beautifully explained. thank you!

Really cool succinct look at the topic, helpful, thanks!

Very valuable insights for someone who is new to filmmaking. Love Every Frame a Painting too. Subscribed!

@ClintTill

2 жыл бұрын

Yes, I hate it that Every Frame a Painting stopped making new videos. They were fantastic.

Thanks for the knowledge! I appreciate it

Really love to see more such videos. It was really great learning

@ClintTill

2 ай бұрын

Thanks. I'm really glad you found it helpful. I'm trying to get back into a routine of posting a new video every 2 weeks.

Absolutely love this video! Currently working on my short film, and this is definitely going to my 'Saved' folder :)

@ClintTill

2 ай бұрын

That’s great. Thank you so much. Best of luck on your short film

Helpful,sir Hope more contents will come

Learned a lot, thanks!

Clint this is a great video. Short and to the point. I’m a budding director and this video and your style are perfect.

@ClintTill

4 ай бұрын

Thank you!

Very helpful, thank you!

Thank you Clint... very valuable ❤

@ClintTill

Ай бұрын

So glad you liked it

Nice presentation.

Truly Helpful, thank you.

@ClintTill

4 ай бұрын

You’re welcome. Glad you watched

Awesome thanks for the tips, you look great 👍

@ClintTill

2 жыл бұрын

Thank you!

It doesn't make any sense your video doesn't have way more views. Very valuable information Clint!

@ClintTill

2 жыл бұрын

I appreciate it. I'm glad you found the video helpful.

@BenEncounters

2 жыл бұрын

@@ClintTill Definitely, I actually have a documentary project with spontaneous encounters for which I want to apply the best shot-reverse shot possible!

This is a great video with some great examples - I like the overview nature of the video, you keep it educational but “snappy”, while providing sources for further research. Good stuff. With what I’ve learned from your video, should I infer that you are slightly off-beat/quirky?

@ClintTill

2 жыл бұрын

Haha, I don't know that I would describe myself as off-beat or quirky. Thanks so much for watching and for commenting.

Well explained!!!

@ClintTill

16 күн бұрын

Thanks

Awesome!!

@ClintTill

3 ай бұрын

Thank you! Glad you found my channel

you should definitely be making more content!

@ClintTill

2 ай бұрын

Thanks. I'm trying to get back into a regular routine of posting new videos and responding to comments.

In the movie Klute you would have shots into the apartment with the two actors yet something was blocking off scene but never fully defined. It makes you feel you are an indescript peeping-Tom witnessing the scene.

GOLD

Its the non evil version of the nostalgia critic

Dude you look like a sophisticated version of the Nostalgia Critic

@ClintTill

16 күн бұрын

Haha. I JUST looked him up and I definitely see the resemblance. Can confirm that there is no relation

Please how do you achieve a reverse shot with a camera or editing because I'm new into this and I want to get better. I'm still using a phone for now

@ClintTill

2 жыл бұрын

Getting a reverse shot on set requires a secondary camera and lighting setup. So, for example, you would first setup your shot for Actor #1 and run through the scene. Then you will need to move the camera and lighting to set up a shot for Actor #2 to capture his/her dialogue. While editing, you can simply cut between the two angles, finding the best takes and the best reactions from each actor.

Shot-reverse shot is vastly overdone. It’s frequently employed by directors who think constant fast cuts and shaky, er, I mean hand-held is edgy and modern. Interesting how older films made by directors who weren’t afraid of the two-shot are more satisfying and less distracting. We need more directors who don’t get in the way just to prove how “creative” they are.

@ClintTill

5 ай бұрын

I agree. I enjoy dialogue scenes that employ a combination of camera and actor movement to create a more visually interesting scene than two people who are just locked down and talking to one another.

@PhinPhan39

Ай бұрын

I can understand how shot-reverse-shot can feel overdone. However, one of the positives of it is you can see more of the actors/actresses face (specifically the eyes) than you would in a two shot. A two shot typically restricts you to half the face thus half the emotion.

@befelto8450

Ай бұрын

Perhaps they don’t think it’s edgy and modern. Simply that it’s the best way to tell that particular story. The two shot can be used in conjunction with the reverse shot..look at the diner scene in Pulp Fiction. Best of both worlds. Drives narrative. Sets up story. And develops characters while using both techniques

More on the film material, less selfies.

It's really tedious to watch conversation with these shots. Ensemble shots are still best as they show everything going on the frame.

Nothing is less interesting than shot/reverse shot dialogue scenes. Do something else, or just don't make films. We don't ever need to see another scene like that.