In reality the legendary S.D.Burman was a member of The Tripura Royal family. His mother was the royal princess of Manipur. And was the daughter of the king. Sachin Da was a Royal both , in blood and in music. What a genius he was.

@lalwanimoti

5 жыл бұрын

@Begum Sahiba, S.D. Burman was from the royal family of Tripura, a blue blooded prince, as mother too was from the royal family as rightly mentioned by you. Music was in his blood, for which he left his riches and comforts of the palace to pursue his passion.

roop tera mastana ........ all time hit. rajesh khanna became super star through this film, unforgettable !

@lalwanimoti

9 ай бұрын

Yes, Aradhana made him a super-star.

Srinivasan ji, I am glad you liked this interview of one of our living legends in the Hindi film world. Not only Kersi ji, but all living musicians have confirmed to me during their voice recorded or video recorded interviews that Sachinda was not sick during Aradhana and he alone is responsible for the entire music of Aradhana and all his movies. Late Manohari Singh too has confirmed to me in his voice recorded interview that all movies of Dada Burman have music by him alone.

Moti sir, Iam a guy who know Hindi only because of all India radio, I'm now 40, luv for kishore and burmans are immense always love know about burmans music. You did a great job. Always overwhelmed when hear any songs burmans be it Dil Ka bawar kare pukar to junior burman oh majireh ya tera Bina Zindagi I always end up with tears

@lalwanimoti

4 жыл бұрын

@ Ananandamurti, Sachin Dev Burman left comfortable life of palace and riches of royal life to pursue his passion for music. He travelled to to interiors of villages of North East, United Provinces and Bengal sitting on mud floor with Common man to collect and popularize folk songs which later he mixed with film music. No other music director has done these sacrifices. It's really remarkable.

@anandamuraliarumugam5608

4 жыл бұрын

@@lalwanimoti true sir... Even though he was inclined to folk tunes, he had left a great influence in his songs with good fusion of folk and western genre...I always loved his voice... The first song I listened to his song was Amar Prem song... What a soulful, natural raw, voice of the true folk genre . An immortal soul immersed in the universe

@lalwanimoti

4 жыл бұрын

@@anandamuraliarumugam5608From 1930 to 1936, when fusion music was not heard of at least in India, SD Burman carried out fusion of classical and folk music, thereby creating a Burman gharana. Thereafter he popularized folk music through film music. India lives in villages, and folk music is India's soul. All this, and more, he wrote in his autobiography.

I still remember the music on xylophone in Surinam during the show of Kishore Kumar in 1967 together with others like Charanjit Singh and your brother Buji Lord. Still remember the announcement of Nadi Duggal: "Ienko badja mein etna shaukh hai ki aadj tak shaadi nahin ki hai." I also remember the song: Towba yeh nazare yek katil ishaare. It was SUPER!!

On one side is the greatness of SD And RD, then there is the great team of musicians who are themselves Gold standards in the music industry...of course Kersi tells these stories in such a way that you feel the presence of all the departed souls and their greatness. Thanks to KZread for the ability to share the history of the music industry in Mumbai.

@lalwanimoti

8 жыл бұрын

And thanks to Kersi ji and other stalwarts who spared their time to narrate what happened those days.

@lalwanimoti

8 жыл бұрын

Chandru Narayan, SD was an exceptional musician and an outstanding trainer. Not only Kishore and RD went through the extensive training under SDB, but Lata, Asha, Geeta and others too were trained on how to sing SDB's songs. Thanks for appreciating the video.

Very Interesting,interview, Thanks Moti lalwani Ji.

@lalwanimoti

7 жыл бұрын

I am glad you liked it. Thanks.

Motiji, this is a great interview.Thank you so much. This reconfirms alongwith the assertions from Manohari Singh and Bhupender that RD had nothing to do with "roop tera mastana". I think the debate should stop here. I salute you for the passion and spirit in following Dada to wherever and whomsoever possible.

@lalwanimoti

7 жыл бұрын

Natraj ji, Thanks for appreciation. As they say, truth prevails in the end. Soon I'm going to post Manohari Singh's interview taken by us. Manohari Singh was the music arranger in Aradhana. His exact words are 'Kersi is right. The entire music of Aradhana was composed by S.D Burman. RD had no hand in it. (Translated from Hindi)

This is such a beautiful surprise.....I have never had the pleasure of meeting or watching Kersi Lord till date; but after watching this interview, I am even more excited and eager to meet him. He must be having so much more to share with so many years of experience in the industry. He is undoubtedly a living legend amongst several top notch musicians. Thanx much Mr. Lalwani for sharing this.

@lalwanimoti

5 жыл бұрын

@Ram Nagaraj, Thanks for appreciating our efforts. Sadly I have to inform you that Kersi Lord is no more. He expired on 16th October, 2016. He was a great guy, and one the best musician. He had a great sense of humour.

@ramnagaraj927

5 жыл бұрын

OMG!! This is so sad. May his onward journey be eternally blissful and he is in a different world making music . May his soul rest in peace forever.

