SongStudio 2019: Piotr Beczała Master Class: Fauré’s "Chanson d’amour"
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Acclaimed tenor Piotr Beczała coaches mezzo-soprano Ekaterina Chayka-Rubinstein and pianist Ana Mazaeva on Gabriel Fauré’s "Chanson d’amour," Op. 27, No. 1.
To watch more master class videos, visit: • SongStudio 2019
SongStudio is a program for young vocalists under the leadership of world-renowned soprano Renée Fleming. Designed to renew and refresh the presentation and experience of the vocal recital, SongStudio brings leading musicians and other performing artists together to mentor emerging vocalists and collaborative pianists, exploring innovative approaches to both classic and current song repertoire, and inviting new audiences to engage with the art form. SongStudio builds on the remarkable legacy of supporting young vocalists and the art of the vocal recital that Marilyn Horne sustained over the past two decades through The Song Continues. To learn more about workshops and master classes at Carnegie Hall, visit carnegiehall.org/workshops.
Пікірлер: 34
Very beautiful mezzo voice
Stunning.
Very talented young singer
@briarmario9463
2 жыл бұрын
I know Im asking randomly but does someone know a trick to get back into an Instagram account? I was dumb lost the password. I love any help you can give me.
@lawrenceforrest5308
2 жыл бұрын
@Briar Mario Instablaster :)
Классно!) Хочу тоже там позаниматься, но без зрителей))
i love this!
@carnegiehall
3 жыл бұрын
Thank you for watching!
Wow❤️
@ekaterinachayka-rubinstein1241
4 жыл бұрын
Thank you! :)
Truly lovely!
@ekaterinachayka-rubinstein1241
4 жыл бұрын
Maureen soltar 🥳☺️
@EwaHeban
4 жыл бұрын
So beautiful! Bravo!
Those Carnegie hall patron credits! Is their any part of that building which isn’t sold to a billionaire? “The toilets are available because of a generous donation from the Sackler family foundation, and the air you breath is provided Charles Koch, additional oxygen has been provided by Mercedes T Bass and Mrs Donald D Harrington”
She has a lovely instrument. I wish they worked on getting her sound out of her throat. Her timbre is already warm and dark, but she is gilding the lily a bit by swallowing her sound a bit.
He’s right about J’ai, she changes it every time. Because of inconsistency in her breath and support.
Sutherland?
Where are the breaths????? Phrasing.
La déclamation on prononce en français c’est le plus important écouter Crespin ? 😅
Piotr knows what he wants of her, but she isn't getting it. I think his pronunciation of French is more accurate than the audience member. It's j'ai, not je.
@turbofreddy
4 жыл бұрын
No the audience member is right it's j'ème, like when you say the letter M. The audience member said a clear è, not e.
@peteradaniel
4 жыл бұрын
turbofreddy I disagree. I think Piotr was initially correct, when it comes to keeping the vowel on the breath anyway.
@butterbeer4582
4 жыл бұрын
@@peteradaniel It's like "ê", very open :) (I'm French)
@peteradaniel
4 жыл бұрын
Hannah Butterworth I agree. As opposed to a more closed jé
@andrewchim807
3 жыл бұрын
I think the confusion comes because Piotr might think the word is J'ai not J'aime - which will be chopped up in the underlay as J'ai--me - Maybe?
Basically the “tempo” it is wrong . Then he is not very clear and respectful with the singer.
So much vibrato in every single note. This is Fauré not Verdi.
@coloraturaMusic
5 ай бұрын
My thoughts exactly!!
Man soll wieder verstehen, was er meint. Piotr bitte überlege dir, wie du was erklärst. Ein Mann sollte nicht eine Frau coachen. Und das Publikum lacht halt blöd.
I HATE when opera singers sing melodies like it's a dramatic aria 😡This is FAURÉ come on!!! If you wanna sing art song, drop the opera style thing PLEASE!!!!
he's a horrible teacher!
Learn how to make a french « r »without rolling it. In modern french, we dont roll the « r » it’s really awfull. We are living in the 21th century and not in the baroque times.