These two last Szymanowski's Mazurkas are little bit different than the other 20 ones from an earlier opus. Here we rather have a world of moods known in the Symphony Concertante. It seems as if the piano part is just taken out from big orchestral score. These two mazurkas are like two wonderful sketches of much grander form. The perfomance of Magnus Wenzel Most is memorable. /tuneart.net/