Follow 64 Audio founder Vitaliy as he breaks down the basics of setting up a mix for in-ear monitors at the Christmas Comes Alive benefit concert 2019.
Жүктеу.....
Пікірлер: 8
@Gladingson1Ай бұрын
Beautiful and well explained....really appreciate
@EbenezerKingslin3 жыл бұрын
Loved each point and detail.
@eduardojvivas4 жыл бұрын
Excellent video of the fundamentals. I still get that wow factor from my a12’s even after a year of use.
@imark7777777 Жыл бұрын
talking about wearing one ear and losing the hearing protection but there is another aspect of hearing protection the perceived level drops by I believe 3DB when one ear is removed thus requiring an increase in volume which is actually not good for what your remaining ear is hearing.
@imark7777777 Жыл бұрын
Premixing the send to the musician and that it's going to be a dynamic thing throughout the show is one of the reasons that I really don't like personal Monitor mixing without having at least some say from an audio engineer who knows how to mix. And I'm certain gives a very bad rap to in-ear monitors. I much prefer having access on the mixer to a next bus that I can PFL and then sending that to some sort of headphone amp, and with the digital mixers these days usually there's a way of providing some way for them to modify that mix remotely. Will still allowing me the ability to jump in and hear what's going on and make adjustments.
@1desenmascarador2 жыл бұрын
Vitaliy Crack!!!!
@robin_miller_music Жыл бұрын
You briefly mentioned stereo mix in relation to people taking an earbud out, but not any more than that. Do you actively use the stereo field for iem's?
Пікірлер: 8
Beautiful and well explained....really appreciate
Loved each point and detail.
Excellent video of the fundamentals. I still get that wow factor from my a12’s even after a year of use.
talking about wearing one ear and losing the hearing protection but there is another aspect of hearing protection the perceived level drops by I believe 3DB when one ear is removed thus requiring an increase in volume which is actually not good for what your remaining ear is hearing.
Premixing the send to the musician and that it's going to be a dynamic thing throughout the show is one of the reasons that I really don't like personal Monitor mixing without having at least some say from an audio engineer who knows how to mix. And I'm certain gives a very bad rap to in-ear monitors. I much prefer having access on the mixer to a next bus that I can PFL and then sending that to some sort of headphone amp, and with the digital mixers these days usually there's a way of providing some way for them to modify that mix remotely. Will still allowing me the ability to jump in and hear what's going on and make adjustments.
Vitaliy Crack!!!!
You briefly mentioned stereo mix in relation to people taking an earbud out, but not any more than that. Do you actively use the stereo field for iem's?
Last 20 seconds of video: KICK DRUM🤔..........😂🤣!