Raga Bihag | Vidushi Dr. Ashwini Bhide Deshpande | Bajeri Mori Payal Jhan & Lat Ulajhi
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Mesmerizing Rendition of Raag Bihag by Vidushi Ashwini Bhide Deshpande. The music in this video is the original recording from the album 'Ashwini Bhide-Deshpande - Classical Vocal Vol. 1', released in 1996.
00:00 - Bajeri Mori Payal Jhanana
28:50 - Lat Ulajhe Suljha Ja Balam
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Raga: Raga Bihag
Taal: Teentaal
Composition: Bajeri Mori Payal Jhanana
Lat Ulajhi Sulajha Ja Balam
Composer:
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tanpura : Saniya Kulkarni
Tabla: Shri. Bharat Kamat
Harmonium: Shri. Arvind Thatte
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📝Lyrics:
Bajeri Mori Payal Jhanana:
बाजे री मोरी पायल झनन
कैसे घर आऊ तोरे पास ||
सास मोरी दुतिन ननन्द मोरी बैरन
कहे न आवत तोहे लाज ||
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Lat Ulajhi Suljha Ja Balam:
लट उलझी सुलझा जा बालम
हाथो मे मेहंदी लगी है मोरे ॥
माथे की बिंदीया बिखर गयी मोरी
अपने हाथ लगा जा बालम ||
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About Artists:
Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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Пікірлер: 37
Divine ashwini mam ekdam veena tai jaisi pakad🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏
Sublime mastery and virtuosity that is characteristic of Ustad Alladiya Khan's magnificent legacy of the Jaipur Atrauli Gharana. This divine art form has been nurtured and handed down from India's greatest Hindustani Sangeet exponents like Pt Bhaskarbua Bakhale, Ustad Manji Khan, Kesarbai Kerkar, Mogubai Kurdikar, Pt Mallikarjun Mansur, Kishoritai Amonkar, Maniktai Bhide to her highly accomplished daughter Dr Ashwini Bhide. To paraphrase the Bhagavad Gita: संगीतमिममश्रौषमद्भुतं रोमहर्षणम् !!!!
Radhe Radhe ❤️🙏🏻
अतिशय सुंदर...किती गोड आवाज आहे....फार छान
Fantastic Rendition of Raag Bihag... This is a Richness of our Indian Classical Music .. Stay Blessed
Very nice 👌🏻👌🏻👍🏻👍🏻 I fell in love with this composition 😊
Dr.Ashwini, you are just amazing, your melodious voice, your expressions and your command on the raag make this piece a treat to the ears.
Divine singing ...so much close to the style of Kishori Amonkar.
@Skhatik2001
Жыл бұрын
Kishori Tai,ABD ki mummy manik bhide ji ki guru thi...
स्वर्गीय आनंद,खूप धन्यवाद
Kya baat hai Tai 🙏🥺🙇
Very satisfying.
Devine... gratitude mam🎉🎉🎉❤❤
🙏Thank you so much for this upload❤🙏
Thank you soooo much for this upload .... It is Divine ..
Divine 🎉🎉🎉 gratitude mam❤❤
वा वा, बहुत बढ़िया।
Awesome 🙏🏻🙏🏻🙏🏻 Ma'am
That meend on Gandhar... Ahhaaaa...
Wonderful exposition of the raag! Sublime.
So beautiful without words thank you so much for sharing 🙌🙏🏻🙏🏻🙏🏻
@rajerail5029
Жыл бұрын
Seesunder.voice.
Divine
Majestic✨
Beautiful 💖
Khub khub....sundor laglo ma'm🙏🙏🙏
❤🇱🇰
Godess of swara
👌👌🙏🙏
🙏🏻
🙏🙏🙏
Soothing...🙏🙏
🙇♂️🙇♂️🙏🏻
The Antara of the vilambit bandish is different to what is given in the description. I believe she’s singing a different version. Could you clarify what this is? P.S. Thanks for the upload!
Beautiful singing.Very meldeous and nice voice
❤
Ashwini