Shakti Samanta on Aradhana's Music, as heard in Aaj ke funkar' program in Vividh Bharati: "I have always selected Music Director suited to the story of the film. Aradhana being a very emotional story, I chose Dada Burman to give its music. Rafi had to leave on his foriegn trip for two months. A few songs had yet to be recorded, requiring male singer. I suggested to Dada Burman to consider Kishore Kumar, adding that Dada had given us excellent Kishore Kumar songs in the past." (continued)

Kersi Lord sir & Sumit Mitra Da, they were legends, were alive 5 to 6 years bef..Music Industry, can never give another Kersi Lord & Sumit Mitra, both were great keabordist, programmers & Both were Great Great Accordion players..My Salute & My regards to both legends🙏 But Disappointed with Moti Lalu, agar vid nikalne time, aapko malum tha, FAN ki hawa ka sound, is louder than the precious talks of Lord sir, you could have asked ,to stop fan for 10 min, bec AC was there!! Or simply Moti Lalu ji, you could have kept 🎤 , very near to sir atleast....But Mehnat kon karega😄😷 But Thx for your efforts, to Record Lord sir live.🙏💞

@lalwanimoti

Жыл бұрын

@Tu Chal Mai Aaya,, Aap ne mehnat ki, aur likha. Shukriya. Humne nayi camera li thi. Yeh maloom nahin thi ki fan ka aawaz aayega.

Thank you, Moti Lalwani, for sharing this interview. Kersi Lord is a genius who deserves to be better known and you have contributed towards that.

@lalwanimoti

8 жыл бұрын

+aurelius210 Delightful words. Yes, I love that man simply because he is so knowledgeable and forthright and nice to know. Please view my other videos on KZread.

Thank you Natraj ji for the appreciation. Let us salute together the great SD Burman for beautiful music and his own songs.

Good evening. All characters related of cinema are & were unbelievable genius. Till now those songs listen repeatedly until our death. Take my greatsalute sir forever.

@lalwanimoti

Жыл бұрын

@Goutam Sarkar dear, You are right. That was the Golden Period of our films and music which will not come back. Thanks for the comments.

thanks moti lalwani sir, thanks richa ji, for this interview (which is as well as gold).

@lalwanimoti

5 жыл бұрын

@Sudhir Dutta, Thank you for appreciating the interview. Kersi ji himself was solid gold. We have about 145 videos on Burman Dada. Please see them all. A number of our stalwarts whom we interviewed are no more with us. But we were lucky to meet and interview them so that our younger generation knows the legacy left behind by them.

Once Amit Kumar in a an interview said that Dada Burman composed a typical folk tune for Roop Tera Mastana, but director Shakti Samanta was not very comfortable with the tune as he opined that the romantic element was missing. It was Kishore Kumar who sugessted the tune of another bengali folk song which was finally okayed by Shaktida.

@lalwanimoti

8 жыл бұрын

sanjay bhowmick Dada Burman picked up folk tune, Kishore did improve it and Dada approved it as per my interview with Manohari Singh. That was Dada who encouraged his subordinates and singers. Finally it's the music directors call without whose approval nothing can move. Let's not forget that SDB gave such youthful songs before and after Aradhana right till his death. When Kishore came to rehearse 'Badi sooni sooni hai' with SDB, there was so much pathos in his voice that Kishore started crying. He couldn't continue and left saying that he is not ready for recording and would intimate when he is.

@begumsahiba6586

5 жыл бұрын

sanjay bhowmick Ji you are absolutely right. I vividly remember that interview.

@begumsahiba6586

5 жыл бұрын

Moti Lalwani Ji I do vividly remember that interview, in which Amit Kumar Ji, mentioned about this incident. The Bangla version of the same song is very very appealing too, as romantic and as seductive as the Hindi version is. Wonderful composition indeed.

Very insightful interview for Hindi film music lovers and diehard S D Burman fans like me. I am glad Lord summarily rejected so many canards spread about SDB composing many youthful tunes of the time! Rumours were spread starting from Teen Deviyan song Arre Yaar Tumbhi ..., Jewel Thief : Ye dil na hoto ..., Raat Akheli hai.., Baite hain kya ...etc., The other day I heard an old number from Lal Kunwar - Suraiyya : Nighahen ..... Till his last film, not a single number composed by him is boring. What more tribute can a composer get?

@lalwanimoti

4 жыл бұрын

@sri sri ji, SD Burman is the only composer who moved with times and remained top contender from the start to finish of his career, while many others faded away. Before the Filmfare awards were created, he composed soulful music in several films, like Do Bhai, Shabnam, Mashal, creating hit music in all of 7 released films in 1951 which included Bahar, and Sazaa, before he decided to to accept 3 to 4 films per year. A master in all genres of music, he worked hard on Kishore Kumar and took him away from copying Saigal, and to find his own voice. Thanks to SD for popularity of KK and Dev, both of whom became top contenders in their own field. Take any generation of composers, from Naushad to L-P, K-A and his own son RD, he gave them run for their money, winning Abhimaan Filmfare award against the last 3 who too were contenders. A number of awards would have been his but for machinations of some. There's a lot more to write about him. Thanks for comments. Please see all my videos.

