The mysterious Vermeer - The secret behind a 350-year-old painting | DW Documentary
What’s the significance of the discovery of a naked Cupid in a 350-year-old painting by Vermeer? After years of study, the hidden figure was revealed in the "Girl Reading a Letter at an Open Window" painting, housed at the Dresden Gemäldegalerie. It was a sensational find.
The film traces the many twists and turns that this picture has experienced in its history. The justification for re-exhibiting the painting in its new form is a sensation: the Cupid was apparently painted over after the artist’s death.
The enigmatic paintings of Jan Vermeer have fascinated art lovers for centuries. His oeuvre has been one of the most difficult for experts to conclusively decipher and has frequently been the subject of controversial discussions on a global level. Now, a gallery in the German city of Dresden has assembled the world’s top Vermeer aficionados, high-tech imaging techniques and plenty of cash. Why? Because what began as a regular restoration of a painting has now resulted in the radical alteration of an iconic image.
But who decides how paintings from the past should be analyzed? And how to respond to any surprising findings? This film ponders the prerogative of interpretation in art, in the past and the present. Will the revelation of Cupid finally help to uncover the enduring secrets of Vermeer?
#documentary #dwdocumentary
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Пікірлер: 456
J. Fitzsimmons is the only commentator who mentions that this same painting of cupid appears in two other works by Vermeer. It astonished me that this documentary made no mention of this, or of the fact that Vermeer often included paintings, maps and tapestries in his backgrounds! So no surprise that the cupid was there all along. Paintings were often altered by "restorers", cut down to fit frames, or deleting unfashionable background "distractions".
@bend3rbot
Жыл бұрын
DW is a competent documentary producer, but not an art history specialist. I could estimate a good handful of these, important to assist greater understanding, omissions to have occurred by the very nature of interview-only process, rather than a designed exposé.
@argusfleibeit1165
Жыл бұрын
I did notice another painting was VERY briefly shown here, 23:41 "A Young Woman Standing", featuring the cupid.
@teknoaija1762
Жыл бұрын
It s narrator,not commentator!Language!
@LaoZi2023
Жыл бұрын
And many of them do a horrendous job in their "restorations!"
@charleswyler4268
Жыл бұрын
@@argusfleibeit1165 It's just about the same "cupid", too, and isn't this cupid holding a playing card shown later as part of "Girl reading a letter.................."?
I just got to see a number of Vermeer paintings at The Metropolitan Museum of Art, recently. What a joy.
This is the kind of documentary that makes DW simply wonderful! Thank you for this journey into art and history! Beautiful. 🙂
@NathainArdoin
Жыл бұрын
Here, Here!
I'm a big supporter of utilising science & technology to peel back the layers of time to see these masterpieces _as the artist intended._ I find it incredibly ironic when art critics & academics protest restorations like this one, because they are effectively saying "I'm not interested in what _Vermeer_ was trying to communicate with this painting... I'm only interested in what _I think_ he was trying to say based on my interpretation of another artist's alterations." I think it's an insult to the artist to put your own ego before their artistic intent... to want future generations to continue to see the version _you_ like & are comfortable with, instead of to how it looked when it left Vermeer's easel (or as close as modern sympathetic restoration allows).
@uiscepreston
Жыл бұрын
Then "as intended", the painting is busy, obvious and lame.
@mr.billthrower7392
Жыл бұрын
@@uiscepreston O well, Vermeer painted it like that. Why not just copy it and alter it to your liking instead of destroying a masters artwork.
@kimclarke5018
Жыл бұрын
Exactly. Restoring the painting to its original form, and taking away the alterations made after the artist died by others puts it back into the condition that vemeer intended. Doesn’t matter if they don’t like it, it’s now how he painted it in the first place.
@IRGeamer
Жыл бұрын
Agreed. "Removing this erasure of history is erasing history" is just gibberish.
@debbylou5729
Жыл бұрын
These are irrelevant. Materials were often painted over with items bleeding through the finished art. They mean nothing
Imagine how many other pieces of art there are out there that have been unnoticeably altered
@uiscepreston
Жыл бұрын
Or intentionally altered. Or destroyed because someone with an Xray machine thought they knew better.
