The best advice I got from Roger Deakins |
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There is a such thing as the right aperture to use for filmmaking. Let's breakdown and explain which aperture is the most "cinematic" or "filmic" by using some of our favorite films. It might not be the aperture value you expect. Examples from Roger Deakins- Bladerunner 2049, as well as Star Wars from various cinematographers over the years.
Main camera used Fujifilm XT3
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GEAR
cameras
-FUJIFILM XT3
-FUJIFILM X100V
lenses
-SIGMA/CANON EF 18-35 mm f 1.8
-CANON EF 50 mm f 1.8
-VILTROX 85 mm f 1.8
-(FRINGER EF-FX PRO II ADAPTER)
-CANON FD 24 mm f 2.8 SSC
-(K&F CONCEPT FD-FX ADAPTER)
microphone
-AUDIO-TECHNICA AT 2020
-MOVO VXR-10 PRO
audio interface
-BEHRINGER U-PHORIA UMC202HD
lights
-NEWEER BI-COLOR 660 LED PANEL
-PHILIPS HUE LIGHTS
-GODOX M1 LED VIDEO LIGHT
Пікірлер: 17
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Totally agree!
@pierrezapata90
Ай бұрын
Nice! What did you like the most? Any criticisms or other thoughts on the subject?
@dutu000
Ай бұрын
@@pierrezapata90 Well.. there is a lot to discuss on the subject.. I am a licensed DoP and I used to work on 35mm motion picture film back in the day. I see a lot of "cinematic videos" on KZread featuring leaves, flowers and grass shot with F1.4... tiny subject in the middle of the shot and 90% background blur and this they call "cinematic". As you brilliantly pointed out, everything in a movie HAS to be motivated, even the F number (or T number, in our case). You never see a nice shot in a movie just because it is nice, but because it has to tell a story. A movie, or a "cinematic video" is a piece of art, that HAS to tell a story and all its parts (including cinematography) must work together to transmit an emotion. Also, as you again pointed out, abusing the use shallow depth of field rules out set designs and complex multi-plane shots (as in Citizen Kane, as you pointed out). Basically, it makes the movie "poorer". You use shallow depth of field when you shoot a close-up and you want to see the deep emotion of that character, or want to transmit the idea of him/her being isolated from the outside world, thinking of something, etc. Or when you shoot an object (like the hand on a phone) and you want all the attention of the viewer to be on that object. There is a lot to tell on this subject... there are years to learn in film school :) By the way.. what do you think about that interview/vlog editing style when there are multiple cameras for 1 just guy and the edit keeps jumping from camera to camera, now you see the person talking to you, next you see him/her talking to a wall?? :))))) OMG
I've been wanting to know this! Had a feeling 4-5 was a good balance between focus and blur. The explanation of apertures and the types of shots was really insightful too.
@pierrezapata90
Жыл бұрын
Definitely! Thanks for watching. That aperture has the perfect blend of sharpness and blur.
Personally, f4 has been my go-to for most projects. At f5.6, you lose any character that the lens has to offer. f4 gives you sharp focus where you need it and just enough background blur while still retaining lens characteristics.
@pierrezapata90
6 ай бұрын
This is a good observation. I'm sure there is a balance between the character of the lens, as you say, and a relatively good sharpness that will work for most types of shots. Of course focal length and even the sensor size can also change what that relative range will be for your desired look. Thanks for your comment 🙏🏼
Excellent video brother, I'm a Cinematography 10 plus years and you nailed it perfectly 📸👏 new subscriber, simply because I dig how you simply and honestly tell people the true facts about aperture. Wide open is so over rated , it has its specific place in films. 2.8 for close ups but no more than f2 open imo. I have 50mm 1.8, 50mm lens at f2 and a 50mm at f1.2 The 50mm 1.2 is the very first lens I got and its over kill, i only use it at night or at aperture 5.6 or 8 during the day, but i use the f2 50mm more than anything, it goes to max aperture 16 but still only use 2.8, 5.6 and f8. Great video 📸
@pierrezapata90
10 ай бұрын
Thanks so much for the kind words. I totally get it with the very large Aperture lenses. Especially early days when starting out everyone loves the idea of those f1.2 lenses- but they are really a nightmare to work with unless you have a very specific shot you want. The only time they are really needed-, youve just said is exactly right. Very very low light. And even then I can think of only one time in cinema this has been necessary. Barry Lyndon. Apparently Kubrick had a special 0.95 f lens just to shoot candlelight shots.
@1maticsportsandGames
10 ай бұрын
@@pierrezapata90 📸👍
@denismikhalev3961
5 ай бұрын
F4 is for full-frame. It's F2,8 for super 35
5.6 for which sensor? They shot mostly super 35(almost APS-C). I believe F2.8(T2.8) is the way they mostly use on cinema(super35 sensor)
@pierrezapata90
9 ай бұрын
You are right. Super 35 is closest to apsc sensor size 5.6. But like you said- T values are true values. Deakins himself simply gave a range from between about f4 to 5.6. Comparable values for T values.
your background music is annoying and doesn't cover up that you are a boring speaker.
@pierrezapata90
2 ай бұрын
Thanks for your input. I can think about different music for future videos as well as work on my speaking patterns. Maybe I'll throw in a shiny object for people with 7 year old attention spans.
@shanemenken5729
2 ай бұрын
@@pierrezapata90 That would be a big help. Thanks.