Kiri Te Kanawa - The Marriage of Figaro Glyndebourne 1973

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A live recording from the Glyndebourne Festival Opera in 1973 with Kiri Te Kanawa, Frederica Von Stade, Ilieana Contrubas, Benjamin Luxon & Knut Skram.
Figaro - KNUT SKRAM
Susanna - ILEANA COTRUBAS
The Countess - KIRI TE KANAWA
Count Almaviva - BENJAMIN LUXON
Cherubino - FREDERICA VON STADE
THE LONDON PHILHARMONIC ORCHESTRA
THE GLYNDEBOURNE CHORUS
Conductor JOHN PRITCHARD
Stage Director PETER HALL
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Пікірлер: 245

  • @richardcumming-bruce6390
    @richardcumming-bruce63906 жыл бұрын

    I doubt that in the thousands and thousands of performance of Figaro over more than two centuries, theer has EVER been a better cast of the three principal ladies than Te Kanawa, Cotrubas and von Stade. When I first saw this performance, 40 years ago now, it put a fire that has never gone out under my love of opera.

  • @gerrygibson7188

    @gerrygibson7188

    11 ай бұрын

    L

  • @alaintchektchekian9942

    @alaintchektchekian9942

    3 ай бұрын

    Il y a eu mieux sept ans plus tard avec gundula janowits, Lucia Popp et f von stadt...mais j aime beaucoup le chef d orchestre Pritchard, quelle élégance, quelle modestie..un chef d orchestre injustement oublié..

  • @gerardbellanger563

    @gerardbellanger563

    2 ай бұрын

    Je partage votre sentiment. J'adore Frédérica von Stade. Sa voix est assez fantastique. Kiri Te Kanawa et Cotrubas sont également très douées. Merveilleuses et exceptionnelles.

  • @allansmith9374
    @allansmith93746 ай бұрын

    Dame Kiri Te Kanawa we are both of similar age, I've followed you through the years and listened to your beautiful voice!!! Where have the years gone? Life is but a vapour!!! But thanks to KZread we can listen to your voice until we are no longer on this planet!!!

  • @calebshoemaker
    @calebshoemaker8 жыл бұрын

    Figaro was the first opera I ever listened to, and this production was the first I ever saw. I rented it from the library over and over and over again. By now, I can pretty much tell you each line by heart. I will forever be drawn to this particular performance.

  • @luanllluan

    @luanllluan

    3 жыл бұрын

    I just finished watching it for the first time and I can fully understand you!

  • @AnnaEva-ox2gw

    @AnnaEva-ox2gw

    Жыл бұрын

    @@luanllluan va. Bene!!!

  • @lubicahandlova7527

    @lubicahandlova7527

    Жыл бұрын

    ​@@AnnaEva-ox2gw Si, si, Bene, bene.🙂

  • @JWP452
    @JWP4522 жыл бұрын

    This is genuinely the best Glyndebourne has ever done and definitely the best Marriage of Figaro, ever.

  • @drnivek
    @drnivek3 жыл бұрын

    As a kid in the 70s, my school took us to 2 "kid" operas at the LA Shrine auditorium--abbreviated versions of The Magic Flute and Hansel and Gretl. I was hooked. My first "adult" opera was the SFOpera Marriage of Figaro in the mid-80s with Dame Kiri TeKanawa. To this day, that shines as the best production I've seen of my favorite opera. She was sublime and the reason I went back to see Capriccio a few years later. This is heaven! Thank you Dame Kiri.

  • @BellaFirenze
    @BellaFirenze3 жыл бұрын

    Perfect opera. Perfect cast. Perfect production. Perfect orchestra. Perfect conductor.

  • @khaledelashry1182
    @khaledelashry11828 жыл бұрын

    One of the best performances ever . ♥

  • @Truongchihai83

    @Truongchihai83

    8 жыл бұрын

    so true.

  • @mauricepitman

    @mauricepitman

    7 жыл бұрын

    agree

  • @russellthompson9271

    @russellthompson9271

    3 жыл бұрын

    You should respect the English language by beginning your sentence with a capital letter.

  • @orientaldagger6920
    @orientaldagger6920 Жыл бұрын

    Mozart's use of the clarinet in expressing love as in Porgi Amor, exquisite.

  • @SR-jx8yu
    @SR-jx8yu5 жыл бұрын

    The last ensemble just before the finale, is more me, the most sublimely beautiful music ever written... Mozart was a genius, and the mood of ‘forgiveness’ and love just come through ... this ensemble makes me cry every time I hear it!