@srisri3458

4 жыл бұрын

@@lalwanimoti Thank you for your nice response. What I have always found distinctive in SDB's music was the tantalising lilt that gave his tunes a timeless attraction. Adapting himself to changing times , he gave tunes that were at once contemporary and everlasting. No SDB fan will find time to listen to other composers' songs immersed as they are in SDB's songs! You refer to his Filmfare award for Abhimaan against other contenders like LP, KA and RDB ; but I have always felt he didn't get his due credit , when his Best in the Millenium compositions - Guide and Aradhana didn't get Filmfare thanks to the stupid 'coupon collection' system Filmfare followed. ( Same was the fate of Madan Mohan's Woh Kaun Thi, Heer Ranjha and RDB's AAp Ki Kasam etc.,) .

@lalwanimoti

4 жыл бұрын

@@srisri3458 bhai, Thanks for comments. Yes, it's true that SDB composed many songs making singer sing in a particular way, which could be called tantalising/teasing/etc. In a way, SDB used to put life in to the songs. One of the best example is of Amar Prem song, 'Bada natkhat hai re, Krishna Kanahiya'. Please read on: Pancham was at ‘The Jet’ (Dada’s Bungalow) as director Shakti Samantha arrived to brief him on the first recording for ‘Amar Prem’. “Dada too was there as Shakti outlined the song-situation to me” noted Pancham. “To an ordinary composer like me, it appeared a stock situation for which I produced a stock song. But Dada saw it totally differently. In fact, as Dada proceeded to observe: ‘Your tune’s absolutely straight, Pancham, where’s the feeling in it? What if Shakti said a mere bhajan-style tune would do? You’re a composer, Pancham, no mere tunesmith. How possibly could you place a bhajan-style tune on a prostitute, which is what Rinku (Sharmila Tagore) plays in Amar Prem.’ ‘This, remember, is no ordinary prostitute,’ went on Dada. ‘This is a situation in which the woman is a mother first, a prostitute after. So the tune you compose, Pancham, must cinematically reflect - in each note - the prostitute’s mother instinct, which has suddenly been aroused by that child’s straying into what’s forbidden territory for such a kid.’ ‘The tune must have a rare sentiment’ added Dada. ‘But your tune, if catchy, Pancham, sounds routine to the composer in me - it’s taken no note of the prostitute’s instant urge to mother that child. You have, here, to be sensed as feeling, evocatively, for the mother in the prostitute.’ “Saying which,” continued Pancham, “Dada took over the harmonium from me and proceeded to modify the tune. Dada stayed within the same Khamaj thhaat, stuck to the same Raag Khamaj, while imparting a new feeling to my tune. The tune ultimately emerging was, if I’m to be honest, more Dada’s than mine.” “I’d provided the base tune. It was left to Dada to give it a super-sensitive turn by which it unfolded the heart-tugging way it ultimately did on Sharmila Tagore - as Bada natkhat hai yeh Krishna Kanhaiya, ka kare Yashoda maiya ho. “In that moment, I learnt from Dada that a composer’s job doesn’t end with preparing a mundane tune for a situation mundanely outlined to him,” confessed R D Burman. “The music-maker - as underlined by Dada - must get involved in the film’s script, study the character for whom he’s composing and acquire the perception to project his composing personality into the character by venturing to experience her experiences. It was this one Bada natkhat tune as reshaped by Dada,” concluded Pancham, “that determined the tone I brought to the rest of the Amar Prem music - through numbers like 'Raina beetee jaaye', 'Chingaree koyee bhadke', 'Yeh kya huaa' and 'Kuchch to log kahenge'. The vocals of Kishore Kumar and Lata Mangeshkar did the rest.” The author (Raju Bharatan) concludes, “Can there be another Amar Prem, another Pancham? Only if there can be another Guide, another Sachin Dev Burman”. (Source: ‘A MATTER OF FINE TUNING’ by Raju Bharatan in HT-Café of Nov. 5, 2007)

@srisri3458

4 жыл бұрын

@@lalwanimoti Shakti Samanta said in an interview that from the record sales of Aradhana he could fund his next five movies! Rajesh Khanna was catapulted to All India Super Stardom that no one since attained. Interestingly, neither Shakti Samanta nor Rajesh Khanna worked with SDB later!

@lalwanimoti

4 жыл бұрын

@@srisri3458ji, Shakti Samanta, Rajesh Khanna and SD Burman worked together in Anurag, after Aradhana. One thing you may notice after research is that SD Burman used to pass on to his son, films offered to him. Mehmood had offered his films to father in early 1960s, which went to RD, because SD declined. SD declined Hare Rama Hare Krishna and Dev went to son RD. Nasir Hussain begged SD to compose music for at least one film, but father declined. Vijay Anand is on record that Dada used to request them to give chance to son Pancham. Subsequently, after Prem Pujari, SD criticized Dev and point blank refused to work with him any more. The idea must be to to get RD work in Navketan. Thanks for the comments.

Great interview, Moti Lalwaniji!

@lalwanimoti

9 жыл бұрын

HQ vai, Have you seen another video interview of Kersi ji, also by me, in which he is wearing bright red Tee shirt. It clears the myth of who composed 'Sar jo tera chakraye'? He is the only living musician who worked in Pyaasa (1957).

Very sincere, frank and adorable guy.

@lalwanimoti

8 жыл бұрын

+Whatever65759 Very true,

Good great olden days

Thanks for the excellent interview with kersi lord sir..great information

@lalwanimoti

2 жыл бұрын

@ chandrashekhar mohan ji, One the best solo musicians of our golden period, Kersi Lord had played with most of the music directors. He showed a tremendous respect for SD Burman.

