I can't wrap my head around how he makes a classical piece sounding so romantic:-)

@leorusso6784

8 ай бұрын

It's the pedal😜

@Wolfgang262

8 ай бұрын

I would say it's fluctuation in the tempo. It is a romantic twist to the strict machine like drive of baroque style tempo.

@imagod4796

7 ай бұрын

*baroque piece

@tylerstoner7051

7 ай бұрын

That’s cause he makes it sound natural. Not all metrically strict like too many classically trained musicians do. The tempo needs to serve the music not go against it. Yes there needs to be a consistency but there’s room for rubato even in the baroque era

These are greatest scarlatti interpretations we have

@danal81

8 ай бұрын

No

@fredericfrancoischopin6971

8 ай бұрын

@@danal81 ok

@ladivinafanatic

8 ай бұрын

@@danal81 then who is

@Wolfgang262

8 ай бұрын

Scott Ross and Pierre Hantai for harpsichord ,Michelangeli and Lucas Debangue for piano are very good interpreters.

@FrancescoGuardi

6 ай бұрын

Wait for Julius Asal. He will beat them all. Try a taste of it with Asals K56 @@Wolfgang262

Esta sonata la recuerdo con afecto desde la niñez la tenía en una cinta de cassette de entonces interpretadas por el gigante Horowitz

I have the "Celebrated Scarlatti Recordings" made by Horowitz in 1964, and it's interesting to contrast: this is more Romantic, with more rubato and more pedal. Both show off his technical perfection and touch. His pianissimo shadings are remarkable (especially noticeable in K531 and K87).

Based Horowitz!!!

Based

No k380 :(

This is so lofi 😂

doesn't sound like Horowitz at all to me. This is NOT Horowitz but a mediocre pianist. And the written music is very beginners like.

@JanWeinhold001

2 ай бұрын

Gosh, you seem to be compöetely clueless about Horowitz, pianism and music - I am sorry for you!

@janbonsema5888

2 ай бұрын

@@JanWeinhold001a case of stolen identity, this 5888 guy is not me. But whoever he is , he's certainly NOT clueless.

@JanWeinhold001

2 ай бұрын

@@janbonsema5888 😂

@Maisiewuppp

Ай бұрын

Keep taking the medicine.