  • @dovrosenschein147

    @dovrosenschein147

    3 жыл бұрын

    That’s always been one of my favorite numbers too. That was possibly the librettist’s crowning achievement over a long lifetime of writing, those four lines. There he lets his old Jewish tradition shine through (the tradition calls for the sinner, in this case the Count, to seek forgiveness from his victim with three genuine apologies, and for the victim to forgive, emulating God’s forgiveness. Mozart in the music takes it a step further - Rosina forgives not only her husband, but everyone listening.)

  • @rhcb1

    @rhcb1

    Жыл бұрын

    It did not last. Before the year was out, The Count was once again a slave to women, The Countess had a child by Cherubino, Susanna was untrue to Figaro, Young gallants went to bed with Barbarina. But for a moment, till the music faded, They were all ravished by a glimpse of heaven, Where everything is known and yet forgiven, And all that is not music is pure silence.

  • @grapesofwrath361
    @grapesofwrath3614 жыл бұрын

    The musical dialogue is fantastic

  • @lesyllphide
    @lesyllphide9 жыл бұрын

    Literally the most flawless production.

  • @aileenteo7027
    @aileenteo70273 жыл бұрын

    A gem. Love watching this opera. A timeless performance.

  • @oudski
    @oudski6 жыл бұрын

    Kiri te was on for this role. Can’t fault her singing or interpretation. The ‘70’s was a great era for opera.

  • @orientaldagger6920

    @orientaldagger6920

    Жыл бұрын

    I think she just started singing this role maybe around 1972. But can't argue that this is one of her signature roles and she excels at the pure lyricism in the part, as opposed to her Tosca which was more or less a caricature.

  • @andrenorth5446
    @andrenorth54462 жыл бұрын

    Kia Ora Dame Kiri.. bloody beautiful. Completely and utterly delightful. Mozart would've been on his feet in absolute rapture at this interpretation of his fine work.

  • @kestalphillips2061
    @kestalphillips20617 жыл бұрын

    Vibrant cast and Bravo to the singer who portrays Antonio - a performance that is often quickly forgotten. That's not the case here.

  • @zava0
    @zava07 жыл бұрын

    Wonderful production. I like Cotrubas' acting very much, she's a formidable actress!

  • @xxsaruman82xx87

    @xxsaruman82xx87

    5 жыл бұрын

    Especially in La traviata!!! Her recording, with Domingo and Milnes, is by far my favorite! There is a vulnerable quality to her voice, which lends itself so well to Violetta.

  • @orientaldagger6920

    @orientaldagger6920

    Жыл бұрын

    @@xxsaruman82xx87 Her best Violetta is with Carlos Kleiber, who was just a wonderful accompanist and paid close attention to the smallish voice of Cotrubas. But that is not taking anything away from her she was a wonderful Violetta and Mimi.

  • @xxsaruman82xx87

    @xxsaruman82xx87

    Жыл бұрын

    @@orientaldagger6920 I think her voice was smallish and light, but compared to modern sopranos her projection and clarity were exemplary. The Kleiber recording is great, but there are some wonderful live recordings of her Violetta, not least this one from 1971: kzread.info/dash/bejne/oZ1sxq6mf8_ReJM.html

  • @orientaldagger6920

    @orientaldagger6920

    Жыл бұрын

    @@xxsaruman82xx87 She must be quite an experience to see live. She is so natural it is as if you are peeking into her daily life as Violetta or Susanna and not watching her perform and that I think is her greatest asset.

  • @rhcb1

    @rhcb1

    Жыл бұрын

    Completely agree. The detail in her acting in the Act 2 finale, in particular is better than I've ever seen, in countless performances of this greatest of all operas.

  • @mikeedwards6175
    @mikeedwards61758 жыл бұрын

    This is the best Figaro ever, which I had the privilege to see, and many, many revivals with excellent casts. All other productions never ever came close, a true Gyndebourne classic. A stella cast including Frederica von Stade, Kiri of course , seedy John Fraytt. Peter Halls production was so tight and intimate, so very intense. It is a joy to relive the performance, it lives up to my happy memories.

  • @johnkusske7535

    @johnkusske7535

    3 жыл бұрын

    Undoubtedly the greatest Figaro ever put on tape.

  • @orientaldagger6920

    @orientaldagger6920

    Жыл бұрын

    It is just hard to mess up Figaro. Get some singers who can sing and and as a conductor don't milk it and it will work.

  • @iamfrank5171
    @iamfrank51717 жыл бұрын

    Kiri is total class

  • @toodletrike
    @toodletrike8 жыл бұрын

    Simply perfect. The Marriage of Figaro - perhaps the greatest piece of art ever written and created and performed to perfection. Thank you.

  • @michaelmcgowan6703

    @michaelmcgowan6703

    3 жыл бұрын

    I could not have said more succinctly ... listening to Mozart's Le Nozze I am Joyfully reminded how Wonderful it is to have even been born .

