Running Sound For Dogstar

Join us as we sit down with Todd Goldstein, the talented audio engineer responsible for shaping the sonic landscape of Dogstar's unforgettable performances.
In this exclusive conversation, Todd takes us on a journey through the highs and lows of life on the road as a touring audio engineer. From the intricacies of crafting the perfect sound to the challenges faced in different venues, Todd shares his experiences and expertise with humor, passion, and a wealth of insider knowledge.
Dive into the technical aspects of Todd's role, exploring the gear and techniques that bring Dogstar's music to life on stage. Discover the unique challenges and rewards of working with a band like Dogstar, known for their dynamic sound and energetic live shows.
Todd Goldstein's insights into the world of touring audio engineering make this interview a must-watch for music lovers, aspiring engineers, and anyone curious about the magic that happens behind the mixing console.
Press play now and immerse yourself in the world of live music production with Todd Goldstien. Don't forget to hit the like button, subscribe to This Is DeLaCruz.

Пікірлер: 17

  • @PaddyBlight
    @PaddyBlight5 ай бұрын

    Best yet… thankyou for a great series of videos!

  • @kalvinmiller8233
    @kalvinmiller82335 ай бұрын

    Love the humor

  • @charlie-grove
    @charlie-grove5 ай бұрын

    Another great video! Love it!

  • @ThisIsDeLaCruz

    @ThisIsDeLaCruz

    5 ай бұрын

    Glad you enjoyed it!

  • @IWannaGoMissing
    @IWannaGoMissing5 ай бұрын

    Todd is super cool as is their whole crew and one quirk of the Dogstar show is there’s no stagebox or snake so the house has have to have 18 analog returns from stage to FOH. So I just wonder what he does when he encounters a place that doesn’t have that many available

  • @christianmartinez1
    @christianmartinez15 ай бұрын

    Todd is right about being cool and professional. You younger dudes need to understand you don’t get hired just because you’re knowledgeable, you get hired because you’re great to work with.

  • @user-kr9pi2bq3v
    @user-kr9pi2bq3v5 ай бұрын

    Hope you can tell Keanu I’m trying to get in touch with him. It's important please

  • @richardbelisle4807
    @richardbelisle48075 ай бұрын

    Yes…if the vocal is on top than it should sound tight..hard to explain….you have to know the human voice….A picture on a screen is not sound…it’s a tool ….

  • @williamboyle8918
    @williamboyle89185 ай бұрын

    Always wonder what would happen if some drunk threw a cup of beer and landed on the console ?

  • @kaiulrich6185

    @kaiulrich6185

    5 ай бұрын

    In the analog world that would take a few channels out, if it didn’t land on the master section, in the digital world it would quite definetly end the show. On some production the monitor engineer would make a kind of emergency FOH mix on a spare stereo send, wich he also uses as a crew mix for the backliners. In the worst case that mix can be sent to the system, so the show can continue in some way.

  • @dozerthedesertdog3113

    @dozerthedesertdog3113

    5 ай бұрын

    Typically screwed is the short answer

  • @kaiulrich6185

    @kaiulrich6185

    5 ай бұрын

    @@dozerthedesertdog3113 It is.

  • @williamboyle8918

    @williamboyle8918

    5 ай бұрын

    @@dozerthedesertdog3113 What I thought. I'm sure its happened.

  • @dozerthedesertdog3113

    @dozerthedesertdog3113

    5 ай бұрын

    @@williamboyle8918 It has. When I was mixing Gregg allman we had a massive storm blow in on an outdoors show and dumped on monitor desk. It’s never worked since.

  • @curly_
    @curly_5 ай бұрын

    Hahaha i bet he is ending up with yamaha , its probably nearist to his mixing style