Excellent interview lalwaniji

@lalwanimoti

5 жыл бұрын

Ashok Patnaik ji, Thanks for appreciating it.

Wow ! Great Great. Thanks for this interview.

@lalwanimoti

3 жыл бұрын

@Ashish Antani, Thanks for appreciating it.

Thank you Chota vai. I am glad you liked it.

thank you so much for this information. I really appreciate this.

Mr. Kersi Lord what a personality 💐

Besides above, there are three at least three living people who have met Shakti ji during Sachinda's centenary celebrations to invite him. One of them is Mr H. Q. Chowdhury of Bangladesh who has written a book on Dada Burman where he has mentioned that Shaktida told him that it was SD Burman who composed music of 'Aradhana', and that he was not sick. Please read that book.

The greatness of S.D Burman can't really be explained in words.He was a man who was way ahead of his time.You could feel the music even in his old 1930s-40s Bengali and Hindi compositions.Today all the music channels,FMs revere R.D Burman and his music(Rightfully),but I haven't seen any of them doing any kind of tribute to S.D Burman.His range was greatest among all his contemporaries ,as Gulzar said when he mentioned that the songs of Sujata(Bimal Roy Movie) and Chalti Ka Naam Gaadi were composed at the same time and it is hard to imagine that they were done by the same composer. Anyway,It was a really nice and frank interview of Mr.Kesri Lord.In a magazine called Cineplot, Burman Sahab has even written some articles about the importance of movies without any song and the importance of silence in movies,as mentioned by Mr.Lord. It would be really nice if you can get some interviews of Burman Sahab in his own voice.The only thing available in the net seems to be 1970-Jaimala hosted by S.D Burman..Thank You!

@lalwanimoti

8 жыл бұрын

Bodhisatwa Chatterjee There never has been nor ever will be another S.D. Burman. He excelled in everything, whether it was singing, composing till his end, training raw voices to become the best, and professional singers to improve, interest in sports, punctuality, sense of humour, etc. If I was to write on each of these aspects, this space will not be enough and a thick book could easily be compiled on him. You already have good knowledge on SDB, watching my interviews on KZread with those who worked with him would be interesting. Besides that, you could join our group on SDB, called S.D.Burman (Sachin Dev Burman Fan Club). If you do need more information SDB, please do write to me. Thanks for your comments.

@ghaliblaskar4319

6 жыл бұрын

Moti Lalwani sir I want to know from you legend Dada burman how he composed the beautiful melody Janu Kiya mera dil from ziddi film released in 1964

great work saab

@lalwanimoti

Жыл бұрын

@sucharu kayastha, Thank you for appreciation.

Very nice ..achchha lagaa

@lalwanimoti

5 жыл бұрын

@ Sadhan Hamal, Thanks for comments. There are more, equally interesting videos.

Thanks for appreciation. Soon I will post the remaining parts of this interview.

Moti Lalwani ji great.🙏🙏

@lalwanimoti

4 жыл бұрын

@ jai guru dev ji, Thank you for comments.

Roop Tera Mastana song tune was based on Bhatiali music (a form of folk music in both Bangladesh and West Bengal) but the tune was changed by Kishore Kumar based on S.D Burman's earlier creation which he has never used by him in any of his previous movies (Refer this link kzread.info/dash/bejne/mql40Nuuf6XTlso.html)

Dear Motibhai, Thank you for uploading this interview. Khagesh Devburman who is a relative of S.D.Burman, has also confirmed that the tune of Roop Tera Mastana is based on a folk tune of Bengal. So all this confirms that Pancham had no hand either in the tune or the orchestration of this song. Lord's other information on Dada is also very interesting and thrills us-his ardent fans. Once again thank you Motiji for this very valuable video.

@lalwanimoti

3 жыл бұрын

@Sribhai, I have about 24 proofs that RD had no hand in Aradhana. I have also proof that SD was part of the four present when 'Dum maro dum maro' song was being composed. It's mentioned in the interview of Dev Anand, which I can share with you.

@srinivasanchanniga

3 жыл бұрын

@@lalwanimoti Thank you Moti Bhai

@ArchismanMozumder

Жыл бұрын

@Srimivasan Channiga: Which is the folk song on which 'roop tera mastana' is based. Can a link be shared please? Thank you in advance.

@srinivasanchanniga

Жыл бұрын

@@ArchismanMozumder Dada nobody appears to have access to that song . It is said to be a folk song. We don't know whether it was recorded or not. Only it is quoted by Khagesh ji in his book. It starts as ' Kal ki jabo shashur badi'.

@srinivasanchanniga

Жыл бұрын

I want to take back part of what I wrote above. Bhanu Gupta, a close associate of RD has said in one Bengali program that SD sang that Bengali song ' Kal ki jabo shashur badi' and Shakti Da was impressed by it and wanted that tune to be included for the song sequence in Aradhana. Then according to Bhanu Gupta, Sachin Da asked his son Paancham to take over and embellish it.

thank you

The song Roop Tera Mastana is so mesmerising asong that even today' also music lovers r so fond of Hats off to Sachinda the Great Legend in the film music ficld

@lalwanimoti

7 жыл бұрын

Please see my other video interviews over 100 of them to know how great a legend Sachinda was.

thank you, sir

"they don't know about burman saahb, burman saahb was very youthful inside" rightly explained, actually they have also no respect to rd, any painting without signature of vincent van gogh would be easily identified, fortunately sachindeb burman is a rare master singer composer, any of his creations carry his name, roop tera mastana is by only sachindeb, there are not even aother number during rd's entire life, shraddhanjali sachindeb burman for this futuristic immortal song!