  • @semenu1

    @semenu1

    3 жыл бұрын

    Ya, where the subtitle's gone in Act 2 et sequantes ? Thanks but No Thanks!

  • @orientaldagger6920

    @orientaldagger6920

    Жыл бұрын

    Hard to argue...a close 2nd would be Don Giovanni. But Figaro has a funnier storyline.

  • @alaintchektchekian9942

    @alaintchektchekian9942

    8 ай бұрын

    Don giovanni est au dessus.

  • @PaulZink
    @PaulZink3 жыл бұрын

    The noted music critic, the late J. B. Steane, in his 1983 Gramaphone review of the 1982 Decca Records' production* of "Figaro" (the "stellar" cast included Te Kanawa, Popp, von Stade, Samuel Ramey, Thomas Allen, Kurt Moll, et al., with Sir George Solti conducting the London Philharmonic), wrote that "never, in all his many years of opera-going, had he heard a Countess as good as Kiri Te Kanawa's." Case closed. *Won the 1983 Grammy Award for "Best Operatic Recording of 1983".

  • @marinasofia1969
    @marinasofia19694 жыл бұрын

    A flawless production, with the most delightful and memorable performers.

  • @65NART
    @65NART9 жыл бұрын

    Dear Dame Kiri, thank you so much for this. Thank you for you beautiful and enchanting music/voice and thank you more so for being you, the consumate professional performer.

  • @GabrielGarcia-ze9dn
    @GabrielGarcia-ze9dn7 жыл бұрын

    This is a production that has yet to be matched muchless surpassed.

  • @russellthompson9271

    @russellthompson9271

    3 жыл бұрын

    There is no such word in the English language as 'muchless'!

  • @sar0jam

    @sar0jam

    Жыл бұрын

    @@russellthompson9271 why r u being so silly in the comments russell

  • @smarandastoian3606
    @smarandastoian36067 жыл бұрын

    Thank you Dame Kiri Te Kanawa, this is my favorite version of La Nozze, have it on DVD but still like to see it here.

  • @orientaldagger6920

    @orientaldagger6920

    Жыл бұрын

    This is the version I watched some 30 yrs ago in college on Laserdisc if you can believe it !

  • @rickos1915
    @rickos19159 жыл бұрын

    A first rate performance. Thanks!

  • @paulbookbinder4899
    @paulbookbinder48994 жыл бұрын

    So it is impossible to focus on race riots, police brutality, Covid, politics, and everything else going on in the world today while watchhing this...thank you Mozart, thank you artists, and thank you for posting this

  • @cos2mer2

    @cos2mer2

    4 жыл бұрын

    absolutely! Figaro elevates the heart so we can transcend the hideous thing that is today's garbage news. Bravo Mozart, and as always... Thank You

  • @edshire2

    @edshire2

    3 жыл бұрын

    Right on. If not for figaro, Giovanni, life would just not be worth it.

  • @benedictcowell6547
    @benedictcowell6547 Жыл бұрын

    Beaumarchais' play was an attack on the vestiges of Feudalism, and aristocracy in France [and most of Europe], a political play if ever there was one. When Mozart adapted it for the opera it become about women, and 'Voi che sapete' is Mozart's anthem. The cast assembled for this production was well chosen for Mozart's purpose. The time when opera was a parade of voices was passed and opera required acting as well. This production gave us acting. splendid voices, comedy, pathos, spectacle and costumes. It was all here. Kiri te Kanawa touches the heart with 'porgi amor' and Maria von Stade provided the authentic voice of Mozart and every man who finds women enchanting. It is not a sexual matter but spiritual and Psychological. What a production that renders the plenitude of Mozart's vision.

  • @berndstamm2745
    @berndstamm27452 жыл бұрын

    Самая прекрасная , лучшая, классическая постановка Моцарта Свадьба Фигаро Le nozze di Figaro, с самыми лучшими, невероятными и прекраснейшими голосами за всю историю этой оперы!!!!!!!

  • @Rosangela161
    @Rosangela1617 жыл бұрын

    Thanks! Magic performance.

  • @lachezarsimeonov6437
    @lachezarsimeonov64377 жыл бұрын

    A most excellent performance. What a graceful interpretation that is...It is always the case that Dame Kiri Te Kanawa introduces so much nobility, elegance and sweetness to the soul. How much more are we all set apart from animals and lower creatures by listening to this wondrous beauty.

  • @russellthompson9271

    @russellthompson9271

    3 жыл бұрын

    Stupid paragraph. Why are you talking about animals??

  • @bilalmoh1701
    @bilalmoh17018 жыл бұрын

    mozart 😍😍😍 Its my favourite this is the best preformance

  • @neidetertekniskfeil
    @neidetertekniskfeil10 жыл бұрын

    Wonderful performance!

