Situ Panchen
Situ Panchen (hanging scroll from a Pelpung Set of Masters of the Combined Kagyu Lineages, Kham Province, Eastern Tibet), c. 1760s, pigments on cloth, 175.9 x 91.4 cm (Rubin Museum of Art, New York City)
speakers: Dr. Karl Debreczeny, Senior Curator, Collections and Research, Rubin Museum of Art and Dr. Steven Zucker
Rubin Museum senior curator Dr. Karl Debreczeny and Smarthistory’s Dr. Steven Zucker look at a painting of one of the great scholars and polymaths of the 18th century, Situ Panchen. As leader of the Karma Kagyu school of Buddhism at a time of its near eclipse, Situ Panchen revitalized the arts of southeastern Tibet and wrote widely about the arts.
The Rubin Museum of Art has teamed up with Smarthistory to bring you an ‘up-close’ look at select objects from the Rubin’s preeminent collection of Himalayan art. Featuring conversations with senior curators and close-looking at art, this video series is an accessible introduction to the art and material culture of the Tibetan, Himalayan, and Inner Asian regions. Learn about the living traditions and art-making practices of the Himalayas from the past to today.
Learn more about Situ Panchen on Project Himalayan Art, a resource from the Rubin for learning about Himalayan, Tibetan, and Inner Asian art and cultures:
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About the Rubin
The Rubin is a global museum dedicated to sharing Himalayan art through a dynamic digital platform, participatory experiences, exhibitions, and partnerships. Inspired and informed by Himalayan art, the Rubin invites people to contemplate the human experience and deepen connections with the world around them in order to expand awareness, enhance well-being, and cultivate compassion.
View the Himalayan Art Up Close series: / playlist
Subscribe to the Rubin Museum KZread channel: / @rubinmuseum
Images: Portrait of Situ Panchen (1700-1774), from a Pelpung set of Masters of the Combined Kagyu Lineages; Pelpung Monastery, Derge, Kham region, eastern Tibet; ca. 1760s; pigments on cotton; Rubin Museum of Art; C2003.29.2 (HAR 65279)
Пікірлер: 4
Thank you for this series on the Rubin's Himalayan collection. It's been fantastic. I have read that the physical museum will close in October and while it's great that it will continue to be available digitally, nothing replaces seeing art in person.
This is completely uncharted territory for me. I'm completely unfamiliar with this culture, this art style... everything. So much to learn by default. That said, I appreciated the detail view of this piece (around 1:20). I'm sure it's even more impressive up close, but I'm always amazed by the cumulation of small strokes that go into elaborate works like this. Each one is added thoughtfully and deliberately over what must be a lengthy process... It's amazing to consider, even if you can't see the process in real time. Polymaths are inherently impressive, but I love them because they remind me of how much can be accomplished in one lifetime. There's always something more to do. Drop-shading was an interesting technique to learn about. I wonder what other examples of this I've unknowingly seen.
Excellent realism of the different elements, rarely seen in Tibetan iconography. Truly impressive.
I love you guys