Sonny Rollins - Saxophone Colossus | DOCUMENTARY | Qwest TV

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Sonny Rollins - Saxophone Colossus
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How can one fail to be sensitive to this portrait of Sonny Rollins, an endearing personality who always seems to camp in an unstable balance between impetuosity and serenity, as if there were a physical, ethical and artistic refusal of immobility in him?
Saxophone Colossus illustrates this ambivalence in two parts. If the second part sheds light on the mystical dimension of the character ("I studied Zen in Japan, Yoga in India and I was born a Christian in the USA" he says; one could also add that he is Rose - Cross), the first part sticks to the image of the artist as a "mad dog" overflowing with energy during the recording in a public park of a concert by his quintet. In an improvisation of which he has the secret, Sonny Rollins plays his favorite theme " Don't Stop The Carnival ", a calypso in which this son of Caribbean parents excels.
During the second part of the documentary, which is mainly set in Japan, the saxophonist confesses his predilection for this country where he has already been twelve times. In Tokyo, he will present the concerto for tenor saxophone and orchestra that he composed. The Yomuri Nippon Symphony Orchestra, whose first foray into this type of music is being conducted by the Finnish Heikki Sarmento. In this unfamiliar context, Rollins does not lose his identity as a composer (Caribbean rhythms and harmonies are underlying) nor as an instrumentalist (the sax hovers above the melee in a serene lyricism). It was like completing the puzzle of a sensitivity in action.
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Пікірлер: 21

  • @hayfordfrempong6369
    @hayfordfrempong63697 ай бұрын

    I Love Sonny Rollins He's my favorite Musician when I listen to when I was a Kid.

  • @johngomez7314
    @johngomez73147 ай бұрын

    What a rhythm section!

  • @Harv4282
    @Harv42827 ай бұрын

    Wild! at the 31:00 mark S.R. takes a giant step off the elevated stage lands out of site on his feet. next time we see him he is flat on his back. Picks up his solo from his positions on the ground and the band is is in stiches with amazement.

  • @johngomez7314

    @johngomez7314

    7 ай бұрын

    He broke his ankle when he jumped

  • @charlesbarry971
    @charlesbarry9719 ай бұрын

    Sonny has outlived all of his contemporary saxophonists.

  • @klaus8456

    @klaus8456

    Ай бұрын

    Archie Shepp, Jimmy Heath, Benny Golson, George Coleman. There are some left but they are sparse....

  • @steve-okeefe
    @steve-okeefe9 ай бұрын

    A wonderful documentary for a wonderful human being -- SONNY ROLLINS -- the most ferocious saxophone player of his era and one of the most inspiring human beings on the planet.

