Das letzte Statement stimmt so sehr. Bei Karajans Aufnahmen mit den Berlinern fühle ich immer den Komponisten mit seinem Charakter und seiner Seele, so wie später nie mehr wieder bei einem von Karajans Nachfolgern. So wenige Musiker(innen) haben diese "Channeling" Gabe, diesen Draht herzustellen, die "Energie" direkt aus der Quelle (von der Seele des Komponisten) in den Konzertsaal und ins Orchester fließen zu lassen.

I have just now finished viewing this movie which increases a thousand-fold my admiration for Herr Karajan.

Incredible historical giant man ever! An incomparable dirigent from Music European History that we will have to be remembered in 2019, one of the greatest orchestra dirigent ever from all time ever remembered! Herbert Von Karajan, the grandest ever! BRAVO and merci beaucoup from Paris France

This is a fascinating film. People who worked with Karajan, as performers and studio personnel, have so many interesting stories about him. He was in the first generation of conductors to have new recording technology available. Instead of saying, "I am a musician - all these controls and machines are nothing I want to deal with," Karajan wanted to know everything. EVERYTHING! He began in the age of the 78rpm and lived to record digitally on compact disc. I particularly enjoyed the faces of his associates hearing his recorded voice after all these years and saying, "Yes. That is what Karajan was like," or, "Karajan's favourites were works written between 1810 and 1930." This is wonderful and detailed film about what Karajan was trying to accomplish as a musician, on the podium and in the studio.

@ionutzamfir5794

8 ай бұрын

music can not be captured on a disc....read Celibidache

He was Berlin Philharmonic Orchestra in everything:)

What a life! What a film.

なんと言っても、やはり、カラヤンが、最高の指揮者のひとりでありましょう！カラヤン、ベルリンフィル1957年日本初来日、以降、日本では、クラシック音楽に、対して関心を抱く日本人が、多く生まれて、ピアノブームや、ホルストブームや、マーラーブーム等…。数多くの、日本人が、格好よく、颯爽としたカラヤンの、姿を見て、みんなが、それに憧れて、音大まで、学習と、技の練磨習得により、何とかそこまでこぎ着けた。と言う人が、多くあった。その、1957年の、日本と言うと、何か、現代人には、皆無に等しい、独特の品位があったのではないか…。ただし、カラヤンの弟子、小澤征爾と言う指揮者が、存在した、お陰で、クラシック音楽離れの、日本人に、今まで何とかその拍車を、食い止めていた。しかし、今現在では、この、日本では、小澤征爾と肩を並ぶほどの、指揮者が、存在しないがため、また、理由は、それだけではないだろうが、かなり、日本人にとって、クラシック音楽というものが、遠い存在となってしまった。とても、残念であります。その、主な原因が、どうも日本人は、聴感上のヘルツが、外人と、大きく違って、また、日本人にとって、クラシック音楽は、聴くとストレスになってしまうのかもしれない。では、何故今まで、過去は、クラシック音楽に、関心を、寄せた日本人がいたのかというと、何か、新しいもの好きと言うところから来ているのかもしれない…。ちなみに私は、自分で言うのはおかしいが、それを聴いても、ストレスにならないどころか、大好きである。特に、ベートーヴェン、モーッアルト、チャイコフスキー等を、より好んで聴いています。

amazing Von karajan, the best!

The incomparable Karajan. Unequaled in any age. Transcends time.

I want Karajan conduct Mahler's No.5 DVD.

Genius!

Genius at his best!

damn, that was heavy

King of classic . He is god.

Merci artist +10*

Were we can find the full concert of mahler symphony no.5 by karajan

Herbert von karajan beim dirigieren von mahlets 5 symphonie in cis moll der 2 satz adagietto sehr schön gemacht von ihm und den berliner philharmonikern

Alles Gute

can someone tell me please what is the name of music from the begining of this doc? starting at 0:06''?

@FreeTheJambon

6 жыл бұрын

I would also like to know

@alex45.08

6 жыл бұрын

Jer TheJambon Mahler Symphony 5 Adagietto

KARAJAN WAS NOT A CONDOCTOR BUT HE WAS A UNIVERSE. HE WAS THE ANOTHER WORLD ANOTHER PLANET. HE WAS MUCH BETTER TO NORMALY HUMANITY.

Welches Stück wird eigentlich im Hintergrund gespielt?

@papageno900

10 жыл бұрын

Mahler, Symph. n° 5, Adagetto

I have a question...does anyone here share the same thought with me, that Karajan could be an 'INTJ' according to Myers-Briggs' 16 personality types?....

Can anyone tell me what's the piece in the video?

@berlinphil

9 жыл бұрын

Very Fast Gustav Mahler, Symphony No. 5 (Adagietto)

@Sportfuck

9 жыл бұрын

Berliner Philharmoniker Thanks Mate.

@hsjun98

8 жыл бұрын

+Berliner Philharmoniker Is there any plan to release the full version of that Mahler's 5th? Many of tha fans are waiting for it... I've been finding the information of it but All I know is that It's recorded in 1978

@hsjun98

8 жыл бұрын

+Berliner Philharmoniker Is there any plan to release the full version of that Mahler's 5th? Many of tha fans are waiting for it... I've been finding the information of it but All I know is that It's recorded in 1978

@hsjun98

8 жыл бұрын

+Berliner Philharmoniker Is there any plan to release the full version of that Mahler's 5th? Many of tha fans are waiting for it... I've been finding the information of it but All I know is that It's recorded in 1978

Was er dann am Anfang über die Verschlossenheit sagt, ist zum einen für den Beruf des Dirigenten ja ein ziemliches Paradox. Da darf man ja eigentlich nicht verschlossen sein. Zum anderen ist das aber auch so eine Mann/Frau Geschichte. Er erwähnt seine Töchter und übersieht, dass Mädchen in der Regel viel kommunikativer und aufgeschlossen gegenüber anderen Menschen als Jungen sind.

@franziskakre8309

6 жыл бұрын

Das muß kein Widerspruch sein. Karajan meinte damit eher, daß es ihm schwer fiel, privaten Kontakt zu anderen Menschen zu finden, mit Smalltalk, persönlichen Einladungen usw., das galt nicht für die Musik, da konnte er mit anderen Musikern "kommunizieren". Viele große Musiker, auch Dirigenten, gelten als verschlossen und introvertiert. Beethoven, Bach, Glenn Gould.. die konnten alle nicht so gut mit Menschen. Es gibt viele sehr verschlossene Mädchen und viele sehr extrovertierte und kommunikative Jungens.

Celibidache would have taught Karajan quite a bit...if it wasn't for Karajan's vanity.....

@alex45.08

8 ай бұрын

That's bullshit. He didn't need to be taught by Celibidache. He was a world class conductor on his own.

@ionutzamfir5794

8 ай бұрын

@@alex45.08 of his iwn you say? what iwn? ego? that s why he didn t know how to conduct Bruckner and others....because ego of his own. boy listen to me bruh......read the bible before you enter Celibidache s world

@ionutzamfir5794

8 ай бұрын

@@alex45.08 o hhhhhhhh, he was in need of so much guidness but his vanity stood in the way. THE ONLY.ONE who could have taught him anything was CELIBIDACHE

1:06 What? Has he never heard of Harnoncourt or Abbado or perhaps even Rattle? What a lame excuse. Karajan was especially arrogant. So much in fact that it sometimes lead to weird decisions like when he decided to play the Andante of Mozart 21st piano concerte even though he couldn't play it.