@lalwanimoti

6 жыл бұрын

Brajagopal bhai, Watch my video Sachin Dev Burman and his Aradhana (Part I). In a few days in going to upload Part II.

At the same time, I would not say that RDB was not involved during the orchestration. But that was subject to approval of Sachinda. There is a strong possibility that Dada didn't approve what RDB wanted so he left the recording to his father. You are aware that Dada Burman was firm even with greats like Bimal Roy and had his say always. After all it was his music.

@ghalibmahmudlaskar5980

3 жыл бұрын

Sir I want to tell you one thing I really felt very bad.You see I was watching a cabaret song from Movie Jewel Thief picturised on Helen ,in the comments section I observed that many were saying the composition was actually of RD Burman and not exactly of Legendary Sachin Dev Burman.Sir I really felt very bad.Sir my question to you is what you have got to say about such fanatical RD Burman fans?

@lalwanimoti

3 жыл бұрын

@@ghalibmahmudlaskar5980 It's nothing new. After my reserach most of them have accepted the truth. But sometimes someone continues to believe. My reply is in three parts: Part I I want to share with comments of music love Shree Bheemsinh, who is music lover and fan of both SDB and RDB. He had me Shakti Samanta in 2006. This is what he wrote in our SD Burman Group on Facebbok in 2006. "I don’t want to make this as controversy as it is discussed at pancham group several times. I do believe the persons those were present at that time only. as per my discussion with Shakti da, its Purely SDB's work. As I'm great Music lover of the Burman Clan, no offences, and only due respect to the legends. Any claim or statement made by pancham group is difficult to believe. Here's a slight observation of Pancham group, which is having a large number of hypothetical brains. Some hypothesis are - - Any music credited to Panchamda, is created by Panchamda (no doubt :)). - Music Composed by Sachinda, is composed by Panchamda, - Music Credited or composed by Panchamda's assistents is composed by Panchamda. - Music Composed by Pancham da's friends is composed by Panchamda. - Music composed by person who is not of above categories, is not composed by Panchamda, but somewhere music looks Like Panchamish, may be that person was Inspired by Panchamda's music. - And music may be recorded but not used and leaked by recording studio employee. Please don't Underestimate or over-glorify the legends, love them as they are." Bheemsinh in Yahoogroups. Parts II I have interviews of music directors, writers, etc, mine and from other relaible sources. All of them have rubbished the claims that RDB composed anything for SDB. Let us not forget that SDB was a well trained in classical music from various gurus, and had done extensive research folk muisc. All the younger geeration music directors like K-A, L-P, RDB, Shantanu Moitra, Ravindra Jain, etc have got inspired from SDB's music. They have even given credit to SDB for their songs. Part III Later in life, immediately after his father's death, RDB has gone on record in an interview that he had boasted that his Baba copied some of his tunes. I have that interview. If you give me your Email address, I shall share it with you.

Great Interview dada va

@lalwanimoti

7 жыл бұрын

Thank you chota vai.

good and super keyboard player, mr. kersi lord.?

Rajesh Khanna and Sharmila Tagore (also Shakti Samanta behind camera) have shown how to can an intense song without any titillation and vulgarity.

@lalwanimoti

8 жыл бұрын

+sujaybhatta2009 True.

🙏🏻🙏🏻🙏🏻🙏🏻

Rafi Sahib was not dropped. He went to Haj, where he was told by a muslim priest that he should not sing film songs and make money which is obviously against religion. He was confused and proceeded to London to stay with his son for six months. Fortunately he decided to come back, but by that time Kishore had taken over like a storm after the success of Aradhana.

@sammysam8307

6 жыл бұрын

That is not true. Fact is that though Rafi was a Muslim, he was not tied to that ideology in any way. I don't know how singing film songs can be against Islam (Wahabi Islam believes that any kind of art - including music is the work of infidels) By the way, it was his daughter and not son who was in London.

@riteshmallik4939

6 жыл бұрын

of course Islam prohibits singing anything else but singing in the praise of allah,.There are enough contents in the youtube,.

@ghalibmahmudlaskar5980

3 жыл бұрын

Thanks Sir I really enjoyed it.Legendary Sachin Dev Burman was a god gifted self made man.I don't know why some people are there who always try to belittle Most respected Shri Sachin Dev Burman by saying that it was because of his multi talented Son Legendary Pancham that he could composed beautiful tunes otherwise Sachin Dev Burman could not have composed beautiful tunes.

@lalwanimoti

3 жыл бұрын

@@ghalibmahmudlaskar5980 If there was no SD Burman, there would have been no RD Burman. This is what many RD Burman fans have said after going through our interviews.

@ghalibmahmudlaskar5980

3 жыл бұрын

@@lalwanimoti Thanks very much for your reply

SUPERB

@lalwanimoti

7 жыл бұрын

Al SamiiR Thanks.

Creativity at its best.