@karenneill9109
7 ай бұрын
There was one where a slave was painted over. Fascinating.
@seanfaherty
2 ай бұрын
A few of mine could use the help to be honest
I don’t think history is being removed, it’s being returned in its original state! Love it!❤🇨🇦👏🏻👏🏻👏🏻👏🏻👏🏻
@jwilcox4726
Жыл бұрын
In Delft, Holland, Nederlands. That's is where you get REAL Blue Willow dishwear. The immatation is cheaper and goes in dishwasher/mircowave. China uses the best paint. xo
@ernie7453
Жыл бұрын
I believe it is a paradox: obliteration by incorporation.
I was lucky enough to visit the Mauritshuis Museum to see Girl With A Pearl Earring. The painting is breathtaking and simply glows but, the museum is also beautiful. The perfect setting for a masterpiece.
Finally! Another classic on art history! Your art history documentaries are second to none, DW.
I highly recommend the documentary "tim's vermeer." It's about how vermeer painted using a reflection off of a mirror.
@stighelmer1265
Жыл бұрын
And Secret Knowledge by David Hockney.
@beeperlove
Жыл бұрын
I tried the experiment with a black and white photo and it works! I painted an photo-realistic painting having never painted before. So worth trying
@jenniferk9242
Жыл бұрын
Of course we will never know if he did paint with mirrors or if he just had an incredible natural perception of color and light and the great talent to display that in his paintings. I thoroughly enjoyed Tim's Vermeer and thought it excellent!
@avaangel433
Жыл бұрын
I agree, can't recommend Tim's Vermeer enough.
@Meine.Postma
Жыл бұрын
Vermeer did sketch on the canvas beneath the painting and he changed the compositions by overpainting part. So I don't know if he really used that technique but it is a nice documentary
I was informed by a friend in Rotterdam that there will be a major exhibit of Vermeer's work at the Rijksmuseum in Amsterdam this year with 450,000 tickets ALREADY been sold. I adore his work and visited the Mauritshuis museum when visiting my friend eleven years ago... so I could see Vermeer's work, including the Girl with the Pearl Earring. This is a brilliant presentation. DW is a wonderful source of information. Thank you.
@beverlystraus9300
Ай бұрын
I was at that museum in Amsterdam in 2018. What an awesome experience 🎉
I love the curtain. It is so realistic! The glass on the window is so real, as you can see the wavy old glass in the window!!
A wonderful documentary and discussion. My only regret is the animation of the girl, letter, and beyond the window, which represent someone other than Vermeer putting their stamp on it.
I think having the painting come slightly to life was a wonderful touch. Well done.
It's possible to appreciate both versions. The image always existed, just not to the visible eye. I think the discovery is positive for art appreciation and further curiosity about Vermeer's work.
This documentary is excellent. Vermeer is one of my favorites of the masters. Thank you, I learned more.❤️
Vermeer has painted my favorite: Girl with a pearl earring. That painting has more soul than any other..
Badly translated from German but I like the girl with the braids. I still have questions though, the main one being how they came to the conclusion Vermeer himself did not overpaint the Cupid
@NickPenlee
Жыл бұрын
My opinion is that if he didn't over-paint the same cupid figure in the painting shown at 23:41 then why would he paint out the cupid in the other featured painting?
@allangibson2408
Жыл бұрын
The Netherlands has had a long history of periodic iconoclastic movements. An ancient god in a painted image would be a logical target…
@Jen39x
Жыл бұрын
I always want to know the same and the with or without playing card complicates it further. I really prefer the painting visually without Cupid as it to “busy” with
@gawkthimm6030
Жыл бұрын
old style color pigments use very distinctive pigments with noticeable (with modern tech) trace particles that can be determined to have come from a certain era, caused by where and when the paint was mixed and with which resources and from where. So if a dutch painter in 1650's painted this, and the covering paint dont match the underlying, they would have come from different sources.. I cant be certain thats how they did it, but thats something I have heard of being investigated with modern tech on old art. So as conservators can be certain to match the precise color if a restoration is needed.
