Piotr Anderszewski records Mozart Piano Concertos 25 & 27 K503, K595
Музыка
Album out 26 January 2018: wnrcl.me/anderszewski
"I understand Mozart piano concertos as chamber works. The piano, orchestra, and individual instruments engage with each other, dialoguing continuously. At the same time, these are hidden operas: the musical themes, motives interact, unfolding their stories, each with their own voice and distinctive character. Mozart is the composer of ambiguity par excellence - the most luminous moments can be interwoven with such darkness. Where is the light, where is the shadow? Sometimes, I don't really know. And yet this is music of such evident limpidity. It is a miracle." -Piotr Anderszewski
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Пікірлер: 10
Bravo ! Grande tecnica a servizio di una geandissima sensibilità interpretativa. È veramente emozionante ascoltarlo
His recordings of the piano concertos of Mozart are absolutely in a class of their own!
Beautiful
Stunning !💜💙💖💖💙💜💚
great
J’aime comme il reverse les rôles
There is no division between soloist and orchestra if the soloist plays basso continuo as indicated by the great "classical composers" Haydn, Mozart, Beethoven. Piotr Anderszewski -- like many other "modern" pianists -- is not interested in doing what the composers have indicated.
@johnbogle59
3 жыл бұрын
So what you are saying is that these pieces are not concerti for solo instrument , but cast as a symphony with a piano continuo?
@TiborSzasz48
3 жыл бұрын
@@johnbogle59 No need to put words into my mouth. A Concerto is a Concerto and not a symphony. Basso continuo was indicated by all classical composers, it’s most detailed notation found in Beethoven’s last finished Piano Concerto in E-flat major.