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Método de composición de Edgar Allan Poe

El 'Método de composición', como se lo conoce en español, o 'Filosofía de la composición' ('The Philosophy of Composition', su título original), fue publicado por primera vez en la edición de abril de 1946 de la revista Graham's Magazine, de Filadelfia.
En este breve ensayo, Edgar Allan Poe se propone establecer una teoría acerca del método de escritura que debería usar todo autor que pretenda "escribir bien", tanto narrativa como poesía.
Para ello relata el metódico proceso que lo llevó a escribir su obra entonces más famosa, el poema ‘El cuervo’, en contraste con la "creación espontánea", expuesta por Coleridge en la explicación de su ‘Kubla Khan’.
El 'Método de composición' de Poe puede ser tanto una guía, como el principio que, a pesar de los años transcurridos, promueve una polémica que aún no parece haberse cerrado, con relación al oficio de escribir.
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#Poe

Пікірлер: 6

  • @erickmorales8285
    @erickmorales8285 Жыл бұрын

    Gracias ❤

  • @abelardog6780
    @abelardog6780 Жыл бұрын

    Aún así, Poe tenía gran capacidad, hasta para darle vida a una mentira. Callendo el lector en una especie de arrobamiento literario a través de la tinta que derramó elegantemente su incisiva pluma. Saludos, gentes.

  • @ssake1_IAL_Research
    @ssake1_IAL_Research2 жыл бұрын

    Poe's essay, "The Philosophy of Composition," was strictly public relations "damage control," intended to cement his lie that he had written the poem in the first place. What he did, was simply to reverese-engineer the poem, pretending to have written it. "The Raven" was actually written by Mathew Franklin Whittier, younger brother of poet John Greenleaf Whittier, about a real-life event while he was grieving for his late wife, Abby, in December of 1841. Mathew was the one who published it in the February, 1845 edition of "American Review" under the pseudonym "---- Quarles." Mathew had apparently shared a copy of the poem with Poe privately in 1842. When Poe, a reviewer for the daily newspaper, the NY "Evening Mirror," obtained his usual advance copy of "American Review," he lied to his editor, saying it was his poem, and that he supposedly had permission to scoop that monthly literary journal in his daily paper (an absurdity--no editor would have granted that permission). Poe mysteriously left the "Evening Mirror" soon after--probably, he was fired for lying about it. Mathew was not in a position to defend himself publicly, but left many broad hints about it in his subsequent writing. "The Philosophy of Composition" is sheer B.S. from one end to the other. The poem could not possibly have been written that way. All Poe did was to reverse-engineer the poem and pretend to have written it. See my paper, "Evidence that Edgar Allan Poe Stole 'The Raven' from Mathew Franklin Whittier," or a more condensed version intended for scholarly journals, entitled "Edgar Allan Poe’s Plagiarism of Mathew Franklin Whittier’s Poem, “The Raven," each of which can be downloaded from the following links. They can also be found by searching for each paper's' title on Academia.edu. www.ial.goldthread.com/MFW_The_Raven.pdf www.ial.goldthread.com/MFW_The_Raven_condensed.pdf

  • @jonatanju

    @jonatanju

    Жыл бұрын

    Hi, I am interested in your research paper but I couldn’t download it, how can I contact you?

  • @magalycastilll4995

    @magalycastilll4995

    11 ай бұрын

    Estuve escuchando y leyendo atentamente el relato, y me encuentro con estas aclaraciones, de que el no lo escribió, con cuanta seguridad afirma Alan Poe, su intención en la composición de su escrito, fui a comentarios y no dejo de sentirme como el cuervo, nevermore, gracias, gracias

  • @KC.45

    @KC.45

    7 ай бұрын

    Next you'll be claiming that Alexandre Dumas was plagiarized by Poe with his manuscript "The Murders in the Rue Morgue". Anyone believing this nonsense based on no real scientific evidence should be considered gullible and ignorant. If Poe ever did the things OP said he did, then explain how he wrote several others poems and short-stories post-1845, works which are studied to this day in universities. It is simply lackluster of reason and logic. Edit: AND FYI - Pinto Mendez Ferdinando is a nod to Fernão Mendes Pinto (1509-1583) but written backwards; a literary resource also used in his story "A Tale of the Ragged Mountais" published in 1844, not the pseudonym used by the so-called "real author of Poe's poem" (Ferdinand Mendez Pinto). The poem you used here was written for Frances Sargent Osgood and which has her name concealed in the poem. You seem to seek for objectivity yet you'd rather make wild assumptions based on coincidences without actually closing in or providing supporting evidence that backs up said assertions.

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