  • @GarthAstrology
    @GarthAstrology7 ай бұрын

    The beauty of this production for me is in the intimacy of the Glyndebourne space, and thus the music making. The balance is excellent and the musical gestures are made with such clarity and elegance by the entire ensemble in a way that can be really be lost in a large theater like the Met. Also, every role is casted from strength; What a pleasure to hear them in this intimate setting! I think this is the performance that put Von Stade and Te Kanawa on the map to such an extent that Covent Garden revived the opera for them after this production.

  • @marionbayley1351
    @marionbayley1351 Жыл бұрын

    This is such a wonderful production with a stellar cast! It’s a shame that the cc stopped about half an hour in!

  • @danieleceyzeriat9171
    @danieleceyzeriat91713 жыл бұрын

    Merci pour vous Dame Kiri Te Kanawa et vous Sophie von Stade

  • @rwr910
    @rwr9109 жыл бұрын

    I've been a fan of Figaro since I saw it in the late 1970s and watch various performance from around the world over and over again. Porgi amour breaks my heart every time. No other opera celebrates life so fully. No other performance is as good as this one. Thanks so much for sharing it.

  • @berndstamm2745
    @berndstamm27452 жыл бұрын

    Я слушал не одну поставку оперы Le Nozze di Figaro , но постановка 1973 года с участвием самых великих и невероятных Моцартовских певиц ,это что то особенное. Это самая лучшая мировая постановка всех времен Свадьбы Фигаро, из за самых потрясающих голосов. Kiri te Kanava, Ileana Cotrubas , Frederica fon Stade !!!!!!❤❤❤ Кто послушал это великое оперное чудо , другие постановки слушать уже не будет...

  • @peace-now
    @peace-now8 жыл бұрын

    Great cast. Especially the three ladies. Who is the best? Well, for me they are first equal.

  • @matthewpaluch777
    @matthewpaluch7776 жыл бұрын

    The third act was Bold, Brilliant! The fourth, was Astounding! 2:07:53 The Wedding March 2:52:44 The Countess forgives her husband.

  • @marylowe5550
    @marylowe55508 жыл бұрын

    Perfection!

  • @rocco7131
    @rocco71318 жыл бұрын

    Estupenda versión, grandes y jóvenes voces. Te Kanawa, Von Stade, Cotrubas, ideales en estos papeles mozartianos. El resto del elenco masculino excelente. Pritchard, Hall, de lo mejor. Gran performance en uno de los mejores festivales del mundo. Gracias KiriOnLine

  • @AnnaEva-ox2gw
    @AnnaEva-ox2gw Жыл бұрын

    Nagyon szeretem Mozart zenéjét ,a figaro házassága volt, az első amit az operahazunkban volt szerencsém látni . Nálam Mozart zenéje abszolút az első listavezető!

  • @nemethferenc6071
    @nemethferenc60717 жыл бұрын

    Kiri Te Kanava , истинная певица Моцарта.Когда поет Kiri и Ileana, то это поет сам Моцарт!!!!!

  • @pedromiguel2675
    @pedromiguel2675 Жыл бұрын

    Les Noces de Figaro, prises au festival de Glyndebourne en 1973. Un grand classique parmi les classiques élus. L'orchestre dirigée par le grand accordeur d'opéra John Pritchard, et des voix somptueuses: le superbe Soprano Dramatique Kiri Te Kanawa, la formidable comédienne-Soprano-soubrette Ileana Cotrubas, le superbe Alto Frederica von Stade, le beau soprano Lyrico-Spinto Nucci Condo, et du côté des garçons, tous également remarquables, des chanteurs de grande qualité. Des décors épurés et nets. Très peu de draperie, pas même de rideaux sur les portes-fenêtres donnant accès à la véranda. Les sièges marquent la nuance du style et de l'époque. Des costumes beaux, mais sobres. Tout est représenté avec une grande synthèse de moyens, bien efficace d'ailleurs. Version parfaite, tant sur le plan musical comme dramatique. Grâce à un livret brillant de Lorenzo Da Ponte d'après Beaumarchais, la musique de Mozart plâne au dessus de la comédie, avec une adresse, un tact, une telle dextérité, un esprit romanesque si finement tissé...!! Les mélodies s'épanouissent avec une naturalité telle qu'on aurait peine à détacher la musique de la comédie, l'une étant si habilement incorporée à l'autre. Les trois premiers actes se déroulent à l'intérieur du château des comtes Almaviva, mais la clé est au quatrième acte, qui a lieu dans la pénombre du jardin, la nuit. L'acte commence avec la recherche de la petite Barbarina d'une certaine clé, imprudemment égarée par Cherubino losqu'il sauta dans le jardin. Or, tout le IVème. acte est à clé, étant la clé de l'opéra. Les beaux airs se succèdent, Marcelline, Basile, Figaro et la superbe scène de Suzanne, suivis par la mascarade. Car dans l'obscurité du jardin ont lieu des truchements: tout ce petit monde joue à se masquer, à la substitution de personnes, au cache-cache des identités, voilant leurs visages avec des capelines. Or, ce sont les régions sombres de la vie, où les sentiments sont parfois troqués. Après ce jeu de devinettes, l'intrigue de l'opéra est résolue au moyen du pardon réciproque de tous les personnages. Des choreutes sortent des buissons portant des fambeaux, et ce sont Da Ponte et Mozart qui nous apportent les torches de la béauté, de la gaieté, de la joie de vivre, de la liberté, nous permettant de plonger en aval de la fatuité de la vie quotidienne. Pedro Miguel, Mar del Plata, Argentine

