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@bourbon2242

Жыл бұрын

Hello David. How are you doing today

@DavidBennettPiano

Жыл бұрын

@@bourbon2242 I'm doing well! How are you?

@bourbon2242

Жыл бұрын

@@DavidBennettPiano I’m good, thanks. You’re one of the few KZreadrs whose videos I drop everything to watch. Keep it up!

@DavidBennettPiano

Жыл бұрын

@@bourbon2242 Thanks!!

@bourbon2242

Жыл бұрын

@@DavidBennettPiano Oh! I just noticed that you recently hit 700K subscribers!! Congrats!!

Since learning modes of other parent scales such as from Harmonic Minor or Double Harmonic Major, this has massively opened up interesting, creative options for my writing. I write in Phrygian Dominant quite a lot as it's a very cool mode! Definitely recommend this if you're stuck in a writing rut.

@rome8180

Жыл бұрын

I wish people would explore other modes of the Harmonic Minor. I love Phrygian Dominant, but I feel like it's the only mode I ever hear from the Harmonic Minor. I want to hear more music in Ukranian Dorian or Lydian #9. Have you ever tried modes of the Melodic Minor? Those can be really bizarre and interesting too.

@chameleon-dream-band-official

Жыл бұрын

@@rome8180 I have all the modes of all parent scales written down, but I definitely need to spend more time exploring them! Hungarian Minor is another I use from time-to-time (from the DHM scale), but will check out the ones you mention👍

Regarding Pyaramid Song, my pet theory is that it's called like that because its rhythm is 3-3-4-3-3, which is also the number of edges of each face of a pyramid (every side has 3 faces and the base is a square with 4 faces)

“Stargazer” by Rainbow - one of the best examples of the Phrygian Dominant mode and one of the best rock songs of all time.

@JoriDiculous

Жыл бұрын

Gates of Babylon is a better example.

@EddieReischl

Жыл бұрын

Ritchie Blackmore may have done more for the Phrygian Dominant mode than any other composer ever before him.

@aaronclift

Жыл бұрын

@@JoriDiculous yes, “The Gates of Babylon” is a bit more straightforward of an example, but the guitar solo and many other sections of “Stargazer” are excellent demonstrations of what Phrygian Dominant can do for a song.

@Chadner

Жыл бұрын

And whoever is interested in an in depth analysis of Gates of Babylon, Doug Helvering just put out a video on it yesterday. Highly recommended.

@cakemartyr5794

Жыл бұрын

@@EddieReischl I wondered why that sound was so distinctive. Thanks.

You are truly a gifted teacher! You explain thing so we’ll and it makes sense! I’ve been playing for almost 2 years now and I’ve learned so much from your videos. I run your playlist on automatic while I’m cleaning my home and always learn something new just from listening.Thank you so much for sharing your expertise! Sending warm greetings from Miami.

Before I knew anything about how music works, I always associated Miserlou, White Rabbit, and Pyramid Song in my mind as being somehow similar or connected but for the life of me I could never have explained why. Now thanks to you I have an intellectual understanding of what my intuition was telling me!

@gillianomotoso328

Жыл бұрын

“Misirlou” is interesting because it actually uses the lower leading tone (maj 7) as well as the upper one (b2)!

Flamenco portion on Queen's "Innuendo" features Steve Howe of Yes on flamenco guitar. Of course, when the flamenco melody is recapitulated in the hard-rock section afterwards, Brian May is playing lead guitar that time.

We use this scale a lot in traditional Jewish music! It's a lot of fun to improvise with

@yeasstt

Жыл бұрын

Hava Nagila is actually a great example. By the way, for lyrical transcriptions the sort of raspy "h" sound should be written as "ch". It's a distinct sound in Hebrew

@danielguy3581

Жыл бұрын

@@yeasstt Not in this case. You're confusing ה and ח.

@yeasstt

Жыл бұрын

@@danielguy3581 ah, my bad. It's been years since I've had to read hebrew. I tend to forget which is which

@danielguy3581

Жыл бұрын

@@yeasstt No problems. The word for 'proof' in Hebrew is hokhakha,, with ה, כ and ח. If you don't manage to pronounce it, at least you'll your clear throat.

