Masterclass Thibaudet: Sophiko Simsive

Музыка

Op donderdag 30 juni 2011 gaf de wereldberoemde meesterpianist Jean-Yves Thibaudet een masterclass aan vier jonge pianisten.
Ravel - La Valse, D major
Ravel - Gaspard de la Nuit (1980)
Debbussy - Ondine
Sophiko Simsive, geboren op 23 december 1991 in Georgië, begon op achtjarige leeftijd met pianospelen.
Sinds 2007 woont Sophiko in Nederland om te kunnen studeren bij Mila Baslavskaja aan het Conservatorium van Amsterdam. In 2008 won Sophiko de Nationale Finale van het Prinses Christina Concours.
Young Pianist Foundation
Festival Summertime

Пікірлер: 16

  • @dimitrisnawas7497
    @dimitrisnawas74975 жыл бұрын

    Nothing, or almost nothing, to be said from the maestro Thibaudet. Performance near to perfection from this very promising young lady. Bravo!!!

  • @MrInterestingthings
    @MrInterestingthings10 жыл бұрын

    This woman already has the tonal resource of a master.Was relly surprised .so much better than the pianist in the jeux d'eau .already a musician and she really knows this piece!

  • @bubffm
    @bubffm3 жыл бұрын

    The colors she is extracting out of La Valse are just amazing. Hardly ever heard this played so sell. Bravo 👏👏👏

  • @skisunfb
    @skisunfb4 жыл бұрын

    Amazing pianist and Jean-Yves sparse, clear advice is absolutely spot on. Bravo to both. Thanks for posting!

  • @tuanpiano
    @tuanpiano3 жыл бұрын

    Beautifull and great performance 💖

  • @stephenjoeagi
    @stephenjoeagi12 жыл бұрын

    This is by far the best performance of this magic piece, even better than Glenn Gould's. We are witnessing the birth of a great pianist. WOW!!

  • @avocatdenis

    @avocatdenis

    6 жыл бұрын

    No one is "better" than Glenn Gould... no one.

  • @NOSEhow2LIV

    @NOSEhow2LIV

    6 жыл бұрын

    No one is worse than Ghastly Ghoulish Gould!

  • @RanBlakePiano
    @RanBlakePiano4 жыл бұрын

    Which of the final pieces was not performed ?maybe I missed this

  • @levim.3505
    @levim.3505 Жыл бұрын

    Are left and right ear mixed up? I feel like I am hearing the bass mainly on my right ear and the upper register on my left

  • @jeanjacqueskasel2607
    @jeanjacqueskasel26076 жыл бұрын

    this is a Master Class? :-)))) who gives it to whom....?

  • @LeCaptiv1
    @LeCaptiv110 жыл бұрын

    Too bad the idiots who put the video together didn't realize no one has an interest in watching the performer's faces, the piano legs or anything other than the wonderful technique these artists bring to the instrument. The change every 10 seconds to a new view is so distracting it ruins the experience.

  • @sighiguess

    @sighiguess

    9 жыл бұрын

    Basically lolololololol

  • @ssslooshy

    @ssslooshy

    9 жыл бұрын

    LeCaptiv1 Sounds like a red herring. It's quite a well-done video. I appreciate this chance to see the care and animation Mr. Thibaudet shows to his pupils and the way they respond to him as well. I can hear his affection without the camera, but it's so warming to see his face! And sure, watching a performer's movements can be fun, but it's certainly not necessary to watch video footage to enjoy and learn from a given performer's technique. Were you hoping to transcribe fingerings? Just listen -- you'll find that you can actually hear the artists' techniques very clearly. Really. Open another tab or look away from the screen if it's so ruinous for you, especially since this "idiot" videographer's work has so effectively distracted you from hearing and comprehending the work done by the pianists.

  • @m.a.3322

    @m.a.3322

    7 жыл бұрын

    What are you talking about? I love seeing Thibaudet's expressions while he's teaching.

  • @MrAnalogEE

    @MrAnalogEE

    6 жыл бұрын

    Couldn't agree more. Today's recording studies like to put on their own show and the more video shots the better to them. I have the same issue with a lot of recordings and especially at piano competitions where we want to see "the pianist playing the piano". Instead we see under the piano shots, bouncing heads, beads of sweat on the performer's face, sides of pianos, etc., everything but what we want to see. Problem is those doing the recording think what they are doing is great art.

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