@lalwanimoti

2 жыл бұрын

Thanks.

🙏🙏🙏

@lalwanimoti

2 жыл бұрын

@Sandip Joshi 🙏

i think Rafi Sahib lived for a while in wembley in london, where i live too ( some claim to fame ( ha ha ) the information you have provided is invaluable

Legend👏👏👏👏

I am sure who it was SD Burman sahab who gave the music of Aradhana..Predominantly it must have been SD Burman.But there were certain glimpses of RD too especially in the scene where Sharmila Tagore sees her son Rajesh Khanna for the first time in the airfield..one can see the humming of RD which can easily be identified.Great music from Father-Son duo.

@lalwanimoti

4 жыл бұрын

Please see our videos on KZread with the title Sachin Dev Burman and his Aradhana. There are 4 parts, Part l to Part IV. And also see our video on Shakti Samanta what he says about Aradhana.

@lalwanimoti

4 жыл бұрын

Please also see our video Shakti Samanta and his Aradhana.

(Continued from above) Source: Vividh Bharati Vividh Bharati has a programme called 'Aaj je Funkaar' from 9.30 pm to 10.00 pm, when they pick up from their archives an earlier interview on a film personality. On 13 Jan. 2011, Vividh Bharati chose to broadcast Late Shakti Samant's interview in Hindi. As we all know, Shakti Samant was the Producer and Director of 'Aradhana'. He spoke in Hindi, and above is translation of what he said about the music of Aradhana.

(continued) "Dada agreed and recorded remaining songs with male singer as Kishore Kumar, all of which became great hits. The film celebrated Golden Jubilee, Rajesh Khanna became a super star, and Kishore Kumar's carrier picked up again, never to look back." (continued)

@drdilipdeshmukh7147

4 жыл бұрын

Ñmñ

@ghalibmahmudlaskar5980

4 жыл бұрын

Had Respected Shri Nabaddwip Chandra Dev Burman been not deprived of Kingship who knows his famous son would have become the Royal King of Tripura and you Sir would not have got Shri Kesri Lord speaking about Legendary Sachin Dev Burman 😂😂😂😂😂😂😂😂😂😂😂😂😂

@lalwanimoti

4 жыл бұрын

@@ghalibmahmudlaskar5980 Perhaps you are not aware that Kumar Sachin was the youngest of 9 siblings including 5 brothers. Normally, the eldest son becomes the king, and here there were 4 ahead of Kumar Sachin.

@ghalibmahmudlaskar5980

4 жыл бұрын

@@lalwanimoti Ok Sir thanks very much for your information .Yes I wasn't aware of it that legendary SD Burman was not the eldest among the children of most respected Bubagara Shri Nabaddwip Chandra Dev Burman.

@lalwanimoti

4 жыл бұрын

@@ghalibmahmudlaskar5980 Welcome. Why do call him Babugara. What more do you know about him.

Do you have source of your information please.

thank you for this. one is told that SD sahib fell ill and Rafi Sahib was dropped. Obviously this is not true.

@lalwanimoti

5 жыл бұрын

@Kaleem Shaikh, Please view on KZread 'Sachin Dev Burman and his Aradhana' - Part l and Part ll, and see several film personalities including firm's producer-director saying how Burman Dada took Kishore as Rafi had gone on foreign tour.

Welcome dear.

Borom Gwnang Mwchang Sammanit Bubagara Shri Sachin Debbarma Tongmani Khoroksa Mung Gwnang Rwchap 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏

Welcome Ashish.

Besides Kersi Lord who was present during 'Roop tera mastana' recording, I have interviewed Manohari Singh (voice recorded and signed) Homi Mullan (Video), Amrut Rao (voice recording), all of whom have said the same thing that Sachinda was not sick during Aradhana. I have personally heard Shakti Samanta on Vividh Bharati's 'Aaj ke funkar' program, where he has said Rafi had gone on a foreign tour hence he suggested to Dada Burman to use Kishore, and Dada readily agreed and composed for him..

The Bangala version of this beautiful song is also worth listening. As seductive as the Hindi one. ETO KACHHE DUJANE

@lalwanimoti

5 жыл бұрын

@Begum Sahiba, Is it on KZread? Do you have the link? I understand that the original was a folk song which was never recorded.

@begumsahiba6586

5 жыл бұрын

Yes Mr. Lalwani it is very much on KZread. Just type ROOP TERA MASTANA BANGLA VERSION or just type Eto Kachhe Dujane.

@lalwanimoti

5 жыл бұрын

@@begumsahiba6586 This Bengali version is based on original song 'Roop tera mastan' from Hindi Aradhana. I thought you were referring to the original folk tune from sdb got inspired.

@begumsahiba6586

5 жыл бұрын

Moti Lalwani ji my bad. Actually I had thought this is the original one and the Hindi version was made on this on. Many Hindi songs were first composed in Bangla and then in Hindi. So I thought this too was first composed in Bangla and later in Hindi.

@lalwanimoti

5 жыл бұрын

@@begumsahiba6586 No problem. Music for both Hindi and Bangla Aradhana was composed by S. D. Burman. He continued to compose youthful musical till his last days, giving a solid competition to the younger generation composers including his own son.

Who composed amar prem songs actually sd burman or rd burman? because rd said in an old interview that sd burman also was there in sitting for amar prem .Helping rd burman.

