Simplemente... Increible... No volvera a haber nadie como ella en mucho tiempo señores... Os habeis fijado en la calidez de su voz cuando habla de si misma y su profesion? K gran mujer

Divina cantante, splendida persona, immenso cuore, meraviglioso spirito. E' un incanto anche ascoltare le sue interviste, è cosi sempre se stessa.

Montserrat spricht mit ihren Augen und ihren Händen......wenn sie über die Oper spricht.....wunderbar!!!!!!😘😘😘😘😘😘😘😘😘

increible persona sobre todo

She looks really young here!

I would love to know what Montserrat says - is there any chance that you could add a summary or subtitles in English ? It would be very much appreciated. Thank you

@mo-mr6ko

5 жыл бұрын

She explains that, when she has long performance like the one she has just finished, she feels sometimes extremely tired and other times, when it goes very well, she feels happy, relaxed like in another dimension. It is hard for her to know where she is when the performance stops and the applause kicks. It's like she had disappeared from the audience. Sometimes she doesn't know if the reality is when she is singing and getting in her inner-self or when she resurfaces and she is again a normal human being. She says laughing that probably a psychologist might have the answer. The interviewer wonders why she needs still to continue singing more and more songs and operas when she has such a prestigious career- difficult to surpass- behind her? Why she needs to go higher up? She answers: "why the birds fly? I feel like a phoenix". Then comes the question from the guest, a professor, asking Caballe if she felt like being Catherine of Aragon during the performance she just played. Caballe explains the complex character of Catherine: " you can quickly start to live the drama, Catherine is a spiritual character yet she is in the flesh. There is a reaction for the hurt woman as well as one for the women sublimed by the faith. These 2 aspects clash in Catherine. This can be sensed during the trial/judgement when she begs, accuses, protests or when the wedding is said valid, her spiritual side suddenly reappears. In the last Act, when Catherine is repudiated, although the memory hurts, she is happy to leave, because when arrives the moment to give up her dear belongings and say goodbye to her "girls" she wants to regain peace and leave this infamy, this place she belongs to full of sadness to join gods up above". The interviewer asks Caballe again why is her obsession to revamp forgotten operas and always sing more. He wonders if it is a duty for her. Caballe humbly refers to her teachers who have transmitted her the love and the curiosity of investigating and exploring the music and the composers. For her, it is important to understand the journey of a composer in order to catch the moments of his creation: "the enthusiasm of youth, the passion of the maturity, the rationality when adult, the old age... This evolution we listen to syncs perfectly to the harmony. You find it in Verdi, Bach, Mozart..."

@emitch9213

5 жыл бұрын

@@mo-mr6ko Thank you for your interpretation...there are many interviews of languages that are not English subtitle...I am very much in appreciation of your help and time to her thoughts...best to you

@lyndasleep4838

4 жыл бұрын

@@mo-mr6ko That you very much. Very much appreciated.

@debbiejohnson2789

3 жыл бұрын

Mohamed Rzal that was so very nice of you to provide that long translation, thank you very much. God bless you!

@magdaschweitzer1472

3 жыл бұрын

@@mo-mr6ko Thank you very much; it is greatly appreciated!

Mi piace questa donna.. Semplice e non megalomane. Cosi grandiosa ma accessibile con una voce che supera ogni fantasia. Mi arrabbio quanto dicono che Rihanna , per esempio, sia una superstar. Allora, Montserrat che deve essere???

@mo-mr6ko

5 жыл бұрын

She explains that, when she has long performance like the one she has just finished, she feels sometimes extremely tired and other times, when it goes very well, she feels happy, relaxed like in another dimension. It is hard for her to know where she is when the performance stops and the applause kicks. It's like she had disappeared from the audience. Sometimes she doesn't know if the reality is when she is singing and getting in her inner-self or when she resurfaces and she is again a normal human being. She says laughing that probably a psychologist might have the answer. The interviewer wonders why she needs still to continue singing more and more songs and operas when she has such a prestigious career- difficult to surpass- behind her? Why she needs to go higher up? She answers: "why the birds fly? I feel like a phoenix". Then comes the question from the guest, a professor, asking Caballe if she felt like being Catherine of Aragon during the performance she just played. Caballe explains the complex character of Catherine: " you can quickly start to live the drama, Catherine is a spiritual character yet she is in the flesh. There is a reaction for the hurt woman as well as one for the women sublimed by the faith. These 2 aspects clash in Catherine. This can be sensed during the trial/judgement when she begs, accuses, protests or when the wedding is said valid, her spiritual side suddenly reappears. In the last Act, when Catherine is repudiated, although the memory hurts, she is happy to leave, because when arrives the moment to give up her dear belongings and say goodbye to her "girls" she wants to regain peace and leave this infamy, this place she belongs to full of sadness to join gods up above". The interviewer asks Caballe again why is her obsession to revamp forgotten operas and always sing more. He wonders if it is a duty for her. Caballe humbly refers to her teachers who have transmitted her the love and the curiosity of investigating and exploring the music and the composers. For her, it is important to understand the journey of a composer in order to catch the moments of his creation: "the enthusiasm of youth, the passion of the maturity, the rationality when adult, the old age... This evolution we listen to syncs perfectly to the harmony. You find it in Verdi, Bach, Mozart..."

Many people at 68-9 do no t look as young as she does here at this age.

¿Puede alguien ayudarme con lo que señora Caballé está diciendo en español o en inglés - muchas gracias! O si solo hablas en español de lo que estás hablando, puedo traducirlo a través de Google.