MBP

Музыка

Bio:
For those who love to experience music, look no further than Supertask. With deep roots in hip-hop and a focus towards immersion, Supertask creates sonic landscapes that dance between the intensity and stillness of the human consciousness. With a background in IT, Supertask frequently uses code and programming in his artistic vision, and the idea of infinity consumes his musical escapism offerings. A vision that his loyal community, the Dev Team, are directly involved in. Blending both analog and digital sound design, his unique approach has proven to be a driving force in the forward progression of electronic music. Through soundscapes that feel sentient, interactive live streams, and mind-bending visuals, Supertask is changing the way that we consume art.Supertask Links
News:
Single Release: 4/21 Collaboration EP With "Seeded Vision" comes out this summer.
Show Takeaways:
Brain-computer interfaces have the potential to revolutionize music creation, but there are challenges to overcome, such as data transfer and the role of musical knowledge.
AI can be a useful tool in music production, from generating lyrics to providing information about plugins and audio files.
Creativity is subjective, and the definition of creativity can vary from person to person. AI can be creative in its ability to generate music, but a sense of ownership and sentimental value may be lacking.
Imperfections and randomness can add depth and authenticity to music production, and tools like Eurorack can provide unique sounds and experiences.
Language has limitations in expressing emotions in music, and the complexity of defining concepts like holes and chairs highlights the challenges of categorization.
Supertask's Links:
supertask.net
Mr. Bill’s Links:
Website: mrbillstunes.com/
Discord: / discord
Bandcamp: mrbill.bandcamp.com/
KZread: / mrbillstunes
Linktree: linktr.ee/mrbillstunes
Podcast Produced & Edited by:
/ 303fumo
Chapters:
00:00 Introduction
00:35 Understanding Supertask
04:08 AI and Music in the Subset of Noise
07:59 Human Resolution with Color and Sound
09:39 Resolution and Possibilities in Audio
11:04 The Perception of Music and Noise
12:08 Cultural Influence on Music Perception
13:20 The Universality of Music Perception
14:25 Microtonal Scales and Musical Perception
15:21 Exploring Microtonal Music
19:22 The Concept of Simulation Theory
25:10 The Possibility of Living in a Simulation
28:08 Exploring Music and Visual Art
29:27 Scripted Looping in Music Production
34:29 The Ego and Live Performances
36:15 The Challenge of Performing Live Electronic Music
37:38 The Limitations of Live Performances
37:39 The Role of Input Devices in Music Expression
38:24 Exploring the Potential of Brain-Computer Interfaces
39:05 Speculating on the Future of Music Creation
40:00 The Role of Musical Knowledge in Brain-Computer Interfaces
40:49 The Challenges of Data Transfer in Brain-Computer Interfaces
42:19 The Role of AI in Brain-Computer Interfaces
42:50 The Increasing Predictability of Human Behavior
45:01 Using AI in Music Production
47:16 The Usefulness of AI in Answering Questions and Providing Information
48:34 The Definition and Nature of Creativity
51:17 The Subjectivity of Intellectual Property and Creativity
52:09 Exploring Unreal Engine and its Potential in Music Visuals
53:18 The Potential Disruption of AI and Sora in the Film Industry
54:00 The Limitations of AI in Music Generation
57:52 The Importance of Imperfection in Music Production
58:18 Using Randomness and Mistakes in Sound Design
01:00:19 The Appeal of Eurorack and Imperfections in Music
01:02:41 The Sense of Ownership and Sentimental Value in Music
01:04:34 The Potential of AI in Music Creation
01:06:28 The Interactive and Symbiotic Nature of Music Production
01:09:04 The Difficulty of Expressing Authenticity Through AI
01:11:36 The Limitations of Language in Expressing Emotions in Music
01:12:02 The Complexity of Defining Concepts like Holes and Chairs
01:14:04 The Process vs. the Final Product in Music Creation
01:14:46 Future Plans and Projects