Wonderful as always... these 'song examples of a mode' videos are so great: thank you

@DavidBennettPiano

Жыл бұрын

😊😊😊😊😊😊😊😊

I'm glad I caught this within 24 hours of the release. This is awesome. Great scale. Thank you, David. Keep this up. Love all your videos I've seen.

These videos help me appreciate and experience music that's been around me my whole life. Thanks for giving me a small taste of seeing music as musicians do. I feel like Dorothy opening the door and seeing a new world in technicolor.

Finally someone pointed out the difference in the tonic in the use of the andalucian cadence in Flamenco vs other styles! Thank you David, excellent as always!

Muse: check! Radiohead: check! Queen: check

@DavidBennettPiano

Жыл бұрын

😃😃

@saabeilin

Жыл бұрын

@@DavidBennettPiano Seriously speaking, the way you talk about modes is just great, it suites both us who are already familiar with them (and works as a nice recap or shows more examples, sometimes unobvious) and those who are completely new to music theory. Thank you so much!

This is absolutely my favorite KZread channel. Thank you for all your amazing videos, David!

I always look forward to the ending of your videos like these when you put together something you've composed to demonstrate the sound. This one was a nice combination of relaxing and haunting!

@markhill4700

Жыл бұрын

It sounds alot like a Eric Satie composition I think David should give him a little credit

Alanis Morissette's Uninvited has a verse in D phrygian dominant and a chorus in D mixolydian.

You are such a great teacher, David, and love your composition at the end - really beautiful.

Your knowledge and ability to portray in an understanding manor is incredible. I have learnt alot for your videos and finally found out what my favourite scale of music is. Amazing channel great guy keep it up ❤

I really like your composition. Beautiful chord progression!

To conclude my Music graduation, I had to write a paper about a Arvo Pärt’s song called L’Abbé Agathon. At the end of the song, the soprano sings an odd musical phrase based on a scale that I couldn’t exactly describe. Now I know what it is. Can I go back 6 years in my life?

Lightbulb moment at 7:05, modes can exist from any starting scale, meaning that the modes we are most used to are just the modes of the major scale, and we can have modes of a harmonic minor scale and other scales! Thanks David :)

@fromchomleystreet

5 күн бұрын

Any heptatonic scale has seven modes, and each of them is equally a relative mode of each of the other six. This stuff would make more sense to people if we reserved the word “scale” purely to denote a particular pattern of intervals, extending infinitely in both directions, with no particular starting or ending point, and no particular note designated as the tonic, and used “mode” to describe each of the various tonalities that the scale can assume depending on which of its notes our brain tonicizes. What typically gets misleadingly called “the major scale” (despite the fact it isn’t even the only mode of its own scale with a major sounding tonality) would instead be more accurately called “the diatonic scale, perceived in the Ionian mode”

Loved learning about this. Thank you!

Damn David, where have you been all my life? I wish I learned all this while studying music 25 years ago, everything would've made so much more sense to me ! Thank you again for connecting the dots for me, finally!

I'd love if you did more analysis of traditional Jewish melodies. They're incredibly old and interesting. Look into Kol Nidre or other prayers.

@ancienbelge

Жыл бұрын

Phrygian dominant is also known as "di fraygishe shtayger" (literally: the phrygian ladder/scale) in Yiddish

@teoriamusicalesupereasy-jo3783

Жыл бұрын

They’re mostly using the Ukranian dorian, fourth mode of harmonic minor

@tfwnoyandere

Жыл бұрын

​@@bamsuth9650 racism moment

@bamsuth9650

Жыл бұрын

@@tfwnoyandere speaking facts

@tfwnoyandere

Жыл бұрын

@@bamsuth9650 you are being racist you troglodyte

Great video on this! More in depth than other ones I've used as research. Thank you!

Your piece at the end is gorgeous

Thanks for your videos which are really educational, and much appreciated.

Phrygian dominant is one of my favorite scales due to features like the contrast between the major tonic chord and the darkness associated with phrygian, as well as the interplay between I, bII and v°. Glad to see it featured. 😊

so helpful! thanks David!

