Still the gold standard by which all other performances must be judged.

RIP Georges Prêtre 14 August 1924 - 4 January 2017. He conducted this recording.

This is one of my very favorite performances. The pacing and the musical balance in the recording are superb.

A masterful performance.

I bought this when it was released as an LP and during an era where I was spending money I didn't have on high end stereo components and speakers. It was breathtaking then and with each passing year as I spent even more money I didn't have on even better equipment, this album was one of my "test" albums. If you EVER have the opportunity to listen to this on a really good sound system you will be blown away. Of course the organ is impressive but what I most remember were the strings in the orchestra. Razor sharp. And the tempo! Flawless!

The greatest performance of this work, ever. Poulenc consulted with Duruflé while composing the work with regard to the registration of the solo instrument. This recording was made in Poulenc's presence so it had his personal seal of approval. Accept no imitations!!

@ulrichwarnecke7459

4 жыл бұрын

Dem hier Gesagten stimme ich vollumfänglich zu.

@jeffbertucen1839

3 жыл бұрын

The Rotterdam/Conlon version is pretty good too, I must admit

@RickWolffTV

3 жыл бұрын

the first version of this I ever heard, in college - loved it! still do

@crazyorganist1609

Жыл бұрын

Absolutely true

@georgemurphy2579

3 ай бұрын

The Gloria was, this performance was not. Durufle registered it for publication.

What a discovery! It reaches into the heart and weaves its miraculous fabric.

Without a doubt the best recording of this magnificent piece I have heard. Very powerful.

4:29 - I can so imagine Hans Zimmer getting envious. His organ swells are self-important. Poulenc on the other hand is just tremendous.

@timotheuspeter734

3 жыл бұрын

Hahaha, you are so right.

I have loved this incredible piece for as long as I can remember, and I am especially excited to have discovered this recording on KZread - it's the very one I had on LP as a teenager, and which I still have in my collection. Utterly brilliant performance. The best.

Some parts are sweet and yet menacing, tension-building up and finally coming to a conclusion. I love the contradictions in the music of Poulenc. It makes me having goosebumps all over.......

@elainebmack

10 жыл бұрын

Yes! The contrasts of mood and color makes this piece musically intriguing and satisfying on many levels.

@charlesdavis7087

8 жыл бұрын

+Wiebe Djembe This is Poulenc spitting in the face of the German's occupation. Long live the Spirit of Liberty. To hell with the great mordant (A-G-A) related to the Great Toccata in D minor. Long live the simple songs of first avenue of Paris. Long live the left bank. The moon light and the Last Time I Saw Paris. CVD

@elainebmack

8 жыл бұрын

Charles Davis. You nailed it! I hadn't considered the connection between the spirit of this piece and the German occupation. A brilliant assessment. Thank you!

@afrofinka

3 жыл бұрын

Historically the times were getting darker during the composition of the concerto (1934-1938). In 1938, year of the first performance (however private), Europe witnessed dramatic events like the Anschluss, the Munich agreements about the progressive dismantling of Czechoslovakia and the infamous Kristallnacht. Two years earlier, in 1936, his friend and composer Pierre-Octave Ferroud was found dead in a car accident in Hungary. In response, Poulenc wrote to his memory the “Litanies à la Vierge Noire” for choir and organ, premiered the same year. Probably Poulenc was influenced by those events which justifies the anxious (or even tragic) character of this concerto.

This is absolutely chilling. I must say, this is one of the best recordings I've found of this piece!

A most beautiful performance, thank you..John Rapp

One of my favourite performances of this brilliant Poulenc Concerto. I had it on LP as a teenager (still have the disk in my archive). RIP Georges Prêtre, your music lives on forever.

@pietstamitz1

7 жыл бұрын

Pretre has a very personal style. always inspired and warm...his influence is essential here. He never conducted one uninspired note..A very great (and sympathetic) master.. Thank you for all of those magnificent performances and R.I.P.

My favorite interpretation among the many fine recordings. Pretre a marvelous conductor.

@crazyorganist1609

Жыл бұрын

He really is

Cette version couplée avec le Gloria du même compositeur a cinquante ans, se porte bien et n'avoue pas son âge. A mon avis la meilleure prestation jamais enregistrée même si d'autres sont très recommandables.

I had never listened to a performance like this.!..It moves forth.

sans doute la meilleure interprétation de tout temp Bravo M.DURUFLÉs

Poulenc certainly had a friendly winning smile!

magnificent performance! thank you..John Rapp

This recording has such a wonderful sound; better than some of the others I have heard on KZread.

@Djembe908

10 жыл бұрын

I agree completely. I played this via KZread TV on my surround sound system. The first organ cord knocked me out of my lazy chair! Wow!!!!!

@TheVaughan5

9 жыл бұрын

Wiebe Djembe And to think this recording was made 50 years ago! So much for technical advancement.