  • @mauricepitman
    @mauricepitman4 жыл бұрын

    why oh why did God take MOZART so young ..you understood the human voice like nobody else ...the like of which well never see again ... also God bless Dame Kiri ...

  • @submarino006

    @submarino006

    4 ай бұрын

    who are you talking about? the whole cast is still alive.

  • @mauricepitman

    @mauricepitman

    3 ай бұрын

    @@submarino006 MOZART

  • @franchiseanomaly4104
    @franchiseanomaly41046 жыл бұрын

    Today is May 1, 2018... it is the 232nd anniversary of the first performance ever of this beautiful work... at the Vienna Opera House... true greatness is immortal... I'm thankful to each and every person who has ever labored to bring this masterpiece to life ... here's wishing you another happy 232 years to come...

  • @onceuponatime361
    @onceuponatime3616 жыл бұрын

    Opera meravigliosa, Mozart cantato in maniera sublime e messa in scena maestosa. Non so che dire... questa è la versione delle Nozze in cui il bellissimo libretto di Da Ponte viene rispettato di più (la pantomima e il fandango del terzo atto, la scenografia del secondo, per non parlare del primo e del quarto). Anche la partitura è diretta in maniera stupenda (anche se il duettino "Aprite, presto aprite" di Susanna e Cherubino non è cantato per intero); grazie a Dio sono state eseguite anche le arie di Marcellina e Basilio nel quarto atto, e nel terzo l'ordine dei numeri musicali e dei recitativi è stato disposto in modo da dare un senso alla trama (si vede che il regista conosceva l'italiano). Kiri Te Kanawa come al solito superba nel ruolo della Contessa, Ileana Cotrubas una delle migliori Susanna che abbia visto e udito e la Von Stade è un Cherubino perfetto, con quella voce da mezzosoprano/soprano. Stesso dicasi per la Dongo: troppo spesso il personaggio di Marcellina è interpretato da mezzosoprani, mentre invece è un soprano come Donna Elvira nel Don Giovanni. In ogni caso questa produzione rimane la mia preferita❤ ovviamente adoro anche il film di Jean~Pierre Ponnelle (Diskau nel ruolo del Conte è oro puro!) ma se penso a come sarebbe potuta essere la prima rappresentazione dell'opera, al Burgtheatre di Vienna, in quel primo Maggio del 1786 mi viene in mente solo questo video. Grazie❤❤❤

  • @sergioramirez4369
    @sergioramirez43697 жыл бұрын

    Frederica, Kiri, Ilieana WOWWWWWW.

  • @berndstamm2745

    @berndstamm2745

    4 жыл бұрын

    👍👍👍👏👏👏👋

  • @yakshaver1
    @yakshaver17 жыл бұрын

    I LOVE this!!

  • @nemethferenc6071
    @nemethferenc60717 жыл бұрын

    Кири Те Канава, истинная певица Моцарта! Когда поет Кири и Илеана, то это поет сам Моцарт!!!Постановка 1973 года, одна из лучших!!!!!!

  • @photo161
    @photo1614 жыл бұрын

    Both Te Kanawa and Von Stade in their very lovely prime. Little did we know at the time that we were witnessing the very end of the last age of great singing...

  • @christopherwhitelaw1197

    @christopherwhitelaw1197

    4 жыл бұрын

    This is sublime, certainly, the only errors being the levels of sound recording, and Frederick Von State is 75 now....but I heard an equally sublime production of Figaro at Glyndebourne around 1998. As long as places like Glyndebourne exist, great singing will always be there.

