Oskar Kokoschka: A collection of 89 works (HD)

BOOKS about Oskar Kokoschka:
[1] OSKAR KOKOSCHKA: Expressionist, Migrant, European. A Retrospective by Oskar Kokoschka --- bit.ly/2XtLfIl
[2] OSKAR KOKOSCHKA: And the Prague Cultural Scene by Agnes Tieze --- bit.ly/2ZbLdoX
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Oskar Kokoschka: A collection of 89 works (HD)
Description: "Oskar Kokoschka was born March 1, 1886, in the Austrian town of Pöchlarn. He spent most of his youth in Vienna, where he entered the Kunstgewerbeschule in 1904 or 1905. While still a student, he painted fans and postcards for the Wiener Werkstätte, which published his first book of poetry in 1908. That same year, Kokoschka was fiercely criticized for the works he exhibited in the Vienna Kunstschau and consequently was dismissed from the Kunstgewerbeschule. At this time, he attracted the attention of the architect Adolf Loos, who became his most vigorous supporter. In this early period, Kokoschka wrote plays that are considered among the first examples of expressionist drama.
His first solo show was held at the Galerie Paul Cassirer, Berlin, in 1910, followed later that year by another at the Museum Folkwang Essen. In 1910, he also began to contribute to Herwarth Walden’s periodical Der Sturm. Kokoschka concentrated on portraiture, dividing his time between Berlin and Vienna from 1910 to 1914. In 1915, shortly after the outbreak of World War I, he volunteered to serve on the eastern front, where he was seriously wounded. Still recuperating in 1917, he settled in Dresden and in 1919 accepted a professorship at the Akademie there. In 1918, Paul Westheim’s comprehensive monograph on the artist was published.
Kokoschka traveled extensively during the 1920s and 1930s in Europe, North Africa, and the Middle East. In 1931, he returned to Vienna but, as a result of the Nazis’ growing power, he moved to Prague in 1935. He acquired Czechoslovak citizenship two years later. Kokoschka painted a portrait of Czechoslovakia’s president Thomas Garrigue Masaryk in 1936, and the two became friends. In 1937, the Nazis condemned his work as “degenerate art” and removed it from public view. The artist fled to England in 1938, the year of his first solo show in the United States at the Buchholz Gallery in New York. In 1947, he became a British national. Two important traveling shows of Kokoschka’s work originated in Boston and Munich in 1948 and 1950, respectively. In 1953, he settled in Villeneuve, near Geneva, and began teaching at the Internationale Sommer Akademie für Bildenden Künste, where he initiated his Schule des Sehens. Kokoschka’s collected writings were published in 1956, and around this time he became involved in stage design. In 1962, he was honored with a retrospective at the Tate Gallery, London. Kokoschka died February 22, 1980, in Montreux, Switzerland."
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Пікірлер: 21

  • @rupertrozells5816
    @rupertrozells58164 жыл бұрын

    Great painter, very creative expressions. Enjoyed seeing these works of art.

  • @russell_O.S.
    @russell_O.S.4 жыл бұрын

    IT WAS THE BESTOF TIMES IT WAS THE WORST OF TIMES

  • @musicaclasicaviva4258
    @musicaclasicaviva42585 жыл бұрын

    Espectacular. Gracias learnFromMasters

  • @sabrinanascimento5248
    @sabrinanascimento52483 жыл бұрын

    Excellent paintings and portraits.

  • @sabrinanascimento5248
    @sabrinanascimento52483 жыл бұрын

    Awesome paintings and colors

  • @user-kv1es1nk9v
    @user-kv1es1nk9v4 жыл бұрын

    Very good!

  • @alfredoechevarrieta7512
    @alfredoechevarrieta75125 жыл бұрын

    Extraordinario Kokoschka y extraordinario y admirable sitio de las Artes Plásticas!!!

  • @An-On_Ym
    @An-On_Ym Жыл бұрын

    😍Thanks❣️ But why Beethoven and not Alma Mahler-Werfel? (5:09) What are flying in the sky?? 👀

  • @sabrinanascimento1267
    @sabrinanascimento12674 жыл бұрын

    Great. Imaginative.

  • @user-mo8oi5eb7o
    @user-mo8oi5eb7o2 жыл бұрын

    Спасибо

  • @eduardonascimento9172
    @eduardonascimento91726 жыл бұрын

    Sonata ao Luar - Beethoven - emprestou uma dramaticidade e sentimentalidade lindos às obras deste pintor fabuloso expressionista. Mas acompanhar essas obras ouvindo a música de Shoenberg, Alban Berg ou Anton Webern é produzir um sincronismo histórico. Contextualidade criada através do olhos e ouvidos. Eu fiz a experiencia.

  • @SallyGordonMark
    @SallyGordonMark Жыл бұрын

    Thank you for this diaporama of his fantastic paintings, but the Moonlight Sonata?? It's hardly compatible! I had to turn off the sound.

  • @war-painter

    @war-painter

    4 ай бұрын

    Thank you for pointing this out! Spoils an otherwise gorgeous presentation. Why would they do this, is it cluelessness?

  • @MyVoudas
    @MyVoudas4 жыл бұрын

    nice

  • @lilmexico2759
    @lilmexico27592 ай бұрын

    Was anybody else looking for the hey Arnold character

  • @mibevan
    @mibevan2 жыл бұрын

    "Suzy Make me a sandwich"

  • @user-nj7hy5vy6p
    @user-nj7hy5vy6p5 жыл бұрын

    Великий

  • @dumitruenceanu2130
    @dumitruenceanu21304 жыл бұрын

    Întreaga operă oglindește IN - JUSTIȚIA societății : asupriți și ASUPRITORI

  • @user-bt6us5lq9k
    @user-bt6us5lq9k Жыл бұрын

    闇落ちしたセガンティーニ

  • @cliffdariff74
    @cliffdariff744 жыл бұрын

    Guys the corny music has to go away........ but fabulous painter and might I add great drawings to see, if you get a chance.

  • @war-painter
    @war-painter4 ай бұрын

    Showing the groundbreaking art of Kokoschka with shmaltzy elevator music is grating and inappropriate. Why must I always watch these amazing paintings on mute? Surely you cannot find music to fit the creative, edgy spirit of the paintings shown; this is just laziness and lack of imagination on the part of the videographers and does a disservice to a great man’s paintings.