  • @emmanuelrodulfo6044
    @emmanuelrodulfo604411 ай бұрын

    wew this is a masterclass

  • @samuelblinne6040
    @samuelblinne60408 ай бұрын

    Awesome

  • @rinahall
    @rinahall Жыл бұрын

    I just listened to a 10h French podcast radio show on Sonny Rollins (yes, 10x 1h, covering 1951-2001!!!). A torture, but I'm like that, I dive into an artist and I listen to everything, or almost. To have my own opinion. My opinion of Rollins is that he seems very overrated to me. As a player/improviser First of all as a player/improviser, he does not seem to me better than Johnny Griffin, Sonny Stitt, Roland Kirk, Phil Woods, Lateef, Pharoah Sanders, Hank Mobley... but enjoys a much greater notoriety... and unjustified in my opinion. Ok he plays well, but not better in my opinion than the musicians above. Listen to Eternal Triangle which puts Rollins and Stitt together. Here they are VERY evenly matched technique wise but it is Rollins who is the more famous today. There is a lot of study done on Rollins' solos and they are generally accepted to be examples of strong overall thematic construction and development. This somewhat implies that others just play randomly. I'm not entirely convinced by that argument. If you like it, its a strength, if you think its an excuse for repetition, you'd think not. As a composer At the level of the composition, he did not compose anything, everyone knows that his hit ''St Thomas'' is a Caribbean folklore already recorded by Randy Weston in 1955 under the title ''Fire Down There''. St Thomas is an example of cultural transference. It is infact originally The Lincolnshire Poacher. An old english folk tune. It was taken to the Carribean presumably on the slave ships but possibly even earlier by the pirate ships (appropriate given its title). It gets transmuted into a Carribean Folk tune and then Rollins recalls it from his childhood being sung by his mother and renames it after the Island. I had assumed St Thomas was what his mother called it, but the Ted Heath Band, a British Big Band of the 1950s had a big(ish) hit with 'The Lincolnshire Poacher' done presumably as a 'ripost' to St Thomas. His ''Tenor Madness'' is a composition by Kenny Clarke published in 1947 under the title ''Rue Chaptal''. His other compositions from the 50s... well, Oleo, Airegin etc... it can in no way be compared to the compositions of Trane, Bird, Monk or Shorter... One thing that always struck me that I've heard no one else mention is that the Alfie theme is merely a reworking of the intro to 'Singing In The Rain!' Sound and artistic vision I find this a curious aspect. Early on, in the 50s his sound was distinct enough but it became more distinctive later. It is an odd sound for tenor but its one I hear more and more players now using. I'm not quite sure how its done or if there is a physiological reason for it. I have found it to be an aquired taste. Moreover, his playing and his sound are terribly degraded after 1966 (36 years). Something happened on that bridge, he lost his mind. He seems to have been traumatized by the arrival of Ornette, Trane, Ayler... In the 60s he tried to be freer than Ayler, more calypso/blues than Ornette, and more mystical than Trane, but without succeeding because so superficial... Then in the 70s/80s he tried his hand at funk, disco... with really ridiculous and corny results... Did he want to be funkier than James Brown himself? More disco than Chic and Nile Rodgers? On ''SAIS'' from the ''Horn Culture'' album, one example among many, just picking up a random piece between 1966 and 2001....It's a shame. He plays out of tune, out of rhythm, with an absolutely disgusting sound. It is a lack of respect towards himself, the other musicians and the listener. No normally constituted musician would have agreed to let this recording be released. The problem with Rollins is that EVERYTHING IS LIKE THIS after 1966. He even said himself that he was high on marijuana when he recorded his solo album ''Soloscope'' at the Museum of Modern Art. from NYC...Also listen to the result, it's ridiculous and disrespectful towards the listeners... Ego and money Also, on the radio show, they say he was paid today's $300,000 for himself to record the Nucleus album (listen to the result!!!!), and that for his concerts, his Financial claims were unrealistic, only big festivals could afford it. He played with the Stones but didn't want to tour with them because, according to Mike Jagger himself, he wanted too much money! I am not making anything up here. In a blindfold test published in downbeat in 2006, he doesn't recognize ANY saxophonist, even taking James Carter for Don Byas! Totally mind-blowing and revealing! Conclusion In conclusion Sonny Rollins is for me the archetype of a narcissistic complacency encouraged by the fans and the milieu which has placed him on a throne since 1956 and his (very average) album ''saxophone colossus''. You have to be quite arrogant to glorify yourself as a ''saxophone colossus'' at 26 years old when BIRD had just died the previous year.

  • @MatthewBanks100

    @MatthewBanks100

    Жыл бұрын

    Lol who hurt you?

  • @rinahall

    @rinahall

    11 ай бұрын

    @@MatthewBanks100 your mom

  • @moussegarbonzo8352

    @moussegarbonzo8352

    10 ай бұрын

    Hey, you’re the annoying guy from Reddit that copy and pastes this everywhere!

  • @dontgetsentalink

    @dontgetsentalink

    9 ай бұрын

    what a horrendous take on music and Sonny all in one large and unnecessary comment. maybe you should have a deeper approach on music before writing this garbage. Cannot believe you put technical facility as a paragraph and anything about money when talking about a musician like Sonny.

  • @rinahall

    @rinahall

    9 ай бұрын

    yep@@moussegarbonzo8352

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