The girl represents a life without complications. The Simple Things.

@fergalhughes165

4 жыл бұрын

She's pointedly not a plain or ugly girl, that's important to the film and stated explicitly in the scene

@TheAutisticCat

4 жыл бұрын

She is an angel. Pure, uncorrupted, innocent, and beautiful.

@danieltejerina8360

3 жыл бұрын

I believe she represents purity, the purity in us. The young, nice and shy girl is Fellini’s best way to materialize it. This and the film’s last scene, in the beach, makes me think she represents the purity in Marcello. And once he salutes her at the end (Marcello already broken by the suicide of Steiner, who he deeply admired), there is no turning back and he sadly gives up, not pursuing the beauty of things anymore. He probably made his life’s decision, voluntarily letting that idealist person he once was, simply go. And the young girl (that pristine part of himself, indeed) waves a hand and says goodbye with a certain mixture of melancholy and resignation. Still today is a very sad film’s ending to see. And yet a masterpiece.

@slyslaughter5115

3 жыл бұрын

@@danieltejerina8360 I think he hits his bottom when he finds himself debasing the woman at the party by pasting pillow feathers on her. A sad scene prefacing his rejection of the "purity girl", Paola, at the end on the beach.

@delvialastra8803

3 жыл бұрын

What's the name of the melody she sings ?

This scene is like a short film in itself!

Una delle sequenze più belle della "Dolce Vita", lei poi é incantevole, di una grazia e dolcezza uniche.

She represents exactly what it says on the film - an Angel

The greatest movie of all time.

This is yet another demonstration of the way Fellini structured a film. This segment is a masterpiece in rythm, tension and real connection between two players, yet encompases much more. Just look at the shadows, the young boy and listen to the music. A magical cocktail unmatched in cinema.

the girl represents his youthful ambition to be a serious writer that's why he is writing

She's so adorable.

Warmest, calmest scene in this dizzying film

Great Marcello...as well as Federico.

I dunno how this movie is still today revolutionary,pure magic!

Paola is the only happy person in the whole of the movie La Dolce Vita. She unlike the Anita Eckberg character is blessed with average looks and a simple personality. She will not be "chased", she will not be abused because she knows her limitations and lives within her limitations. She doesn't chase after "phantoms." All of the other La Dolce Vita characters are the "walking dead" (like the Marcello Mastroianni character portrayed at the end of the movie) who consistently chase after "phantoms." Paola lives in the real world and her obvious happy face that "lights up" the last scene of the movie shows one person who will live "happily ever after."

@panayotistountas2702

Жыл бұрын

(1)valeria-ciangottini was just stunning as a woman (2)the comparison is valid if you compare the young and innocent life of the youth vs the complicated and disturbed life of the adulthood.

@leoinsf

Жыл бұрын

@@panayotistountas2702 I do agree with you! This movie starts with the statue of Jesus airborne: reflecting Fellini's attitude about Roman Catholicism: unattainable, impractical, and out of place in the real world. Then it ends with the saintly face of Paola: attainable, ordinary, and real life! In a way Mastroianni's character is like the statue of Jesus at the beginning of the movie: elevated, but completely meaningless in the modern world!!!

@olsourdough2460

4 ай бұрын

I like to think Sylvia is close to giving up, please pardon any errors in grammar, la amora vita in favor of the true la dolce vita. She leaves those crazy parties on that one night and ends up playing in a fountain and baptizing, or nearly baptizing, Marcello, which is about as innocent as you can get. I hope off camera she had the courage to do that.

@leoinsf

4 ай бұрын

@@olsourdough2460 I agree with you completely! Yes, Sylvia does "give up" and you wonder how her life goes after the movie moves on to tell the story of Marcello!!!

Best short movie I have ever seen!

I favolosi anni sessanta,ricordati con un pizzico di nostalgia...

@christiancristof491

5 жыл бұрын

Ed è quello che ti dà il film? Davvero?

@mezza6425

3 жыл бұрын

Christian Cristof Be c’è da dire che uno dei temi principali del film è proprio il boom economico e lo sviluppo dell’italia degli anni ‘60.

@avengingwhitecat: The last close-up of this film has stayed with me as one of the most touching and poignant moments not only in Fellini but in cinema. I go back to it again and again.

Well said Stefano - pure magic

Che bellina che era Valeria Ciangottini!

@ernestolivio9330

3 жыл бұрын

Vero,una persona gradevole e mai sofisticata.