Пікірлер: 23

  • @drewll4897
    @drewll48972 ай бұрын

    I never clicked on a video so fast

  • @CuzCuzRecordz
    @CuzCuzRecordz2 ай бұрын

    The best 2 to ever do it. Both have changed the way i view music and production

  • @overtonesnteatime198
    @overtonesnteatime1982 ай бұрын

    currently my favorite producer. This is sick

  • @devonfiedler2592
    @devonfiedler25922 ай бұрын

    I see the main difference in human creativity and audio production mouse and keyboard clicks versus AI production is micro-intentions with each thought and move made. I’m Team Human obviously 😌

  • @shayshon123
    @shayshon1232 ай бұрын

    Love Supertask, watching them produce on twitch is mesmerizing. One hell of a dj set to experience as well

  • @muscheenvisuals2825

    @muscheenvisuals2825

    2 ай бұрын

    When does he stream? (:

  • @Mr.N00N
    @Mr.N00N2 ай бұрын

    great video here. Diving deep on this one.

  • @analogueak
    @analogueak2 ай бұрын

    Profoundly philosophical and really fun interview. There's a new zeitgeist forming around using noise and randomness within constrained parameters and i love working this way. It's very validating to hear them talking about these subjects with sincerity and excitement. I love this podcast. Now I have to go listen to supertask and I'm almost certain I'll like his music.

  • @analogueak

    @analogueak

    2 ай бұрын

    Update. I love supertask. 🤷‍♂️

  • @David-gp3fd

    @David-gp3fd

    2 ай бұрын

    @@analogueak Supertask is the shit. His live shows go so hard. obviously extremely bass heavy. Also check out his side projects Lab Group and Corporeal

  • @analogueak

    @analogueak

    2 ай бұрын

    @@David-gp3fd i will definitely listen to those projects, thank you! His stuff scratches an itch for me

  • @tribehead99
    @tribehead992 ай бұрын

    The resolution question is super interesting. Sesnsitivity to input change based on our perception mechanism would be something intesting. But you have to consider that a 50hz change at 10khz is a much smaller percentage change or relative change vs 2hz change at 50hz. If you normalized the amount of changed so that a % change at given frequency ranges was tested you could probably fogire it out. I know the human eye is more sensitive to green hues.

  • @spo0oft
    @spo0oft2 ай бұрын

    this scripted looping is literally a supertask at play - well played

  • @spo0oft
    @spo0oft2 ай бұрын

    lol the sublety of - "do you believe in simulation theory?" 🙃

  • @Jonostunes
    @Jonostunes2 ай бұрын

    great talks! You should try and get daverat on the podcast! that would be insane

  • @johnnytacos5529
    @johnnytacos55292 ай бұрын

    Something i think is lost in modern production that could possibly be accomplished in a DAW is the happy little accidents that would happen during the analog mixing process that introduced new elements. Thinking like the old uk dub days, the dusty old orb releases that were almost smashed together to create these unique undertones and rhythms that aren't really a part of any one element but rather the output of mushing elements together. I think there's too much clarity and separation in modern production to recreate those more "natural" elements of old electronic production

  • @Jhizzle473
    @Jhizzle4732 ай бұрын

    Never seen or heard supertask talk ever 😂

  • @Dicepticon
    @Dicepticon2 ай бұрын

    gg

  • @ryansorrell8449
    @ryansorrell84492 ай бұрын

    Great dialogue.

  • @David-gp3fd
    @David-gp3fd2 ай бұрын

    So bummed he left Lab Group. Their last album was not the same after he left. And Charles 😔

  • @trentkuhn4051

    @trentkuhn4051

    2 ай бұрын

    He was being held back by a lot tbh.

  • @CyberMagicianOfficial
    @CyberMagicianOfficial2 ай бұрын

    And reacting

  • @CyberMagicianOfficial
    @CyberMagicianOfficial2 ай бұрын

    The frist coment😊