The reason that some people want to belittle Cheng Yi may have nothing to do with Cheng Yi's popularity. What kind of people would malign a public figure simply because he is well liked? How you behave toward others may reveal more about you than anything else. Anyone who's friend with this sort of people might want to be careful. But I suspect that they may also hide behind the screen. Now that would be even more telling about what sort of people they really are. I respect Cheng Yi even more for not lowering himself to their level and be affected by their animosity. He seems to be just as pure, kind and considerate as before. It's actually very hard to do (and I would not be surprised that this enraged those people even more).
@test-sh7gh4 күн бұрын
So many good comments here, especially the ones about him not getting the awards. The latest Yu Lan award is a good example. (I don't know anything about the award system there and may not spell it correctly). Lotus Casebook script was nominated but not the lead actor, Cheng Yi. Regarding his injuries, I am wondering if some injuries may be preventable. The one that he was thrown against the cliff and fell to the ground has stuck in my mind. It seems to display a callous disregard for his well-being.
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其實啊，我最佩服也最喜歡成毅打戲的，不是他絲滑俐落的動作，而是在做那麼高難度動作的同時，眼睛裡依舊有戲。 想想看，紅綢舞劍和遊龍踏雪，他的神情大不一樣。 再比如，同樣都是打戲的“恨”，在李相夷與笛東海決戰的時候。刀和劍交叉成一個十字，他眼中的表情是發狠的恨意，偏執的決絕。 但是在李蓮花與單孤刀決裂的時候，那場打戲也是恨。但他表現出來更多的是“自嘲”與可笑。 所以，儘管相夷滿身是傷，碧茶毒發，可他的身上並沒有碎感，而李蓮花明明站上風，我卻覺得他要碎了。 破碎感這個東西，成毅最牛逼的不僅僅是有，而是運用自如，可以支配他的出現。 我是紅綢舞劍喜歡上他的。其實當時最觸動我的，不是他的劍招，而是表情。尤其是轉身倚在劍上那一笑。是有驕傲和不屑的，臉部表情幅度不大，但是我覺著他就是李相夷。 成毅說過：“打戲打戲，既要打，更要有戲。如果演員打戲時不做對應的反應，沒有感情的話，那直接讓武指老師上不就行了。既然是演員，那就要做到打得好，演得也要好。” 紅綢舞劍時的嘚瑟，竹林舞劍時的決絕，篝火舞劍時的不捨，每次都是不同的。 他對身體的控制（這裡包括高速運動下的表情）真的很牛！常人很難達到的程度。要不說他是努力的天賦型演員呢！ 就是真實的反應，打戲最終服務於劇情，那整個人就要身臨其境，打的過程中，表情，肢體語言，以及招式都應該是融合的。看過成毅的打戲後，目前來說，再看其他的就總覺得差點意思 去年大爆劇蓮花樓全方位出圈，成毅更是在裡面展示了精彩絕倫的打戲。行雲流水，力量與美感兼具。希望內娛的打戲都能按照這個標準卷，觀眾之福
很多人說武俠這碗飯，成毅吃是躺功勞簿，懈怠了，但其實武俠這碗飯是吃起來是最沒法懈怠的劇種。 想要拍出好的效果，真刀真槍不可避免，相應的風險也比其他劇種都要高。成毅在拍攝期間受傷已經不足道，更多更難的是負傷繼續拍攝。 成龍在談及拍跳樓戲時，說要想讓觀眾信你就要來真的，他拍跳樓戲，手皮都掀翻了，導演拍案叫絕，說，“再來一條，保一條。”他翻身就再跳一次。 香港電影的輝煌時代可以說就是老一輩演員一拳一腳，一張張手皮磨爛打下來的。 《蓮花樓》裡有一段李蓮花被肖紫衿逼著跳崖，沒有近景推臉，就是個遠景，但跳懸崖是實景拍攝的，成毅完全可以用個替身了事，但他沒有，就那麼跳了。 成毅為什麼劇播就能有效吸粉？因為觀眾有眼睛，你付出多少誠意觀眾就能接受到多少誠意，是綠幕摳圖還是實景拍攝，是替身玩命還是演員肉搏，我們看得出來。 雙向奔赴，奔得就是一個，君以國士待我，我以國士報之，戲大過天是成毅的心，愛劇就是ie的拳拳之心。
所以說我真心無法忍受黑他的人😤，這個敬業精神的演員上哪兒找。
就是这样演技被观众赞赏，用命来演绎的人，却无缘任何奖项，我就真搞不懂了，这些奖的意义何在？难道要步美国的后尘，到现在还是我们60有余的人熟悉的面孔在影视作品中活跃着？究竟什么才称得为正剧，是不是该静下心，重新审视的时候到了。
@user-cw7kv1ev6q
5 күн бұрын
就是說呀～認同+1。
The reason that some people want to belittle Cheng Yi may have nothing to do with Cheng Yi's popularity. What kind of people would malign a public figure simply because he is well liked? How you behave toward others may reveal more about you than anything else. Anyone who's friend with this sort of people might want to be careful. But I suspect that they may also hide behind the screen. Now that would be even more telling about what sort of people they really are. I respect Cheng Yi even more for not lowering himself to their level and be affected by their animosity. He seems to be just as pure, kind and considerate as before. It's actually very hard to do (and I would not be surprised that this enraged those people even more).
So many good comments here, especially the ones about him not getting the awards. The latest Yu Lan award is a good example. (I don't know anything about the award system there and may not spell it correctly). Lotus Casebook script was nominated but not the lead actor, Cheng Yi. Regarding his injuries, I am wondering if some injuries may be preventable. The one that he was thrown against the cliff and fell to the ground has stuck in my mind. It seems to display a callous disregard for his well-being.