@vysharra
Жыл бұрын
It was reported by the experts that the age of the binding within the paint of the Cupid and the overpaint, as well as the amount of dirt trapped between the layers, revealed that decades passed between the layers. Since the painting was completed in 1657-59 and he died in 1670, it was only a matter of maths.
DW giving BBC a run for their money. Vermeer is one of my all time favourite painters
I love the interviews of all these curators! They are so eloquent and bubbly - really makes the insight interesting
I saw his art display when it came to Dublin with my art class. His work is truly phenomnal
Thank you DW for this amazing documentary regarding art.I have fascination with old paintings especially from the renaissance period.Please keep making such documentaries regarding art.Thank you❤️.
DW always delivers great content. He was the most innovative & evocative, IMO.
Soundtrack at 10:15 (and later) is the intro to a Brian Eno song! Hats off to DW production! A fine expression of your own "bon gout."
@trueDdg4023
7 ай бұрын
Yes, it's "By This River" from Before and After Science. Drove me crazy until I found it.
The statement about The Netherlands in 1632 only stresses how low mankind has fallen since then despite all the tech advancements 😔
Background music is from one of favorite composers - Michael Nyman - as heard in various movies by Peter Greenaway, such as The Draughtsman's Contract and Zed & Two Noughts.
@rhythmdroid
Жыл бұрын
Yeah the localization in some DW docs has been lacking. I've noticed a number of mispronunciations as well.
This documentary actually this kind of documentaries which you can so excited when you watch and also it still light for your brain 🧠 so you can watch any time 🌷 thanks a lot
The same cupid painting is seen in a other Vermeer: ‘Lady standing at a virginal’ I’m always surprised this never gets mentioned.
Vermeer s portraits are so beautiful an realistic, he was a real master 🎨🖌️😊
@Dan-xx5jq
5 ай бұрын
yes, he is not like that big con artist Picasso!! Picasso could not even draw, without his dad. He then came up with the biggest Con in the history of the world, leave alone the art world!! In 500 years they will agree with me.
The overpainting hides the work of Vermeer, ergo it hides history. Removing the overpainting must reveal history,; it can not be "tantamount to removing history." Either the translation is very poor or the speaker is conceding the painting he prefers will no longer be a Vermeer but a Vemeer-plus-one.
@Lora-M-NY
Жыл бұрын
I had to read this 3 times to understand, but it’s 4:02am….lol. You are so RIGHT. “Tantamount to Removing history” is revealing history if there is an unknown work of art. The top painting WAS revealed & *known* while the work beneath it has never been. Hopefully that’s what you meant lol
@ktoyfl
Жыл бұрын
The translation seems to be correct. The persons argued that the picture was in the overpainted state for centuries and is now lost forever (!). You can agree or not but it is a fair argument.
@laurenglass4514
Жыл бұрын
Think the conservation thought process has changed, now it is do not put paint on that can’t be removed and protect what the artist painted. Not change the painting
@kimclarke5018
Жыл бұрын
@@ktoyfl since the overpainting was not done by the artist himself, and thus the Cupid was always meant to be seen. They revealed what the artist in question painted originally. So actually your not right, nor are those who said it should have been left. Further it changes what you see, and the interpretation of the appearance of the Cupid in the background.
@bobjary9382
Жыл бұрын
@ktoyfl Thats my take on it too . Of course revealing the original is important but the trajectory of the work over centuries is also very relevant. Its a painting and a forensic journey which makes it even more factinating .
Oh oh oh this is so fantastic! Thank you DW for these wonderful documentaries!
I love the fact they were brave and brought it back to the artists vision
@uiscepreston
Жыл бұрын
That doesn't make it any better. He originally painted Girl Sleeping with a dog in the doorway. Should we trash that painting to bring back Fido just because he at point intended there to be a dog?!
@kimclarke5018
Жыл бұрын
@@uiscepreston this is the second time you’ve been obnoxious. What part of it’s what the artist painted in the first place and was altered by others did you not get the memo on. The utter idiocy!
Painting over old canvasses was, and is, a very common practice. Particularly if you are on a budget. Vermeer was the master of the Dutch school of light. Doing this to his canvas seems like sacrilege.
The billion dollar questio is whether the painting is beautiful or the confusion it leaves in the mind of the observer. Each learned observer will have his or her version of interpretation.This only adding to the confusion already exist. Thanks DW for yet another good doc.