Another excellent video from a great channel! I was hoping you would mention "Come Out and Play" by the Offspring - I can't hear this scale without immediately thinking of that song.

@miklostolnai6479

Жыл бұрын

Also the first part of Pay the man is in this mode

@Snipely

14 күн бұрын

Yes! Just heard that song recently and came back here.

46 & 2, White Rabbit, Miserlou, Hava Nagila I love all these songs despite any of them being in a genre I really appreciate, I now understand why, I also think that is why I love system of a down, I'm sure they used phrygian dominant scale in some of their song or a similar scale. I like to improvise some really basic flamenco on the guitar and I naturaly started playing on the same notes (with few changes) as miserlou, I know understand better why it works so well. Thank you for this video

Perfect vídeo! Beautiful music in the end! 😊

Really enjoying your videos, thanks. Love your composition on this one.

The word 'exotic' comes up a lot here, with all its awkward connotations, but seems perfectly appropriate here. Those of us who grew up around major and minor scales find other tonalities, particularly when not built on modes of those scales, to be exotic. Do people who grow up with Arabic or Flamenco music around them, in the home or on the radio, who presumably don't find those to be exotic, also find songs like the Pyramid song less exotic than other Radiohead songs? Do Western pop songs built on PD or other common Arabic scales/maqams ever find popularity in the Arab world, or do they pass unnoticed? Do they even sound watered down? Anyone here who grew up with Arabic music able to share their impression of White Rabbit or the Pyramid Song in terms of its exotic feel or lack of it?

@justme1492

Жыл бұрын

You raise some interesting points that deserve more attention. Let's hope you have informed answers to your questions.

@lovetoplayharp

Жыл бұрын

@@justme1492 Agreed. Would love to hear some answers to these questions. @davidbennettpiano :)

@tedl7538

Жыл бұрын

Interesting thoughts David!

@adelgrfd

Жыл бұрын

As someone who is half arabic and half french, the "occidental" scales dont sound exotic at all, but the double harmonic scale and the phrygian dominant scale sound like the most consonant scales to me. I found the regular minor and major scales to be quite counterintuitive when i first learned them. Also, the regular phrygian mode sounds very occidental to me. Hope this helps ! It would be cool to have the opinion of someone who is 100% arabic tho

@felixtkm

9 ай бұрын

i am southern american, yet half of my family is spanish and they usually dance flamenco and other styles in family reunions, so to me at least it doesn't sound that exotic, in fact to me it's very consonant, yet it does feel very flamenco-ish sometimes

Best original melody I think you've done so far!

Wonderful composition of yours!

Fantastic as always!! Thank you for such a great lesson with so many cool examples and concise explanation. Much love from Maine

Wow great lesson! And awesome piece at the end!

Awesome ..nice reminders all the way through.

Hey man, I really love your videos! They are education and entertainment at the same time. So good! Furthermore they inspire me to discover new music. Very refreshing :) Thank you so much!

Very clear and precise with excellent timed graphics

Really enjoyed your composition at the end of the video.

I love these videos on the alternate modes, they're really great, great work! Would it be possible if you did another brightness-darkness video like you did on the normal modes but for the alternate ones please?

I love your composition at the end.

7:10 that is the best definition of modes ever. Tutors tend to over complicate. Thank you. Simply Moving the center of Gravity

Very interesting segment, David. Will have to delve into the history books to learn how this scale became the basis of Middle Eastern music. Thanks!

Most beautiful your composition at the end.

Another perfect class!!!

The Phrygian Major Dominant scale is known as 'Freygish scale' in Klezmer music. You also hear that in Flamenco music too. 6:39 - 'Double Harmonic Scale' is a mode of the Hungarian Minor Scale, aka 'Egyptian Minor Scale', or 'Gypsy Run', which can bee seen s a harmonic minor w/ a raised 4th degree. Likewise, the Hungarian minor/ Egyptian minor/Gypsy minor scale, also exists in Arabic music, it is the same as the 'Nawa Athar' Maqam, and it also exists in South Asian and Romany music, under different names.

Thanks for the good info.

