Menahem Pressler teaches Julian Trevelyan Debussy "L'Isle Joyeuse".

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Piano Masterclasses in the Vienna Musikverein (December 22nd 2019). Organized by the International Piano Foundation Theo and Petra Lieven of Hamburg. Details on www.lievenpiano.com/20-22-12-....

Пікірлер: 19

  • @graydemunter5850
    @graydemunter58502 ай бұрын

    Much respect for both great musicians ❤

  • @debussychopin2766
    @debussychopin27663 жыл бұрын

    He played it absolutely well and w great enthusiasm

  • @volkerf.sesselmann6783
    @volkerf.sesselmann678311 ай бұрын

    tiefstes Verneigen vor Herrn Pressler und große Dankbarkeit, ihn erlebt haben zu dürfen..

  • @sergeirakmaninov
    @sergeirakmaninov4 жыл бұрын

    Best version I've ever heard in forty years of listening to it.

  • @ellenstanton2043
    @ellenstanton2043 Жыл бұрын

    Every time he plays it, he gains confidence. Just gorgeous.

  • @suzannedawson6330
    @suzannedawson63302 жыл бұрын

    I love how Julian does precisely what is asked of him. Wonderful.

  • @votrenom666
    @votrenom6662 ай бұрын

    julian trevelyan, remember that name. he respects menahem pressler very well

  • @shumiatcher
    @shumiatcher Жыл бұрын

    Talented young man - fabulous sound and understanding of how to produce it. Bravo

  • @jonathanlim7091
    @jonathanlim70917 ай бұрын

    Playing is very much prim and proper. Needs more rubato. The march like section is also not the climax (Debussy marked it only as forte and not fortissimo) and needs to continue building up.

  • @suzleslie1
    @suzleslie111 ай бұрын

    What is the hissing sound throughout?

  • @Durer

    @Durer

    11 ай бұрын

    It is the pianist inhaling. Listen to how it is synchronized with his phrasing. Not a desirable habit but one that would unlikely be noticeable in a concert hall.

  • @aidanm.1683
    @aidanm.1683 Жыл бұрын

    WHY DID HE PLAY SO MANU TIMES He played 3 times before he even fixed the trill part

  • @Nicolas-io5hj
    @Nicolas-io5hj17 күн бұрын

    Il sucre les fraises franchement. Et elle sert à quoi la duègne derrière?Infirmière? Assistante sociale?

  • @user-iq5ux6xu3w
    @user-iq5ux6xu3w4 ай бұрын

    Звук зажатый,мало красок

  • @PaulJones-oj4kr
    @PaulJones-oj4kr Жыл бұрын

    general tempo is TOO fast. Hectic. Hyper.

  • @m.a.g.3920

    @m.a.g.3920

    6 ай бұрын

    The "not so new" trend in the classical music world seems to be to Rush the music into as fast as possible tempos to prove dexterity or virtuosity... Ridiculous, I think it's because of the chinese pianists...

  • @paulybarr

    @paulybarr

    4 ай бұрын

    I agree- and not enough pedal.@@m.a.g.3920

  • @ritakinkaradulovic2868
    @ritakinkaradulovic28682 жыл бұрын

    He forces him to play 6-7 times and still doesn't tell some essential things...the listening the long sounds,like a ships signals...everywhere to shy sound,can not be heared...

  • @Durer

    @Durer

    11 ай бұрын

    What are the "essential" things? I would say accurate rhythm, notes and good sound as well as following the markings of the composer. I don't hear anything lacking in these aspects in Julian's performance. Most of what is left is subjective. There is not one "right way" to interpret a piece of music. Every artist has a unique voice. Every teacher will find different things to offer. While some think they can tell a student everything they should explore in a piece within a single lesson, that is a naive, misguided and amateurish view. Many teachers just tell the student to play the piece the way their teacher told them to play a piece. This, in my view is not teaching. Mr. Pressler has never done that. He inspires students to go deeper into the music in their own way. Listen to the change in energy and conviction in Julian's playing of the climax as the lesson progresses. It is like night and day!

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