Un grand moment du film, sans quoi ce film serait ce que beaucoup lui ont reproché c'est à dire une invitation à la débauche. La dernière scène est essentielle aussi, tout à fait dans la suite de celle-ci. Un grand bravo à Fellini et à cette jeune actrice.

Счастливы те из нас, кто встретил в жизни такого ангела, как Паола.

@bagdadaladin8672

5 жыл бұрын

и несчастлив дважды кто потом его потерял

Why am i crying whatching this ? Supposed to be a tough Guy... Becoming a crying baby while whatching fellini's moovies

The angel offers him a new "angle", and he of course rejects it.

@karenandrews4224

3 жыл бұрын

She represents salvation but he ultimately damns himself

@slyslaughter5115

3 жыл бұрын

@@karenandrews4224 He does

Brava Valeria.

" Vous n'écrivez plus ? Alors on peut remettre la musique ? " ... Extrait de " La Dolce Vita " - Federico Fellini (1960) Quand Marcello Mastroiani rencontre la jeune Valéria Ciangottini ... Scène touchante : Retiré dans un petit restaurant de plage du littoral romain, Marcello, désorienté et pleine crise d'inspiration, essaye de reprendre l'écriture après une dispute téléphonique avec Emma. Le va-et-vient de la très jeune et candide serveuse Paola (Valeria Ciangottini) le distrait, l'irrite, puis le trouble, l'empêchant de continuer. Elle lui demande de lui apprendre à taper à la machine ... Musique de Nino Rota !

Il più grande film di tutti i tempi

Patricia, by Perez Prado:

you are so correct.

This is my favorite version of Patricia - Its to bad its cut up in the dialogue - If anyone knows a link to the uninterrupted tune please post. Grazie

@TheAutisticCat

5 жыл бұрын

I believe this to be it. kzread.info/dash/bejne/dqCew8-klqfSeMY.html

@gracesss1272

5 жыл бұрын

@@TheAutisticCat i cant watch it, its like blocked :(

@gracesss1272

5 жыл бұрын

kzread.info/dash/bejne/oJtnyKibeM-TiKw.html similar but not the same :(

To me, in this scene is clear the fact that Miyazaki was inspired a lot by Fellini. The girl, the dialogues, the rithm...

so beautiful

@bytebibyte I'm also totally agree. First time I saw La Dolce vita I think that Ekberg was one of the most overstimated character in movies. Ciangottini, maybe, are the best "real" girl of Italian Cinema. The only one who could beat her was Rossana Di Rocco, in Pasolini's "Il Vangelo secondo Matteo". Thx for this piece of Masterpiece.

Patricia, Perez Prado

Romantic.

?Oh my god How can fellini find butey like this

What‘s the name of the Song

2:47 se siente el MAMBO tal cual.

What’s the name of the music

chi sa il titolo del pezzo?

The Writer Loses His Muse. See Stunning, Sad End Images. Sean X.

WHAT SONG IS THIS

@rosamariauribe6130

7 жыл бұрын

Patricia - Dámaso Pérez Prado

Patricia by Perez Prado

Valeria Ciangottini avra'' avuto 13 anni..

1:09 You are pretty ... oh you exaggerate

Come fa a sapere Marcello che lei non e' Romana? e' perche' come dice il vabbe'?

Мастроянни это бренд!!!

I can never find this version of Patricia

@slyslaughter5115

5 жыл бұрын

I came across it on a Prado compilation. True, it is not the same as on the soundtrack LP.

@borisbuznego

Жыл бұрын

@@slyslaughter5115 please link of the song

@slyslaughter5115

Жыл бұрын

@@borisbuznego Cant find it posted anywhere, Boris. The 1958 Prado version is damn close. The Rota version is not quite the same on the soundtrack either, yet this grab sounds like Rota's keyboards dropped in (his odd little organ flourishes) rather than Prado's. Now I am lost. This one is close but it sounds like it was reproduced at a different pitch. This is the original kzread.info/dash/bejne/p6p4m8GoaJvUf9I.html

@borisbuznego

Жыл бұрын

@@slyslaughter5115 it's really frustrating, this one is same close kzread.info/dash/bejne/nKmTpZmdfNyWerA.html

@slyslaughter5115

Жыл бұрын

@@borisbuznego Nice, but listen to that organ flourish AT :06. That is distinctly a Rota-ism of the time (and of film composer Armando Trovajoli, too) that recurs throughout the whole score . Also, most films scores then were re-recorded for the album. Ive run into this issue several times. After a while, I doubt my ear and give up.

No es ilógico escribir en la playa con camisa negra y corbata