Raag Bhairav Pandit Ulhas Kashalkar

Музыка

Raag Bhairav Pandit Ulhas Kashalkar
Disclaimer : These recordings are sourced from private libraries of music aficionados & of Pandit ji.
In some cases, the details of the year of recording & accompanists remain unavailable.
www.ulhaskashalkar.com

Пікірлер: 26

  • @rommyluv
    @rommyluv4 ай бұрын

    सादर नमन मेरा आपकॊ गुरूजी।

  • @ashokbokhare8587
    @ashokbokhare85873 жыл бұрын

    Kya baat hai...bahut achcha Gaya....yahi sachchya gana hai.... pandit ji Charan sparsh 🙏

  • @adarshmishra6276
    @adarshmishra62764 жыл бұрын

    Aha, Ulhas Ji ko Saadar Pranaam. 🙏🏻❤

  • @RahulKarwaMusician
    @RahulKarwaMusician Жыл бұрын

    Divine Pt. Ji ♥️🙏

  • @uttammahapatara698
    @uttammahapatara6983 жыл бұрын

    So Divine ! Sata koti Pranam Guruji.

  • @nijagunmangiswaranjali4190
    @nijagunmangiswaranjali41903 жыл бұрын

    Sir i don't have words to say about you .my guruji teaching me raag Bhairav like you . And i following Legend Pt .K G Ginde sir

  • @amarkrishnadixit1396
    @amarkrishnadixit13964 жыл бұрын

    So divine... Waah Waah waah❤️🙏❤️

  • @vikrantgayak
    @vikrantgayak2 жыл бұрын

    Aisa sundar bhairav sirf aapji hi gaa sakte ho...

  • @debabrataghosh4066
    @debabrataghosh40667 ай бұрын

    Normally In comments section we find some inconsequential remarks some ridiculous ones from ignorants. It is refreshing to see a learned discourse here. For people like me who did not have talim from a guru but know the fundamentals of shastriya Sangeet through nearly 75 years of listening and discussing it was very informative. Like more use of Pancham would bring it closer to Ramkali or Kalingra. Want more such discourses in comments section rather than inane remarks

  • @debasishbhattacharyya1059

    @debasishbhattacharyya1059

    4 ай бұрын

    ¹❤¹

  • @bhaktikromaichaladerubhaja2178
    @bhaktikromaichaladerubhaja21784 жыл бұрын

    Jai ho

  • @babasahebpawar4223
    @babasahebpawar42232 жыл бұрын

    खुप छान पंढित🙏🙏🙏

  • @anweshamarick9228
    @anweshamarick9228 Жыл бұрын

    Very good.

  • @chitrayudhghatak
    @chitrayudhghatak4 жыл бұрын

    Was searching for this for a very long time. Thanks a tonne!

  • @amarkrishnadixit1396

    @amarkrishnadixit1396

    4 жыл бұрын

    Same here... Par mil ni raha tha

  • @nirmalyamukhopadhyay1769
    @nirmalyamukhopadhyay17694 жыл бұрын

    Sublime!

  • @SaxGuys
    @SaxGuys4 жыл бұрын

    Can't thank you enough for this. One love. XoX

  • @manishakamthe9574
    @manishakamthe95743 жыл бұрын

    Tabla masta !!

  • @RahulKarwaMusician
    @RahulKarwaMusician Жыл бұрын

    Teenatal ki bandish ke kya bol kripya koi bataye

  • @atharvaabhyankar

    @atharvaabhyankar

    7 ай бұрын

    Sthaayi Prabhu daata sabana ke, na kare mana jeevana ghari pala chhina || Antara Jo tu chaahe anadhana lacchumi, doodha poota bahu teraa, vaako naama bhaja guru ka naama ||

  • @ranjankumarghosal6758
    @ranjankumarghosal67583 жыл бұрын

    Year ?

  • @ninadpasarnikar9984
    @ninadpasarnikar99844 жыл бұрын

    I didn't understand why he is doing niyaaz on madhyam.Because it is not a niyaaz swar.can anyone tell me please?

  • @amarkrishnadixit1396

    @amarkrishnadixit1396

    4 жыл бұрын

    Bhairav me niyaas ka sur madhyam hi h.. Agar pancham zyada lagayenge. To ramkali hone lagega...

  • @shivanimirajkar1032

    @shivanimirajkar1032

    3 жыл бұрын

    Also Ulhas guruji told us in our talim that pancham nyas will make it sound Kaalingada. So automatically in raag bhairav to avoid it, the nyaas weight shifts to madhyam and dhaivat.

  • @rupeshshindeofficial7180

    @rupeshshindeofficial7180

    3 жыл бұрын

    But instead on madhyam he can do this on धैवत using gandhar and madhyam in phrase ..when it revolves around madhyam it seems something different .😳

  • @rohitdharap1866

    @rohitdharap1866

    2 жыл бұрын

    There are two things here , as per shastra bhairav is an uttarang Pradhan raag with dhaivat vaadi and rishabh samvadi , but the inherent lay of bhairav is a bit toned down due to the andolan of rishabh and dhaivat , so shuddha madhyam is used as a connecting swar to create the sombreness of the morning time and also it helps to maintain bhairav raga-lay as bhairav has an Avarohi Varna ( rag blossoms in a descending form ) ...infact there is a clear mukta Madhyam which is used in bhairav which is suggested which helps to create the dawn scenario ...exactly opposite is in ramkali where Pancham takes centrestage and rag laya is a bit fast and the meends of bhairav are toned down..Ulhasji being one of the staunch authenticity driven artist , the rag swarup is really well put forward

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