@lalwanimoti

3 жыл бұрын

@vaishnavi kadam ‘Bada natkhat hai yeh’ Pancham was at ‘The Jet’ (Dada’s Bungalow) as director Shakti Samantha arrived to brief him on the first recording for ‘Amar Prem’. “Dada too was there as Shakti outlined the song-situation to me” noted Pancham. “To an ordinary composer like me, it appeared a stock situation for which I produced a stock song. But Dada saw it totally differently. In fact, as Dada proceeded to observe: ‘Your tune’s absolutely straight, Pancham, where’s the feeling in it? What if Shakti said a mere bhajan-style tune would do? You’re a composer, Pancham, no mere tunesmith. How possibly could you place a bhajan-style tune on a prostitute, which is what Rinku (Sharmila Tagore) plays in Amar Prem.’ ‘This, remember, is no ordinary prostitute,’ went on Dada. ‘This is a situation in which the woman is a mother first, a prostitute after. So the tune you compose, Pancham, must cinematically reflect - in each note - the prostitute’s mother instinct, which has suddenly been aroused by that child’s straying into what’s forbidden territory for such a kid.’ The author (Raju Bharatan) concludes, “Can there be another Amar Prem, another Pancham? Only if there can be another Guide, another Sachin Dev Burman”. (Source: ‘A MATTER OF FINE TUNING’ by Raju Bharatan in HT-Café of Nov. 5, 2007)

At several places Amit Kumar narrated that Kishore da sang one old Bengali composition of SDB the tune of which is the result of today's Roop Tera Mastana instead of SDB's original Bhatiyali composition. Is this true?

@lalwanimoti

5 жыл бұрын

@Arun Sen, Only partly true that Kishore did assist in improving it. For that you have to watch our interview, 'Manohari Singh on S.D. Burman'. I'm not sure of the Part No. What's not true is that the way Amit mimics Burman Dada signing, 'Roop tera mastaana' is impossible. Let's not forget that much before Aradhana came in 1969, Dada took out Kishore from his K.L. Saigal mode and honed his voice to such an extent that Kishore could compete for number one spot. Who can forget Kishore songs of Dev Anand in Munimji, Funtoosh, Nau Do Gyarah, Paying Guest and others. Amit is a showman who has to entertain his audience.

Good talk but not many memories of title Aaradhana...felt sorry

@lalwanimoti

4 жыл бұрын

There are many more on the topic Aradhana uploaded by me. I don't think you will be unsatisfied after seeing them all. Thanks for the comments.

you, are really a lord, in keyboard, playing.?

I only have one question. In your interview with Manohari Singh, he mentions a machine that they used to make recordings sound better. What was this machine called?

@lalwanimoti

9 жыл бұрын

Sanjay Singh Manohari Singh never ever said they used any machine to make any recording better. I don't know whose interview you have seen. Those were not the days of any machines.

@sanjaysingh2303

9 жыл бұрын

Can you give me the link to the interview. Please

@lalwanimoti

9 жыл бұрын

Sanjay Singh Those days I did not have camcorder. I had voice recorded his interview, typed and went back for his signature. You have to believe me when I say there is no mention of any machine. You have to know Dada Burman, who will not use any machine. He loved pure voice of his singers, and even the music was much less.

@lalwanimoti

9 жыл бұрын

Where is the mention of machine?

@lalwanimoti

9 жыл бұрын

Don't read part interview Sanjay. It is like blind man thinking elephant is only a long rope, while holding his tail. What he means is that SDB composed a tune, which was slowly changed with contribution of others, of course as approved by SDB. Didn't he say Dada was happy and told Kishore, "Tumne bahut achcha kar diya hai", or some such words. Even Amit Kumar has said the same thing that his father improve it. Now stop this topic, because you are stuck on this. Bye.

Welcome Kaleem.

Bolane ke basale instrumet bajake dikhate to jada achha hota

recently in the serial aired on zee classic hosted by javed akhtar ,called golden years the same misinformation that rd composed roop tera mastana from aradhana,was conveyed, whereas the original was a bengali comedy song composed by sd burman, why belittle the great composer it is shameful

@lalwanimoti

8 жыл бұрын

Original song is neither a comedy song nor a song composed by SD Burman. It was a folk song on which Burman Dada based his tune of 'Roop tera mastana'. The following anecdote was narrated to me by Khagesh Dev Burman (the author of biography on SDB) in his voice recorded interview: Khagesh Dev Burman: About this song, SD has said that it is originally based on a Bengali folk song. He has said in an interview that he had composed this song, the origin of which was that a small girl was singing while playing a game of ‘Hopscotch’. The song had an earthy flavour to it. The songs words were: ‘Aajke jaabo shashurbari, Saajiye de aamay taratari’ (I have to go to my father-in-law's house today, dress me up quickly.) Question: The girl was singing? KDB: Yes, that was the song, SD has said. When the girl’s father appeared, Sachinda asked him, ‘What is happening? What are you doing?’ He replied, ‘Jo mera ladki hai na, usko shaadi de raha hun’ (She is my daughter. I am marrying her off.) ‘Shaadi de raha hun! Abhi kyon? (Marrying her off! Why now?) SDB asked (observing that the girl was very young), Father: ‘Bada hoke toh kharab ho jayega’ (When she grows up, she might go astray!) ‘Uski thaali de raha hoon, nahin toh kharaab ho jayega. Abhi dena hai’ (I am conducting her ceremonies; else she might go astray. I have to marry her off now.) ‘Usi ka gaana hai, Aajke jaabo shashurbadi’ (‘That’s the song, Today I am going to in-laws place’) Question: SD had said this? KDB: Yes, SD had said this. He has kept the tune in ‘Roop tera mastana’. That tune attracted him. Then he created this song.

