Blissful Rendition of Raag Jaunpuri by Vidushi Ashwini Bhide Deshpande Live
at Ravenshaw University, Cuttack, Odisha-2011
00:00 - Madhyalay Khayal : Maano Jaraa
15:28 - Madhyalay Khayal : Ab Paayal Baajan Laagi Re
18:19 - Drut Khayal : Choom Chanana
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Raga: Raga Jaunpuri (Raga Jeevanpuri)
Taal: Jhaptaal(Madhyalay)
Teentaal(Madhyalay)
Teentaal(Drut)
Composition: Maano Jaraa
Ab Paayal Baajan Laagi Re
Choom Chanana
Composer : Maano Jaraa : Vishnu Narayan Bhatkhande('Chatur')
Vocalist : Vidushi Dr. Ashwini Bhide Deshpande
Style : Jaipur-Atrauli Gharana
Tabla : Shri. Mithilesh Kumar Jha
Harmonium : Shri. Vinay Mishra
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📝Lyrics:
***********Maano Jaraa***********
मानो जरा इतनी कही
तुम बिना कल न परे
निसदिना मैका मोहन
मोरी बिनति मानो कन्हाई |
बिरह दुख अति कठीन
नव जोबन नव मदन
कैसे चतुर करू सहन
इतनी मोरी मानो मोहन
काहे करो मोसे जुदाई ||
*********** Ab Paayal Baajan Laagi Re ***********
अब पायल बाजन लागी रे
कैसे कर आऊ तुम्हरे पास |
सास ननंद मोरी जनम की बैरन
सबरंग पिया हू तोरी दास ||
*********** Choom Chanana ***********
छूं छननन छूं छननन बिछुआ बाजे मोरी मा
याते मैं जानूं पीको आगम भईला ।
चार दिना ते अगम भईलवा
मेरे तो जिया के सब दुख गईला ॥
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About Artists:
Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition.
Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a
family of music connoisseurs and musicians. She completed her Sangeet
Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a
scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed
Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of
Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior
gharana. Later, her disciplined taleem under her mother, Manik Bhide
(who herself was trained under the legendary Kishori Amonkar) was
largely made up of learning the traditional aspects of the
Jaipur-Atrauli style of raga development and also studying the nuances
of raga-music. She then went on to train under Ratnakar Pai, a renowned
teacher of the gharana, from whom she received further guidance and a
great repertoire of the traditional paramparik compositions and ragas.
Because of her influences from the Jaipur-Atrauli, Mewati and Patiala
gharanas, she has created her own musical style. She holds a strong
command over the three primary saptaks.
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