To have made the decision to remove the overpainting 30 yeara after we knew there was a cupid takes incredible guts. Of course it opens a fascinating new debate. The history of this specific work is remarkable.
Fascinating. Great documentary
A truly magnificent presentation!
So it remains true the art critic is still the enemy of the artist. They refuse to believe something that has been proven. Rather than accept the reality they instead dig their heels in when it is revealed that Vermeer used a lens and a mirror to match pigment to light. And that is it. No special style outside of the warping of the lens. He was a master at using technology for art and all his works show it. Doesn't change the results. Just makes other people look dumb when they put their ideas on to an artist as if they knew them. Even mistaking it for a Rembrandt. And now they cry about the painting being restored to it's original after some art critic wanted it painted over to match THEIR idea of what art is.
@donnalowe9334
Жыл бұрын
There is always a little dog to pull the curtain back ? hmmm...🙃
A truly remarkable painter, one of my favorites.
@Dan-xx5jq
5 ай бұрын
mine too!!! He was a true artist unlike the Con, passing of as an artist, Picasso! Picasso could not even draw. When his dad helped him, his work was okay. But after his father was not there to help him, his subject matter was cartoonish!! Since it started to look like that at his first gallery, he decided to plot a way to disguise his inability to draw and came up with his cubes and circles...UTTER RUBBISH!!
Brilliant and excellently presented; many thanks DW!
@laraaston8675
Жыл бұрын
Wow she needs some straighteners for her hair for xmas
This one should have been explained in half the time this video took. It was obviously filled in with dull extras.
It's hilarious that the exact same cupid appears at 23:41 in VerMeer's painting, "A Young Woman Standing at a Virginal" but this comparison is not mentioned by any of the experts. Also, the animation is a bizarre parallel to the conservator who "improved" the original by overpainting it.
@neillgj
Жыл бұрын
Indeed an oversight. The experts span many disciplines and I feel more time is wrongly given to the critic and his subjective theories rather than the more pragmatic historians and archivists. An oversight, too, to make no mention of van Meegeren whose forgeries filled the perceived absence of 'early' works. You may be aware of the overpainted fountain in Rubens' painting of his 2nd wife in a fur coat. It illustrates, perhaps, that she posed in the open air in their garden rather than the privacy of a bedroom and therefore against later sensibilities. There is no doubt in my mind that the restored Cupid is the correct decision. That for several hundred years viewers saw it differently has no meaning for me other than they were robbed of Vermeer's full intentions by the "improving" conservator who chose or was instructed to overpaint it.
@mathematician1234
Жыл бұрын
Excellent observation! The cupids are virtually identical. If Vermeer had so few paintings, how could the experts possibly miss commenting on this? Another commenter mentions a third Vermeer with a cupid: Girl Interrupted at Her Music. I was amazed that I had to wait until the last two minutes for them to connect the cupid to the letter, and even then they do not come out and directly say that it is a love letter, which I had been thinking as soon as the cupid was mentioned. Also, in the last two minutes the expert refers to the "obvious symbolism" of the hidden playing card (which is not hidden in the other Vermeer painting's cupid). Well, it's not obvious to me what that symbolism is, because I am no expert. Can anyone explain the "obvious" symbolism of a playing card in cupid's hand? Is it that love strikes you randomly, like a card dealt from a deck?
@8pelagic610
Жыл бұрын
@@mathematician1234 The Netherlands had a secular bourgeois class that wanted personal portraits and allegories as topics rather than biblical narratives. VerMeer made a series of allegorical paintings, and I associate these Cupid paintings with his allegorical body of work. There must have been a market for romance themed works, and Cupid would have a sort of benign association rather than "The Procuress" (Prostitution) or "Young Woman and Soldier" (Drinking and Dashing Stories Lead to Moral Downfall) allegories from the VerMeer's body of work. Also see Rembrandt and his series of portraits of Dutch militias for a similar treatment of secular demand for paintings. If you are looking for further reading, I highly recommend Simon Schama's "Embarrassment of Riches" for a great read on the Dutch golden age. Apologies for the tome. p.s. I think Cupid's card is blank as a comment on the uncertain nature of romance.