  • @hservais3336
    @hservais33362 жыл бұрын

    Magnifique très beau

  • @Amy-po3hu
    @Amy-po3huАй бұрын

    FrOm my heart, thank you so much. I'm in mid-COVID, feeling miserable, and I see this. I feel like Cherubino, trying to describe how wonderful this music means to me, especially now. Thank you so much. aloha from hawaii

  • @KiriOnlineDameKiriTeKanawa
    @KiriOnlineDameKiriTeKanawa10 жыл бұрын

  • @DiomedesDioscuro
    @DiomedesDioscuro4 жыл бұрын

    Delicious production. My preference is for Mrs Cotrubas, whose excellent emission makes her beautiful voice always audible and clear. I have the impression that Mrs Te Kanawa's delicacy, as visually delightful as it is, sometimes makes her voice less well projected and so sometimes even inaudible.

  • @berndhuebel5665
    @berndhuebel56659 күн бұрын

    Wonderful! Viele Grüße from the Münsterland in Northwestern Germany, Bernd.

  • @zarzuelistica
    @zarzuelistica9 жыл бұрын

    Questa versione è perfetta!

  • @rosernabona9364
    @rosernabona93647 ай бұрын

    Excellent , vestuari , decoracio , de la epoca de Mozart , i , totes les veus de la opera excellent ❤❤

  • @drrajendrathite1629
    @drrajendrathite16299 жыл бұрын

    Thanks for your precious collection... awesome

  • @russellthompson9271

    @russellthompson9271

    3 жыл бұрын

    It's not a collection, it's a video.

  • @user-ps1oc9ls9c
    @user-ps1oc9ls9c3 жыл бұрын

    ВЕЛИКОЛЕПНЫЙ СПЕКТАКЛЬ!!!!! ЗОЛОТОЙ СОСТАВ!!!! ВСЕ НА ЕДИНОМ ДЫХАНИИ!!!! БРАВИССИМО!!!! СЛАВА МОЦАРТ!!!!!! 👏👏👏👏👏👏🎵🎶🎶🎶🌷🌺🌸🌹🌼🌻🌷🌺🌼🌻🌸🌹🌹🌹🌹🌹

  • @jamesnickoloff6692
    @jamesnickoloff66922 жыл бұрын

    In addition to the extraordinary singing and acting, I love the filming. The TV photographer was extraordinary for 1973! Thank goodness, we have this document.

  • @user-ql8qz9rh4u
    @user-ql8qz9rh4u10 ай бұрын

    Прекрасный состав артистов! Смотрим на одном дыхании! Браво всем- музыкантам, певцам, дирижеру и конечно Моцарту В.А. за прекрасную музыкальную историю!!

  • @benogibelet5764
    @benogibelet57647 жыл бұрын

    Ileana Cotrubas !!! Merci pour cette vidéo !

  • @yakshaver1
    @yakshaver17 жыл бұрын

    Brilliant!!

  • @user-lj7cq8py8e
    @user-lj7cq8py8e5 жыл бұрын

    stunning!

  • @richardrickford3028
    @richardrickford3028 Жыл бұрын

    Some of Mozart's music in this opera is so brilliant that it is just a little bit frightening. I find I am bowled over by what some human beings can do in the musical field. Especially when you think of just how apaulling and brutal we can also be.

  • @sophie-grace9143
    @sophie-grace91439 жыл бұрын

    Lovely clear precise singing. And I think this is one of the two best operas ever written. The other is also by Mozart :-) (Clue: pa-pa-pa-paaa...)

  • @FergusVoice

    @FergusVoice

    9 жыл бұрын

    pageno! Two of my faves certainly - I even remember watching this production in black and white as a very young perseon and immediately falling in love with Kiri Te!

  • @sophie-grace9143

    @sophie-grace9143

    9 жыл бұрын

    Yes, she's lovely. But personally... Rolando Villazón kzread.info/dash/bejne/oKibm9iRqKTPkZs.html

  • @wildh0rse1

    @wildh0rse1

    9 жыл бұрын

    Sophie -Grace Right- "Don Giovanni" is the other. Pa pa pa .....Papa! Il Commendatore, right? xD I kind of agree with the guy in Amadeus when he said Italian was the only proper language for opera.

  • @sophie-grace9143

    @sophie-grace9143

    9 жыл бұрын

    I'm more of a Zauberfloete girl myself.

  • @wildh0rse1

    @wildh0rse1

    9 жыл бұрын

    Sophie -Grace A masterpiece as well. I mean, queen of the night.... lol gotta love that. Probably his biggest "hit" insofar as it was performed so regularly when it opened. :)

  • @KiriOnlineDameKiriTeKanawa
    @KiriOnlineDameKiriTeKanawa10 жыл бұрын

    Kiri Te Kanawa - The Marriage of Figaro, Glyndebourne 1973 #Opera

  • @hannahcruz1440

    @hannahcruz1440

    3 жыл бұрын

    Way are there only subtitles in act one?