I was waiting for this

Only in the past several months have I (finally) reached a point on piano where I can experiment with exotic harmonies and it clicks. I've seen the Phrygian dominant scale before, but you showed some really interesting examples of how to build chord progressions from it. This will keep me busy for a while.

I never thought of taking one of the other Minor scales, and treating them modally the same way we do with Major scale etc. Modes on other minor scales is brilliant, and ill be investigating those after this video. I thank you immensely.

Analyse is one of my favourite songs. Thanks for explaining to me now why it is so daunting

08:50 interesting how this relates to I Will Survive chord progression, specifically every other chord Am Dm G C F B7 E(sus4) E (call, response - call, response - call, questioning response? - suspended-wait-for-it then resolution)

Thank you and please keep it going.

Nice video!

Fantastic video

Great video again

Beautiful mode of music.

Nice composition Dave

gracias master

Thanks Bruu

Thank you! People always told me that this is the double enharmonic scale but I knew it wasn't, I just didn't know the actual name until your video!

Have to say, I didn't want your outro composition to end!

Great video, thanks a lot! A nice 'Playbook' to study different modes might be the new King Gizzard LP called 'Ice, death, planets, lungs, mushrooms and lava', where they explore (as the first letter of the words in the title suggests) different modes on different tracks.

I love the vibe of this mode

I was just telling my wife that there aren't enough Phrygian Dominant vids out there.

@tonybates7870

Жыл бұрын

Pillow talk, eh?

Mr Malmsteen loved your video and concur. The Phrygian dominant mode is like air : you can't live without it. So beautiful and mysterious.

@JamesSmith-qy3eu

Жыл бұрын

Joe Satriani also approves.

Love these videos, please do more exotic modes

I really like that outro piece!

I love this mode - it’s so bold and urgent sounding. I actually am mixing a song right now called “Ruined Everything” that has an intro in G# Phrygian dominant (the song as a whole is mostly in G# phrygian). It really helps create that intense and dark atmosphere without reeling in melancholy in the process. Also, a fun fact - in terms of number of major and minor intervals, Phrygian dominant is unique in that it is the only major scale composed otherwise entirely (that is, bar the 3rd) of minor and perfect intervals: m2, m6, m7, then P4, P5, and the lone M3. Phrygian minor has four minor intervals with its m3, and Aeolian minor has three minor intervals (m3, m6, m7), but it also has a M2 which creates so much of the melancholic effect alongside them in that scale. It’s like Phrygian minor is darkness tonicized (unlike Locrian, which is very hard to tonicize and has the same intervals bar the unstable b5), and Phrygian dominant is just an acoustic or major atmosphere coupled with a maximally dark fog of minor surrounding its tonic. Aeolian dominant is not the same in darkness as it carries that melancholic nat 2 & b6, but Phrygian dominant sounds just so intense in its own way, thanks to the Phrygian urgency and boldness of the major tonic. Also, it was an amusingly common scale in the 2000s with certain rap & R&B styles :) Hence “Beautiful Liar”… There was this one producer whose name escapes me who used it all the time, he produced “Baby Boy” by Beyoncé and Sean Paul, and some other hits too. Thank you for the video David!

@gillianomotoso328

Жыл бұрын

Scott Storch :) He produced “Naughty Girl” too!

This is a scale that is used by many metal bands. Powerslave by Iron Maiden, the Siren by Nightwish, March of Mephiso by Kamelot, and much of Nile's discography are a few examples.

@ianwilliamson4846

Жыл бұрын

Yeah I was wondering if Powerslave was going to get a mention.

@bobsala7780

8 ай бұрын

Plus 1 for mentioning Nile.

@vihaansm3439

4 ай бұрын

I was left wondering how he forgot the most iconic song using phrygian dominant (Powerslave)

More scales/chords videos!!

Hi David, Great video, again! FYI: In the world of electronic dance-music, there is a whole genre where most of the songs are using a phrygian dominant mode: Goa-trance / Psy-trance. Check out mixes by Tobias Bassline or songs by Mindscape for more :) really interesting to see how this is sooo different from electronic dance music / house or techno just because of its different scale/mode. Also, check out Ozric Tentacles for more examples of these scales. Great for polyrhythms too :)

@voidbeetles

Жыл бұрын

Ooh, exciting to see Ozric Tentacles mentioned in the replies - I've just started listening to them recently and am loving their music! Do you have any particular recommendations for good songs of theirs that use unusual modes?

