Liszt: Winterreise (after Schubert)

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A new concept album by Leonardo Pierdomenico, in which Love and Death interact in their own merciful or lugubrious way.
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Composer: Franz Liszt
Artist: Leonardo Pierdomenico (piano)
While Liszt’s version of 12 songs from Winterreise is the crowning glory of his Schubert transcriptions, there are surprisingly few recordings of the complete set. Only two are presently available (one on fortepiano), making this new recording by Leonardo Pierdomenico a notable event, and coupled uniquely with two versions of Liszt’s own music.
The young Italian pianist has already established himself as a Lisztian of renown and distinction through the Piano Classics album (PCL10151) including the Ballades, Legendes and Csardas macabre. The album won widespread critical admiration: ‘Would that half the seasoned Lisztians I know had Pierdomenico’s keen ear for stylistic differentiation within this half-century of repertory. His highly developed technique and cultivated sound, both adaptable to a variety of affects, are wedded to those twin essentials for artistic Liszt-playing: imagination combined with thoroughgoing, scrupulous musicality.’ (Gramophone, September 2018)
Leonardo Pierdomenico now brings these Lisztian virtues to the songs from Winterreise which Liszt selected and arranged according to his own ordering, beginning like the original with ‘Gute Nacht’ but ending with the grim tavern scene of ‘Im Dorfe’. Along the journey, Liszt exercises all his powers of pianistic invention not merely to incorporate the song line within the piano part but to enrich Schubert’s music with his own sympathetic interpretation. In Der Lindenbaum, Liszt he deploys all manner of flourishes to conjure up the tree’s rustling
leaves. In a surprising twist, he follows it with the cycle’s otherwordly song evoking Der Leiermann, the hurdy-gurdy man.
The recital’s still central point of reflection is supplied by Liszt’s transcription of Gretchen from his Faust Symphony: a loving but complex portrait of the object of Faust’s affections, a cantabile meditation magnificently sustained over almost 20 minutes. By contrast, Totentanz in its solo-piano version is a feat of pianistic imagination, based on the Dies Irae plainchant, to test the most technically assured performers.
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Tracklist:
Winterreise, 12 Lieder von Franz Schubert S.561:
0:00:00 I. Gute Nacht
0:04:48 II. Die Nebensonnen
0:09:27 III. Mut
0:10:41 IV. Die Post
0:13:21 V. Erstarrung
0:16:15 VI. Wasserfluth
0:18:55 VII. Der Lindenbaum
0:24:10 VIII. Der Leyermann
0:26:09 IX. Täuschung
0:27:30 X. Das Wirtshaus
0:32:17 XI. Der stürmische Morgen
0:33:12 XII. Im Dorfe
0:36:59 Gretchen from Faust Symphonie, S.513
0:54:56 Totentanz- Danse Macabre for pianoforte, S.525
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Пікірлер: 22

  • @BrilliantClassics
    @BrilliantClassics Жыл бұрын

    Thank you for watching! Tracklist: Winterreise, 12 Lieder von Franz Schubert S.561: 0:00:00 I. Gute Nacht 0:04:48 II. Die Nebensonnen 0:09:27 III. Mut 0:10:41 IV. Die Post 0:13:21 V. Erstarrung 0:16:15 VI. Wasserfluth 0:18:55 VII. Der Lindenbaum 0:24:10 VIII. Der Leyermann 0:26:09 IX. Täuschung 0:27:30 X. Das Wirtshaus 0:32:17 XI. Der stürmische Morgen 0:33:12 XII. Im Dorfe 0:36:59 Gretchen from Faust Symphonie, S.513 0:54:56 Totentanz- Danse Macabre for pianoforte, S.525

  • @paulwhetstone0473
    @paulwhetstone0473 Жыл бұрын

    Thanks for the well written program notes and, of course, for these Liszt transcriptions that I’ve never heard.

  • @chriswindle3392
    @chriswindle3392 Жыл бұрын

    I love schubert ❤, its great to listen to when your driving😊

  • @sakuntalabasu1493
    @sakuntalabasu1493 Жыл бұрын

    A lovely recording, sometimes ethereal , sometimes all too tangible, a beautiful experience. The cover picture is just right as well. Thank you so much for this beautiful post.

  • @TomokoAbe_
    @TomokoAbe_ Жыл бұрын

    I love the serene feeling this music evokes like memories, but gently changes mood. The picture is a perfect representation of this remarkable piece. Thank you for this pleasurable experience! Ear candy!

  • @ismaelpescarini464
    @ismaelpescarini464 Жыл бұрын

    Leonardo Pierdoenico, excelente interpretação. Parabéns

  • @hannawagenknecht6378
    @hannawagenknecht6378 Жыл бұрын

    Oh, Pianio- music,it's beautiful,loveit😊❤

  • @1968KWT
    @1968KWT Жыл бұрын

    Now Lisztening 🎧

  • @anigiuran109
    @anigiuran109 Жыл бұрын

    Peacefuly music ! Thank you Briliant Classics ! 😊😊😊❤❤❤

  • @christiabacon8001
    @christiabacon8001 Жыл бұрын

    Blowing!🎑

  • @pablokalincausky8359
    @pablokalincausky8359 Жыл бұрын

    Fantastic in many ways !!! Blessings...

  • @jgamez5023
    @jgamez5023 Жыл бұрын

    This is fantastic. Thank you very much !

  • @jonathanhos6031
    @jonathanhos6031 Жыл бұрын

    Absolutely Romantic !

  • @Abigail-nt8ri
    @Abigail-nt8ri Жыл бұрын

    Beautiful 🎶❤️

  • @4kfireplaceTash
    @4kfireplaceTash Жыл бұрын

    To the person reading this, Good Luck! Don't stress, everything will be fine. No matter what difficulty you are facing right now, you can overcome it! You are strong and brave.

  • @treesny
    @treesny9 ай бұрын

    There are actually three (not two) other recordings of the complete Liszt/Schubert mini-cycle on CD: Leslie Howard (in Vol. 32 of his complete survey), Els Biesemans (on fortepiano) and Antony Peebles: kzread.info/head/OLAK5uy_mnDI0xxMDT0dPeQ5THIftDxrmG-9oLlx0 Also worth hearing is the sensitively abridged (eight songs) version by Avan Yu, coupled with a similarly shortened Schwanengesang (Naxos). Thank you.

  • @zaninelligiuseppe
    @zaninelligiuseppe Жыл бұрын

    Erano necessarie?

  • @samaritan29
    @samaritan29 Жыл бұрын

    I don't understand why nobody has done transcription for ALL the songs so there can be full cycle

  • @treesny

    @treesny

    10 ай бұрын

    The original publisher announced all 24, but in the event Liszt only did these 12 transcriptions.

  • @glum_hippo
    @glum_hippo10 ай бұрын

    The order of the songs is so weird

  • @treesny

    @treesny

    9 ай бұрын

    Certainly it seems so to many modern listeners, when the original song cycle is so insistently imprinted in our musical heritage. In Liszt's time, with Schubert only recently deceased and much of his music not at all well known, Liszt's thoughtful selection and careful re-ordering would not have been such a shock, but would have been accepted on its own terms. Also, it's worth remembering that Schubert issued his original songs in two successive sets of 12, drawn from different parts of the original cycle of poems; some people have suggested "integrating" the two halves by putting the songs in the poet's original order.

  • @presidentstaatshoofd473
    @presidentstaatshoofd473 Жыл бұрын

    I don't like Liszt. Thank you BC for reminding me of that.