  • @russellthompson9271

    @russellthompson9271

    3 жыл бұрын

    * Why

  • @stevegrimes5105
    @stevegrimes51053 жыл бұрын

    Thank you so much for posting this. Mozart, Frederiaca, Kiri are my favorites!!!

  • @dashi-tumen
    @dashi-tumen2 жыл бұрын

    Atto 1, Scena 7 Recitative Basilio and Susanna - 27:58 Terzetto - 30:00 Eviva! - 38:35

  • @johnkusske7535
    @johnkusske75353 жыл бұрын

    Mozart's opera music was the best ever written.

  • @PaulZink

    @PaulZink

    3 жыл бұрын

    "Figaro" has been called by many critics the most perfect opera ever written, and I can't disagree.

  • @nemethferenc6071
    @nemethferenc60717 жыл бұрын

    Ileana Cotrubas одно из лучших исполнений Сюзанны и Nucci Condo просто лучшее исполнение Марселины в постановке 1973 года..

  • @paengs.delrosario7804
    @paengs.delrosario78042 жыл бұрын

    Dame Kiri had ruined the role of Countess Almaviva for all sopranos before and after this performance. No one...absolutely NO ONE...even comes close...👏👏👏

  • @orientaldagger6920

    @orientaldagger6920

    Жыл бұрын

    How soon do we forget...I happened to be listening to my collection of Figaros the past week or two and right in front of me right now I have Giulini/Schwarzkopf, Kleiber/Della Casa, Jacobs/Gens, and Gardiner. All are superb it would be hard to say which is the best.

  • @AlMaki-qb1my
    @AlMaki-qb1my Жыл бұрын

    A non-wimpy Countess. I love it.

  • @gerardbellanger563
    @gerardbellanger5632 ай бұрын

    54:20 J'ai regardé et écouté ce splendide opéra de Wolfgang Amedeus Mozart et je dois dire que c'est une pure merveille. La belle Frédérica von Stade chante à merveille. Elle irradie de sa présence et de sa voix.Tous les autres chanteurs sont parfait. Pour les amoureux de la grande musique et du chant lyrique.

  • @berndstamm2745
    @berndstamm27454 жыл бұрын

    Die stärkste Zusammensetzung...Die größten Darsteller! !!!

  • @niyamimbi1179
    @niyamimbi11794 жыл бұрын

    Es la major de todas las Bpdads no hay duda!!

  • @marcio7580
    @marcio75803 жыл бұрын

    Mozart wasn't a composer. He "IS" a doctor. He healed me.

  • @virgilrusu947
    @virgilrusu9472 жыл бұрын

    Ileana Cotrubas.....si Kiri te Kanawa....un regal.....mai mult decat un regal....LA MULTI ANI 2022

  • @johnnzboy
    @johnnzboy4 жыл бұрын

    I can't express how much I love this production and the flawless performances, both musical and dramatic, by this incomparable cast (in particular the delightful Cotrubas and Te Kanawa at her most sublime) but there's one glaring fault that annoys me due to its internal incoherence: at the very end, the Countess should _not_ reappear wearing her own outfit; she should still be wearing Susanna's outfit. After all, the Count only realises that his shameless behaviour has been exposed and that he was in fact wooing the Countess _upon_ _seeing_ _her_ _in_ _Susanna's_ _outfit_ which means that she is fully aware of his attempted seduction of Susanna, thus causing his contrition and change of heart (whether this is believable or not, in such an inveterate philanderer, is another matter) (o; I can only imagine that Te Kanawa preferred to appear in the finer outfit for the dénouement and curtain calls, or perhaps the director wanted a more glamorous final appearance for his star soprano; either of these reasons is understandable but nonetheless this costume change does a disservice to this otherwise exquisite performance.

  • @orientaldagger6920

    @orientaldagger6920

    Жыл бұрын

    The Count is smarter that Don Giovanni...at least he outwardly showed contrition. Otherwise the earth might open up for him I suppose.

  • @stefanstamenic3640
    @stefanstamenic3640 Жыл бұрын

    Giuseppe Sarti. The greatest success, they say, was his opera "Fra i due litiganti il terzo gode" 1782. (dramma giocoso, Libretto Le nozze di Carlo Goldoni, Prima rappr. 14 settembre 1782, Teatro Teatro alla Scala di Milano) - Later I pretendenti delusi (1782, Venice); Le nozze di Dorina (1784, Naples); And pretenders delus (1784, London); Dorina contrastata( Paris). Of course Mozar followed all that - he inserted the of the aria "E viva i litiganti!" into the final banquet of his "Don Giovanni"; even in its variations (K. 460). And most importantly, for the history of music and ideas: the complicated finale of the first act of Sarti's opera also served as a model for the finale of the last act of Mozart's The Marriage of Figaro. Unfortunately, there is no Sarti opera on the Internet.