@yvettewilliamselliott8851
Жыл бұрын
I also found the animation odd and unnecessary - it is the interiority of the young woman that is important for me. I don’t need to see her move, and Vermeer cannot have imagined that she ever would.
@mn4169
Жыл бұрын
My favorite Vermeer,
Thank you so much for this documentary. I love it.
This is fascinatingly educational! It sparks so many avenues of exploration in history.
Excellent! (despite Nyman's music) thank you very much for uploading it!
You are not erasing history!You are restoring it.
I love the Recreation of the Painting. Wonderful idea. As the camera moves, one is never sure whether it is the painting or the recreation one is seeing - and then one might notice the letter move, or the girl blink, or birds fly past the window...
@jpkatz1435
Жыл бұрын
Yes... and no, it does force me to pay the attention to the painting, trying to determin what is "real" and what is added, but that particular effort is a distraction from engaging and being engaged by the picture as a whole.
I’m utterly amazed, flabbergasted, rendered speechless. I don’t know what to think. Conservators conserve, restorers restore. But a famous painting will create hype. And in the art world hype is money
ART HISTORY DOCUMENTARIES ARE MY FAVORITE!! 👍
Thanks DW,dope content as usual!
Narrator: "Using cutting edge technology" (1:59) Documentary: *Shows Knife edge scraping the surface of a Vermeer painting*
@HuxxNL
Жыл бұрын
😂😂👍
@brandinginpajamas
Жыл бұрын
😂
Whenever someone mentioned Dutch painter, i immediately think Van Gogh. I can feel his pain, the desires for lights .
Very Interesting...Thank you for posting
Thanks so much dw documentaries team. God bless you
Amazing content always.
So… She’s actually reading a love letter, whilst being overlooked by Cupid 💘
@donnapido3824
Жыл бұрын
Look at the expression on that cupid's face. He's not happy.
Very interesting. THANK YOU..
Overpainting simply could have been accomplished to make the painting match an interior wall for whoever owned it at the time. Alas, the cherubs willy dangle was probably the real central issue. But hey look at it this way this Vermeer painting survived, Van Gogh sent home many paintings to his mother, she promptly used the paintings to plug holes in the fence of her chicken coop. Soon with the ravages of mud, water, and chicken cursing's......... those paintings were lost forever.
I think the painting looks better without the cupid. My issue is that the edge of the window and the edge of the cupid frame make a vertical line that is aesthetically unpleasant. The blank wall gives an air of minimal desolation emanating upwardly from her head. The cupid is busy. And yes, as symbolism, it is annoyingly and cloyingly obvious. We don't need to be lead by the hand by art. Restoring it, whether it was Vermeer's work or not, has destroyed the painting. Way to go, nerds. Just because you can do something doesn't mean you should. You'd have us all eaten by raptors because you got published.
How wonderful is this Programme Thank you
Great stuff 😎
Thanks for the documentary, DW! Great work as usual, and a perfect start of the weekend, to start the morning watching this massive dose of Kultur.
my interpretation is vermeer painted the curtain halfway covering the cupid because the girl is still currently reading the love letter. Writing a love letter to someone and have them read it is like an "unveiling of a hidden admiration" . The curtain now makes so much sense.
The painting of Cupid, the same painting also appears in another work by Vermeer, Girl Interrupted in Her Music and also found in the painting Girl Reading a Letter at an Open Window until the artist decided to eliminate it. The painting is a work by Cesar van Everdingen which must have belonged to Vermeer (in the inventory of his widow's possessions in 1676 a painting of this subject is mentioned). As De Jongh has indicated, the painting of Cupid was inspired by an emblem in Otto van Veen's Amorum Emblemata, published in Antwerp in 1608 which alludes to faithful love. It seems likely that by including this painting in his composition, Vermeer alludes to a concept of love which includes fidelity. (Copied)
@tr33m00nk
Жыл бұрын
@J fitzsimmons "...until the artist decided to eliminate it." Do you mean it was Vermeer who over-painted the cupid? If you know this, I wonder why the conservators in this video, who should know this also, didn't say so?? I was going to ask why no one in the video mentioned dating the paint layer that was 'scraped' off the cupid. There was certainly enough technology available for them to do so. And isn't it one of the FIRST things done BEFORE 'pealing off' a paint layer???