@charlesdavis7087

8 жыл бұрын

+Wiebe Djembe Listen to the great defiance of Bach's (the German) great mordant, A-G-A. Listen again and again to the end. CVD

@Djembe908

8 жыл бұрын

+cameronpaul Poulenc went on where Bach ended.......

Genialer Komponist und kongeniale Interpreten!

As the Princesse de Polignac herself said: "Its profound beauty haunts me"

Superb

Finally found this recording after a year of searching!

Sera joué à GENEVE par l' ORCHESTRE des PAYS de SAVOIE : magnifique, sublime....!

This organ is perfect for French organ music. Superb reed stops. The Church of St. Etienne-du-Mont, Paris, where Durufle was organist for most of his life.

huuuuuummmmmmm.....wwwwwoooooooowwwwwww.............++++++++++++++++.....what the hevens...the sonic painting...the discorse....mimute 15:04....min 19:57on to the .....the ...what 'd heven.....thanks to whoever uploded this.....thanks youtub!!!!!!

opera stupenda....di un grande autore come Poulanc...!

Brilliant

Fabulous!

Le grand Poulenc !

❤

Can't get anything more authentic than Durufle playing this marvellous work and a great recording as a bonus. I wonder if it was recorded at St. Etienne du Mont but I guess more likely at the Salle Wagram.

@Mezzotenor

9 жыл бұрын

cameronpaul I somehow recall reading that this was recorded at St. Etienne du Mont, where Duruflé was the organist.

@elainebmack

8 жыл бұрын

One of my goals is to travel to France, visit the great cathedrals and hear these great instruments live. There is no other way to experience the full power of their sound.

@TheVaughan5

8 жыл бұрын

+E Mack Absolutely right about that. I've been fortunate to hear the organ played in St. Eustache, (one of my favourite Paris buildings) St. Sulpice (Where Widor was organist pre WW2) and La Madeleine.

@mkervelegan

8 жыл бұрын

One needs to research the existing Cavaille-Col organs and find out when there are recitals, always worth stopping in to a church and listening to whomever plays...

@elainebmack

8 жыл бұрын

mkervelegan . This has been a major goal of mine for some time. I'm thinking of springtime in Paris and other cities!

Two thumbs-up!

at 11:59 a viola played a wrong note

@mkervelegan

6 ай бұрын

So petty you could find fly shit in pepper, huh

église Saint-Etienne-du-Mont. Paris.

An absolute brilliant recording! This is also credited in this article, which puts this particular recording above all others: www.gramophone.co.uk/feature/poulencs-organ-concerto-which-recording-is-best In my opinion the slow tempi contribute to the haunting spirit of this performance.

Unsurpassed

12:12

4:40 oh god, so tasty!

@aronlehmann

7 жыл бұрын

Is he blending organ and strings at the same time?

@nobilisartorivs

3 жыл бұрын

@@aronlehmann yes

This is French Music in complete defiance of German (Bach's great Toccata and Fugue in D minor) Music. Listen to an occupied France and how Poulenc shot down the German authorities with every note. Total defiance. The great mordent ( A-G-A) utterly destroyed. Listen! Long live Liberty. Long live the streets of Paris.

@treesny

8 жыл бұрын

+Charles Davis FrancisPoulenc composed his Organ Concerto between 1934-1938; the German Occupation of France ran from 1940-1944. There are several great Poulenc works written in direct response to the Occupation, notably Figure Humaine (for chorus) and the Two Poems of Louis Aragon (for solo voice and piano); the Organ Concerto is not one of them. Thank you.

@kennethdower7425

7 жыл бұрын

Also, Buxtehude was a big influence on this work.

Unfortunately, the organ was tuned at A=444.85 while the strings were way up at A=452.11. This is most jarring in the exchanges e.g. around 8:00, which are really disturbing. It suggests that the organ was recorded separately and mixed later. Probably not, but plausible. Pristine Classical remastered the recording with the pitches matched where possible, and it really makes a difference. It saves the finest (by a good measure!) recorded performance of the work. (Oy, just got to 15:04. Painfully flat!)

@Fred-yq3fs

2 жыл бұрын

Thanks for this comment. How can you be so accurate? do you have absolute pitch or did you analyze the recording? I think you are right though, especially at 8:00. I could feel something was off but could not pinpoint it. It's not jarring to lay persons as me when not comparing, but it sounds a bit off, you don't even need a HiFi top notch gear to hear it. Whatever the recording shortcomings, it's one of my fav organ pieces and gives me the chills every time over the decades.

@georgemurphy2579

Ай бұрын

Oftentimes, the mean tone, or tuning effect being slightly altered has a positive impact on the performance itself. Angel was chosen to do this recording through EMI and the standards were always set high. The Saint-Saens Organ Symphony was also done using the same forces, but no performance of it can come close to the Boston Symphony's rendition with Charles Munch on RCA Victor.