from the back of the church for main livestream cameras? Which lens?

Why not Sony a6100 or a6400? Also...it’s better for the pastor to have the Parrot Teleprompter app on their own phone, so they can get their own timing down. and practice their message, announcements...etc on their own phone.

Very helpful video for this times. We are planning to get new gear. But I have 1 question: What about Sony mirrorless? are these a good choice to use for church productions? I had my eyes on a a6400 instead of a G85 just for the more reliable focus. What is your experience with the G85 when recording a sermon of 30 to 45 minutes can I rely on the autofocus on a well lit environment? like a 3 point lightning set up. I can't find any info about this but only bad review about the focus so it got me scare and I'm strongly leaning to Sony just because of that issue alone. Thank you and keep up the good work. You get a like and I'm subscribed.

@ProfitandPixels

4 жыл бұрын

Hey Eduardo, I'd say the Sony options are probably going to have the edge for that usage. It's true that a weak spot of the GH5 is the auto-focus, and Sony is very strong there. However, if you have enough light to run your aperture around f/3.5 or f/4 or so, especially on a wider lens, I doubt your pastor will move enough in the forward-to-back plane to step out of focus noticeably.

I am Dr. Mike Hughes I have a couple of decades experience as a Broadcast engineer both Television and Radio. Just enough to let you know I have some background. My issue is knowing what equipment is available for me today to do the job. I am a minister for a small church, large building. What I want to do is put in a HDMI video distribution amplifier probably 4 outputs and then encode that as H.264 into my local in house router. My computer Macmini outputs HDMI at 1920X1080. We are not doing internet streaming. I know what’s wrong with you are you sick not trying to go on the internet. No, probably enough feeds clogging the internet now. We are trying to serve our people when at our worship service and allow them to get the best experience while here and see. We have a projector that doesn’t cover the auditorium that well. The in house stream would allow us to stream to iPhone, iPads and androids

Are the pads from the churchfrontpads.com supposed to be free because upon clicking free, billing information is required to proceed

Dang that was good.

Outfront ?

what about of bridge camera? like lumix fz300

What is the “landline phone looking thing” that front of house engineers use? They’re usually exit to the mixing console. What is it called and where can I get one?

@brshreds

4 жыл бұрын

At my church, it's a direct connection to the online/video production room, so they can communicate without having to run around from room to room during service.

The links for the teleprompter

If you're going to bring a camcorder to the conversation please bring a real 4k camcorder not a simple one the same you talk about mirrorless camera I just dont see it to be fair since Sony and canon has good 4k camcorder

No link for the teleprompter... searching for that one. Full size teleprompters are CRAZY expensive for small churches that are already looking at so many products needed!

@ProfitandPixels

4 жыл бұрын

The Parrot Teleprompter is at padcaster.com/pages/parrot

@thomascee

4 жыл бұрын

@@ProfitandPixels Amazing!!

Thank you for the video, issue is you left out the black magic family 🤦🏾

Out of curiosity, what was up with the mic/editing on the video software tutorial piece? Sounded like a phaser...

@ProfitandPixels

4 жыл бұрын

Hey J.D., it's probably either that I was playing it back at 2x speed sometimes, or it was the Noice Cancellation effect, which can cause the same type of "phase-y" sound (hence using it as little as possible)

Can I download the gear guide without giving up my email?

Everyone is here after coronavirus 😂

How do you export in the highest quality but not a huge file?

@ProfitandPixels

4 жыл бұрын

H.264 is the standard exporting codec. You aren't going to export in a different codec without significantly increasing file size. What you can do if you have an exporting program like Compressor or Adobe Media Encoder is change the bit-rate settings to be higher, but that will increase the file size a bit as well. If you have a strong processor, you can try exporting in H.265, which is new and very efficient, but it's going to put a serious load on your computer and may take quite a while to process.

@iwmusic

4 жыл бұрын

try handbrake after export

most of this could be edited out, most churches not understand this.

Definitely would not get a canon EOS R. GH5 is a better camera.

Fugi!!!! Fugi!!!!!!!!