Lots of metal uses Phyrigian Dominant or related scales. "Sails of Charon" by Scorpions is a good example. Also "Caravan" by Duke Ellington and Juan Tizol.

Man do do your job amazingly good :)

I always see Thom Yorke or Radiohead in your videos, you've mentioned they're basically your favorite band. If I were as knowledgeable in music as you are I would want to put Dave Matthews Band songs in every video I could! Edit: Speaking of, I believe one of their new songs, Madman's Eyes (which they only play live so far), is actually in this mode too. Minarets too.

“The Man who stole the world” by David Bowie arguably begins, and frequently returns to, Phrygian dominant. That section moves between A7 and Dm, and (as is often the case) it’s somewhat ambiguous whether we’re in A Phrygian dominant or D harmonic minor (because, as always, it’s really both, or either)

Great job, as always.

i'd say that a good chunk of the score for Dune (2021) would be in phrygian dominant, and it sounds SO EPIC

The best mode!

I am using phrygian dominant and harmonic minor a lot. It's my second nature when I am playing... On the other hand I always wanted to know the theoretical background of it. Wonderful explanation! Thank you!

9:53 omg THANK YOU

As much as I love Phrygian Dominant, I wish people would explore other modes of the Harmonic Minor. I feel like it's the only one I ever hear. I want to hear more music in Ukranian Dorian or Lydian #9.

That's a mix of Satie and Delibes, and you of course. Lovely and inspiring in the wings of Debussy.

One of the coolest modes ever. An absolute maximalist scale when you want to prove more is more.

Please Make A Full Video about the Double Harmonic Major Scale!!! I Really Want to See more Examples of it Being Used.

You are the bestttttt

I'm actually impressed you manage to talk about the Andalusian cadence without mentioning "In the Year 2525" by Zager and Evans... The urge must have been excruciating! XD

White Rabbit, Innuendo, Muse, it’s crazy how many of my favourite artists/songs use this

There's almost a sense of melancholy achieved by using this scale. It's spicy and exotic and, at times, can even be erotic, but also calming, whistful, and comforting. I've been improvising over a drone with this scale, swapping between the double harmonic minor and Phrygian dominant scale. It almost always ends depressingly, sometimes even with a Picardy third; fascinating when multiple topics within music theory come together to surprise and delight our eardrums.

I love Phrygian dominant and double harmonic major!

You have Dr Brian May in the thumbnail.... But the flamenco example used on Innuendo was played by Steve Howe from Yes

@ciciusss

Жыл бұрын

JCA 111, Interesting thing about that was it kind of just happened. Howe was recording in Geneva and came to Montreaux to have lunch. Howe bumped into Martin Groves, Queen's equipment manager. Groves previously held that position with Yes. Groves knowing that Howe was friends with band, especially Freddie Mercury told him he ought to come by the studio as Queen was currently recording. The band played Howe some of the recorded material, including Innuendo. Mercury suggested that Howe should do some sort of flamenco style guitar solo on the track. Howe, initially demurred, but Mercury, Brian May and Roger Taylor eventually persuaded him to play. And as they say, the rest is history. Great solo on one Queen's greatest songs. Mercury was in great form on that song, which is remarkable considering he was not well.

Joe Satriani’s ‘Surfing With the Alien’ uses the Phrygian Dominant mode in the solo section: C# Phrygian Dom / D# Phrygian Dom / F Phrygian Dom 😎🎸

One of my favorite modes.

Thanks good video, spicy warm sound to me.

Thanks for this lesson. Age had erased "phrygian dominant" from my memory. I still played with it, I just kept calling it "umm it's some altered V chord thing, kinda half diminished. I forget." Now I know.

As a self taught guitar player...this is pure gold. I always knew that the major scale had different "positions" up and down the neck of the guitar. In other words, I really had a great grasp of Ionian as a mode but learning how to actually APPLY the other modes is so refreshing now.

'Cairo' by Tokyo Green is in E Phrygian Dominant.