Thank you. I had been searching many hours for a video that shows how to edit clips individually, but all only showed how to edit as a group. Very frustrating for editing a show shot in ATEM with constantly changing lighting. Hence editing all as one could not work at all. You are the only one who explains what I have been searching for. And I have subscribed

Great one. I’ve struggled to adjust specific clips when using Remote grades. So now I know what to do.

This is an ongoing struggle for me. Take the case of shooting with a GoPro in flat color. Every single shot from that camera will need the same basic grade, and then likely additional grading based on the scene. Unless you can use a LUT, there's no good way to apply that base grade to every shot from a given camera. Remote grades will get all the shots from one file, but you still have to use a group to go across files. It's a mess, and the part where you can't use remote and local grades simultaneously makes no sense. Premier at least allows both shot level and "master clip" effects to work together. My kingdom for smart bins to be an option just like manually created groups in the color pipeline....

@devinefilm3526

Жыл бұрын

Flag all of the GoPro footage > go to 'Lightbox' > select the flag that you used with the GoPro Footage > go back to colour tab > you will only see the GoPro footage > Group them all > Colour correct > do this for all the different cameras.

SO helpful! Coming from premiere where I could grade the source clip, "remote grading" was exactly what I was looking for! I'd love to learn more about your keyboard shortcuts as well, you fly through the software!

Thanks man! I was wondering if there was an option to do a group within a group so this basically solves this problem that I found myself in for more efficient grading

@bigbaddabil

10 ай бұрын

Yes combine compound nodes with remote grades or use colour groups

Thank you so much for bringing up this topic! Excellent and immensly helpful!

Would love to see some more on the new way to do color matching. I find myself with exactly what your example was (iphone, gopro, BM).

@PhilipBlank

Жыл бұрын

I agree! Need a video like this because he made it sound incredibly simple

It seems like when you click "use remote grades", that's for the entire timeline and not individual clip, but I heard that you can use a combination of remote and local grades. The easiest way I've found so far is to do remote grades, copy them to local, make local changes on a few clips if you need, go back to remote, then LOAD the local grade onto the few clips that need it. Is there a better way? Or is there a way to lock those local graded clips so if you swap between local and remote again, those clips won't be changed at all?

Wow wow wow! Wish I had known this earlier, shot matching takes me so much time for the same shot between clips, especially when I go and slightly adjust the first shot. Then I gotta copy and paste all the way down but this is perfect. Thank you!

@JayAreTV

Жыл бұрын

You're welcome!

Good to see you again.

@6:30 Are there no problems when using Film Convert together with a color-managed workflow? I understood that Film Convert is expecting the clip to be as-shot. In a color-managed workflow, the clip will have been automatically modified before it reaches Film Convert.

thank you boss you are solve my Problem, Nice Video 👍

fantastic video. Thanks a lot

@JayAreTV

Жыл бұрын

You're welcome and thank you.

Trickie to understand.... But htnx 4 adding knowledge!

man, i'd love to see a tutorial of yours about how to make an animated fire in fusion. There's a dozens of videos using ae, but not a single one using fusion.

how to delete a group??

I found this difficult to follow. Disjointed. Must watch it again but not really motivated to do so. You would do well to think through the video before you start.