@uiscepreston
Жыл бұрын
Vermeer reused a lot of props. The rugs in this one. The lion-finialed chairs. The virginal. This was stuff he had lying around the studio/house. He could do amazing things with bits and bobs over and over again. But the cupid in this painting is contrived, foolishly oversized and stupid.
@lporter5408
Жыл бұрын
@@tr33m00nk watch again. the video absolutely tells you whether vermeer or someone else painted over the cupid.
@tr33m00nk
Жыл бұрын
@@lporter5408 Yeah, I know. @0:57-1:04 the narrator explicitly states that “…the cupid had been painted over by another artist after Vermeer’s death…”. I guess my ironic question was too subtle. But my other question stands - why did no one in the video mention dating the paint layer that was 'scraped' off the cupid? They seemed to be trying to make the 'presentation' compelling & 'mysterious' when all they needed to 'solve the mystery' was say "the over-painting was dated to ----". The info about the other cupids was interesting, but the 'mysterious' aspect of the presentation seemed artificial.
@arslongavitabrevis5136
Жыл бұрын
@@tr33m00nk I do agree with you, I hate all this hype, typical of our days where EVERYTHING has to be spectacular and shocking. In other words, cheap sensationalism.
Wow, this knocks me out. I wrote a paper on this painting once; she always seemed sad to me, not in love!
@katarzynamuszynska5426
Жыл бұрын
What was opinion that Girl seems to be sad , reading letter from who? I like dutch paintings Vermeer ,Rembrandt,Van Gogh
@katarzynamuszynska5426
Жыл бұрын
I think every person has own opinion
@kbombaci2670
Жыл бұрын
I agree with you - I always felt she looked pensive and slightly somber, as if her letter contained news or conversation that wasn’t cheerful or a love letter. It is such a beautiful painting and I am glad to see it fully revealed.
Well I learned a lot ..such an interesting documentary thank you so much for posting ..I liked the hidden cupid version but glad to know the cupid is there too I find him a bit large and imposing ..I do like a mystery ..hard to know really as both versions are beautiful .
Did they mention how the researchers determined that the artist himself didn’t just decide he didn’t like the Cupid he painted. Couldn’t he have been the one to paint over it?
@abbofun9022
7 ай бұрын
The paint was too young, it originated from after Vermeers’ death.
@aAsShHtTo0nN
2 ай бұрын
🧠
Covered to be interpreted as a Rembrandt, and that saved it as a Vermeer
This is mind blowing!
Eno included in the soundtrack is extraordinary
Amazing,even more after visiting the great exposition in the Rijksmuseum in Amsterdam 👌
very interesting. great animation
Henry Purcells music is a perfect accompaniment
Excellent introducing
For goodness sake you guys there should be no discussion.....the painting should be the one that left the artist's studio......that someone found out what it really was is wonderful. Vermeer was telling a story in the painting. We, the viewer should see the story as Vermeer told it. Would you want someone tinkering with Shakespeare?
whoa 10:33 that background music is either the sample or based on Living Legends - Never Falling Down..... DOPE
There is no question here. If part of Vermeer's work was covered by another person, it must be uncovered. The loss would be too great if it were left as is.
You don't have to tell me that there's mystery in Vermeer. I thought the documentary was about the decision making process to expose the underlying paint and force us to rethink one of the precious few works he left. Then we had animation!
Thank you for this 👌👍👏
Look at the painting at 23:42, "A Young Woman Standing at a Virginal." I find it very odd that no one made any comments about the cupid in this painting being the same as the one in the "Girl Reading...." Surely someone has catalogued the paintings captured inside Vermeer's own paintings, i.e., what paintings of other painters did Vermeer have in his studio as props?
Re Woman reading letter in the 1st section, love how you slipped in "View of Delft" outside the closed windows in the pan.
so nice to watch after work 😁
Thank you
One of the best painters ever!
Love this ! Not surprising for the time period someone painted over it
Very very interesting. DM ❤
I love the music from the movie “ The piano “!!!
