Check out In The Style Of Mozes Rosenberg: www.dc-musicschool.com/store/in-the-style-of-mozes-rosenberg-vol1/ www.dc-musicschool.com/store/in-the-style-of-mozes-rosenberg-vol2/ www.dc-musicschool.com/store/in-the-style-of-mozes-rosenberg-vol3/ Mozes gives lessons too! Hit him up on social media! instagram.com/mozesrosenberg/

This whole concert is absolute fire🔥

❤ Great guys! Shortening my time at LAX 😅

@DenisChangMusic

Ай бұрын

I hope you got to reLAX!

❤🎶❤ This video is a big gift 🎁 👍 👏👏👏 Thank you 🙏🙏🙏

mr.bear is digging it

Fiery!

Take note of how the rhythm section is listening and adjusting dynamics and intensity along with Mozes and helping him shape solos. Great stuff

@DenisChangMusic

Ай бұрын

Thank you for noticing! It’s always a great joy to play rhythm with musicians who are sensitive to such things!

Super awesome all of you. Mozes also looks quite happy.

AWW YEAH

Mozes is on fire!!! Great band!

Thank you for sharing this, what a treat! ❤

Delicious! Especially the Dark Eyes intro!

Mozes is ripping with an excellent rhythm section.

WHoah that bossa slapping technique fam

freakin awesome! thanks for sharing

When and where was this? I live in Taipei and I'd love have gone there!!

❤

yeaaaah

🎺🎷🎻🙏🇳🇵🇳🇵🇳🇵🇳🇵⚡⚡👏👏🥂

🔥🔥🔥

Damn… he’s bananas

Niiiice

Beautiful! Thanks for sharing 😊. Is this the concert where Mozes showed you Peko before the show? Incredible!

@DenisChangMusic

Ай бұрын

Yes, we did a show the day before in Hong Kong and it wasn’t on the setlist lol

Great stuff! How did you mic the bass for the recording? Was it just the air you caught from the two mics in front of the guitars?

@DenisChangMusic

Ай бұрын

It’s not easy to see but there’s one more device further away on the floor capturing the bass rumble

Yeah, Django doesn't fuck around.

A lot of this 'improv' is the same as the other times, just slight variation. Mozology is nearly the same...

@DenisChangMusic

Ай бұрын

To my ears, not at all, they all sound different but it is true that his signature phrasing and patterns are recognizable across versions. It is also true that Dutch Gypsy Jazz players tend to play longer set ideas than other improvisers who manipulate patterns at a more cellular level. But, this is far from slight variation or nearly the same