  • @user-jf5ef3cq6l
    @user-jf5ef3cq6l7 жыл бұрын

    Grazie, thank you, спасибо!

  • @operafanof9230
    @operafanof92307 жыл бұрын

    my favorite, le nozze di figaro starring my favorite soprano and mezzo-soprano. love your Dove Sono and Porgi Amor, and flicka's Voi Che Sapete and Non so piu.... ! Thanks!

  • @submarino006
    @submarino0064 ай бұрын

    If there are a million Ileana Cotrubas fans in the world, I am one of them. It there are a thousand Ileana Cotrubas fans in the world, I am one of them. If there is an only Ileana Cotrubas fan in the world, It will be me. If there are no Ileana Cotrubas fans in the whole world, then It will be because I am dead.

  • @wei-minglee2077
    @wei-minglee20777 жыл бұрын

    劇中的序曲,男中音費加洛(Figaro)的『伯爵如果想跳舞』和『不能再飛了,花蝴蝶啊』,女高音夫人(Contessa Almaviva)的『愛神請垂憐』,由女高音扮演侍僮凱魯畢諾(Cherubino)的『愛情的煩惱』以及女高音蘇姍娜(Susanna)的詠嘆調都是著名的歌曲。

  • @orientaldagger6920

    @orientaldagger6920

    Жыл бұрын

    Are those the translations into Chinese? I didn't know that. Did anyone actually sing this opera in Chinese that would be way cool !

  • @markhu2408
    @markhu24083 жыл бұрын

    2:00:35, "The Shawshank Redemption"

  • @user-qb5xd2vz4l

    @user-qb5xd2vz4l

    3 жыл бұрын

    I was born in 1973 thanks

  • @christianfarina3056
    @christianfarina30566 жыл бұрын

    Federica Von Stade is the ultimate Cherubino.

  • @danilo22uk
    @danilo22uk6 жыл бұрын

    also has Thomas Lawlor from D"Oyly Carte Opera fame. He is in the Mikado film and Cox and Box

  • @thetoiletinspector6878

    @thetoiletinspector6878

    3 жыл бұрын

    Just read that he passed away in around October 2020.

  • @FranciscoFerrerGaliana1930
    @FranciscoFerrerGaliana19304 ай бұрын

    Inmensa obra

  • @anomastro
    @anomastro2 жыл бұрын

    SEI MERAVIGLIOSA KIRI

  • @thetoiletinspector6878
    @thetoiletinspector68783 жыл бұрын

    This was great. Sadly, I just read that Thomas Lawlor (Antonio) passed away towards the end of 2020.

  • @alanthomas8836
    @alanthomas88369 жыл бұрын

    Why subtitles in Act One only?

  • @nemethferenc6071
    @nemethferenc60716 жыл бұрын

    Ileana super!!!!! Kiri super!!!!!

  • @peace-now

    @peace-now

    5 жыл бұрын

    Frederica super!!!!!

  • @berndstamm2745

    @berndstamm2745

    4 жыл бұрын

    Genau so!

  • @xxsaruman82xx87
    @xxsaruman82xx875 жыл бұрын

    Ileana Cotrubas is the best!

  • @angelpaz55
    @angelpaz556 жыл бұрын

    Poner un anuncio de Danacol con Bertín Osborne SIN POSIBILIDAD DE SALTARLO antes de ésta maravilla es sencillamente impresentable...

  • @grapesofwrath361
    @grapesofwrath3614 жыл бұрын

    10:17 beautiful phrases

  • @buckhumphries3464
    @buckhumphries34644 жыл бұрын

    Hits me right in the pants, every time.

  • @giannagloriamanetti8795
    @giannagloriamanetti879511 күн бұрын

    Kiri bellezza maori che tiene alta la gloria del suo popolo

  • @jmccracken1963
    @jmccracken19637 жыл бұрын

    Here is complete listing of the cast (each introduced with a picture during the overture): Figaro: Knut Skram Susanna: Ileana Cotrubas Count Almaviva: Benjamin Luxon Countess Almaviva: Kiri Te Kanawa Cherubino: Frederica von Stade Dr. Bartolo: Marius Rintzler Marcellina: Nucci Condo Don Basilio: John Fryatt Don Curzio: Bernard Dickerson Antonio: Thomas Lawlor Barbarina: Elizabeth Gale 1st Bridesmaid: Angela Whittingham Conductor: John Pritchard Orchestra: London Philharmonic Orchestra (Leader: Rodney Friend) Production staged by Peter Hall Sets and costumes designed by John Bury Lighting designed by Robert Bryan

  • @angelroar883
    @angelroar8837 ай бұрын

    Dame Kiri Te Kanawa❤

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