Really enjoyed this documentary! Thank you
So what does it look like today? Was that shown in this documentary? I saw various zoom in & zoom outs, and the qupid. Not sure I saw a clear presentation of its state today. Thanks 🙏
The best thing would've been to create a life-like digital copy of the _Girl Reading a Letter_ with the _full cupid figure_ (not the partly exposed one, as has been done) in the background, and hang it in another room, so viewers could educated themselves about how the work had looked fresh off Vermeer's hands. I strongly feel that *the painting itself* , as it'd come down to us, *should NOT have been modified!* The blank wall used to make the young lady the only claimant of our attention, the cupid (a mythical entity) destroys our total absorption in and identification with the girl (a fellow human being). Even the enigma of the nature of the letter is gone: it could've been anything from the bearer of the news of a death (in war? on a journey? by disease?); a creditor's demand for payment; an invitation to a baptism to her child's first work at school; a banal grocery list. Now, because of the cupid popping up, the letter can only be a love letter, I'd say the most obvious and least imaginative thing it could've been; although (as one of the curators says) we don't know if it's a bearer of happy tidings, say, a marriage proposal, or a sad one, like a broken engagement, it still dramatically shrinks the range of things the scribbled note in her hand could be. On principle one would be against any kind of tampering with a work of art, but here, I would submit (almost as an exception to the rule) that for once an "over-painting" had actually improved a "painting". I mourn the destruction of one of my all-time favourite piece of art by its pedantic restorers. Or is it technology glorying in its own vanity?
@brandinginpajamas
Жыл бұрын
❤❤
@arslongavitabrevis5136
Жыл бұрын
I fully agree with you and I deeply resent what they have done. I am also suspicious since the filmmakers DID NOT make it clear when was overpainted, something that can be established fairly accurately with the sophisticated methods at their disposal. There is another very important point to consider: How can they be sure it was not Vermeer who overpainted the cupid? There are hundreds of paintings with overpainted details that the artist later considered irrelevant or inappropriate. With the same ridiculous criteria, restorers should be adding pieces to some mutilated paintings that we know were cut off by some idiotic owner because it did not fit in his/her room.
@Pau-tc9wj
Жыл бұрын
Well said. I totally agree with you and also feel sad at the destruction of this once mysterious painting.
very disturing background music!
Superb!
I prefer the painting without the Cherub, and his other paintings with the Cherub would look better without them. It was interesting to see the over paint removed, but emotional impact of the Painting was removed as well.
@brandinginpajamas
Жыл бұрын
Well said
Great documentary
I liked the painting better without the cherub!
@jppalm3944
Жыл бұрын
But that was not what VAN MEER, the artis t, intended.
@yinoveryang4246
Жыл бұрын
Agree 100% It’s a lot better compositionally without the added dark element top right . The over-paint had also been done very skilfully and flawlessly (So much so I wouldn’t be surprised if it wasn’t Vermeer himself who made the change.) terrible shame
But this is absurd. If the Cupid's hand with the card has been painted over by Vermeer when he painted the curtain, then surely it was Vermeer who painted out the Cupid. An excellent video. Thanks!!!
@olafshomkirtimukh9935
Жыл бұрын
I agree, sir. You could read my more extensive comment on this "destructive" restoration.
I would have loved to know the study work and tests made to identify when the overpaint occurred. As well as the materials used and the equipment. Well all the analysis that help them arrive to the conclusion to remove the over paint.
So interesting and informative. Fascinating to see that the same cupid appears in the Young Woman Standing at a Virginal picture at 42.26. Personally, I think the Woman Reading a Letter should have been left without the cupid, it makes the small picture look cluttered. I remember being at the Frick Collection a few years ago, and I kept going back to look at the Officer and Young Girl painting...stunningly beautiful with its use of light and shadow. Wanted to take it home, but had to be content with a print! Excellent documentary and loved the animations too.
one of the greatest painters ever, saw the miraculous in everyday , domestic moments , dead in in his forties. tragic.
Great presentation! Just asking, though, when will those massive gilded frames be replaced? They detract from most masters' paintings. Try freezing the frame where The Girl With the Pearl Earring is on the work easel and see the face light up.
My compliments, a wonderful presentation!