दादा लालवानी .... आप यह सुन ना आप से शेयर करने का मन है kzread.info/dash/bejne/maJhqLBrfs64kbw.html dada jab aap free ho to yeh S D B' video regards

@lalwanimoti

7 жыл бұрын

AI SamiR Aap ka bahut shukriya yaad dilaane ke liye. Hum ne yeh dekha aur suna hai. Ek baat shayad aap ne note ki hogi. Sachinda ne auron ke gaane diye hain, aur prashansa ki hai. Lekin apne gaane bahut hi kam diye hain. Umeed hai ki aapne hamaare saare videos KZread par dekhe honge. Abhi aur bhi hai jo aane wale hain. Agar aapne subscribe kiya hai hamaare channel ko, to aap ko KZread waale inform karte rahenge jab bhi hum upload karenge. Regards.

@viraliinc

7 жыл бұрын

Thank you Dada. yes even I noticed that ki ... SDB really appreciated all good music composed by others. This was the greatness of SDB. After watching yours channel I am really enjoying too much .... all music is sounding very differently. thank you dada

@lalwanimoti

7 жыл бұрын

Al SamiiR You will enjoy even more if you join our Facebook group on SD Burman. It is called S.D. Burman (Sachin Dev Burman Fan Club). Thanks for appreciations.

@viraliinc

7 жыл бұрын

OK I will join that group right now thanks Dada

Moti Lalwani Sir. I dont know who all started this crap against SDB. As you are aware that SDB is one of the greatest composers of that time, he need not depend on anyone else to make "Roop tera mastana". I heard from my dad who is no more that he is a self esteemed man. When the producers of Prem Nagar approached him to score music, they insisted that the same tunes of telugu songs to be used.(Prem Nagar is the remake of telugu super hit Prem Nagar for which Late K.V. Mahadevan scored music), for which SDB fittingly replied that if at all same tunes had to be used, why you need me? you can ask Mr. K.V. Mahadevan to score for hindi remake also. If you want me to score music, you have to take my compositions only, for which the producers agreed. He was right. So why will he depend on someone's tunes to get an award for his songs? Before Aradhana, he composed so many songs for Funtoosh, Chalti ka naam gaadi, Jewel Thief, Guide, to name a few. Do those who raised a finger think that these songs lack melody? One thing is sure. As I said before that he is a self esteemed person, that might have been the reason why he didnt work much with legends like Raj kapoor saab, who prefers S-J over SDB, who as for as my knowledge is concerned, interferes with tunes and forces the Music Directors to use certain western tunes, which he picks up when he goes abroad.

@lalwanimoti

8 жыл бұрын

+Jeremiah Jawahar What a wonderful anecdote you have narrated about Burman Dada and his reply to the producers of Prem Nagar (1974). Similarly, SD Burman is known to have his own way and tolerated no interference from Producers / Directors of the film. Even Vijay Anand who was a great director has said in an interview that "Burman Dada ko koi nahin bol sakta tha'. Thank you Jermiah.

@chakramjer21

8 жыл бұрын

You r welcome sir...... he does what he feels is right.... and proved it many a times to the world with his melody..... great people will have great thoughts. ..... I dont think we can find such a person again in next 500 yrs or so...... commitment to the core...... we all miss him alot.....

@lalwanimoti

8 жыл бұрын

+Jeremiah Jawahar I agree with you that S.D. Burman Dada was a brilliant composer who could same time compose Pyaasa (1957), and Chalti Ka Naam Gadi (1958). He had variety, unlike many other music directors whom, if you heard once you have heard them always.

@VinayakVaidya

8 жыл бұрын

Moti Lalwani: Not just variety...creativity...not a single tune ever repeated over so many films....

@lalwanimoti

8 жыл бұрын

Vinayak Vaidya, Very true. Dada's creativity knew no limit. He would understand the story, study the situation, the character of the actor on screen being portrayed, study whether the song situation existed, and then only compose a song.

Eisa funkar doosri bar paida honge? I am in doubt. Agar eisa hoga to mein chamatkar samjhunga.

@lalwanimoti

Жыл бұрын

@Praful Bhaina, Us zamaane ke sabhi funkar achche thay. Thanks for the comments.

Patanehi. Koi. 69. Par. Keu. Nehi. Kie.

95% role is played by music arrangers, musicians Even all music is composed a the whole group. But people remember only SD Burman and RD Burman because they are Brahmins. Brahmins don't let anyone to come up. They alway keep them on thw top of hiraricy. You must form your own musical group.

@lalwanimoti

2 жыл бұрын

@Harvinder Singh, If 95% role is played by arrangers, musicians, why could not the become successful music directors? I don't know from where you got this Brahmins/non Brahmins idea? Music knows no boundaries, cast or creed.

thank you