Joseph Haydn - Sinfonie g-Moll Hob I:39 | Andrea Marcon | WDR Sinfonieorchester
Музыка
Joseph Haydns Sinfonie g-Moll Hob I:39 spielte das WDR Sinfonieorchester unter der Leitung von Andrea Marcon am 26.01.2018 im Funkhaus Wallrafplatz Köln.
00:00:00 I.Allegro assai
00:05:54 II. Andante
00:09:55 III. Menuet
00:12:58 IV. Finale. Allegro molto
WDR Sinfonieorchester
Andrea Marcon, Leitung
► Mehr zum Sinfonieorchester, zu Konzerten und aktuellen Livestreams gibt es bei www.wdr-sinfonieorchester.de
► Das WDR Sinfonieorchester bei Facebook wdrsinfonieorchester
○ Werkeinführung
Wann genau Joseph Haydn seine Sinfonie Hob. I:39 komponierte, ist unbekannt. Der Zeitraum lässt sich aber ziemlich sicher auf den Sommer des Jahres 1765 eingrenzen. Trifft dies zu, ginge sie als "Sturm und Drang"-Sinfonie der literarischen Epoche sogar noch voraus, der sie diese Charakterisierung verdankt. Dass diese Sinfonie aber Züge des Sturm und Drang trägt, kann man in der Literatur über Haydn immer wieder lesen. Gründe dafür sind der energische, ja fast bedrohliche Ton der Rahmensätze, die untypische Strenge des Menuetts, die Unberechenbarkeit der formalen Entwicklung. Wesentlich aber auch, dass dies Haydns erste Sinfonie in einer Molltonart ist. Immerhin hatte er in den vier Jahren, seitdem er im Mai 1761 sein Amt als Kapellmeister am Hof der Fürsten Esterházy angetreten hatte, bereits mehr als zwanzig Sinfonien geschrieben (in den Jahren davor waren es nochmals etwa fünfzehn).
Eine weitere Besonderheit der Sinfonie Hob. I:39: Sie ist mit vier statt der üblichen zwei Hörner besetzt. Haydn schreibt hier zwei Paare von Hörnern vor - das eine in G gestimmt, das andere in B. Dadurch kann er diese Instrumente vielfältiger einsetzen, als es mit nur einem (in einer Tonart gestimmten) Paar möglich wäre. Weil der Tonumfang der zu Haydns Zeit gebräuchlichen Naturhörner begrenzt war, konnten in jeder Stimmung nur bestimmte Tonarten "bedient" werden. Indem Haydn zwei verschiedene verwendet, bereichert er nicht nur die Passagen, die in der Grundtonart stehen, sondern auch andere Abschnitte mit dem Klang der Hörner.
(Text: Andreas Friesenhagen)
Пікірлер: 40
Haydn symphonies give me energy and feeling connected to something beautiful and whole. This one is so wonderful
@WDRKlassik
Жыл бұрын
Thank you 😊
Fantastic horns here. So clean and beautiful. Not surprising, the cameraman loved them too.
Haydn O Haydn! How happy your music makes me!
Ich liebe die Freude von dem Dirigent)))schafft bei mir auch gute Laune!
Wunderbar!
@WDRKlassik
2 жыл бұрын
Danke!
It's a very good recording to be healed and healed. Of course, the high level performance is also wonderful. I want to hear more various performances.
Une joie de musique et d’interpretation.
@WDRKlassik
8 ай бұрын
Merci beaucoup 😊
Lovely performance; split violins. 👏👏👏
Interprétation très sensible. En plus les musiciens sont très dessinables, surtout le pupitre des cors. de la part de Judith L, peintre musicaliste
so eine schöne Musik
Glad to see some period winds here!
It is wonderful
My school Philharmonic played this one last fall
Es hermoso.
Does one have to 50+ years old to love Haydn? I like him. But it was always a respectable form of like. I never loved Haydn. Perhaps that will change when I'm old?
@elaineblackhurst1509
Жыл бұрын
If you add it up, you’ll probably discover that you perhaps really know only about 2% of Haydn’s output. Herein lies a common problem for many people who listen to classical music - they are simply not in a position to make an informed decision about so many composers. The other thing of course is that music is like food, or different colours; some you like, some you don’t, and that’s fine - it’s a personal thing.
@dvforever
Жыл бұрын
@@elaineblackhurst1509 What are the top 10 most impressive pieces that do Haydn justice and will turn someone into a Haydn fan? I'm sure I've heard them all. I've listened to probably 40+ symphonies, the concertos, the 20 best string quartets, dabbled in piano trios and sonatas. Listened to the Creation and some Masses. I haven't touched his operas. I have Mozart if I want classical era opera. How much Haydn does one need to listen to in order to fall in love with his music? You give anyone a top 10 of Mozart, Beethoven, Brahms, Tchaikovsky, etc. and they'll come away impressed. Haydn is a great composer. But his individual works are not as impressive. The totality of the output is impressive. Anyone who writes over a hundred symphonies must have something to say! So I find Haydn admirable and respectable. But I don't love him like my favorite composers.
@elaineblackhurst1509
Жыл бұрын
Personal, subjective likes and dislikes are entirely the business of the owner and nobody else, and like favourite colours, food, or anything else, composers one prefers to another are fine. Your Haydn list of known works is better than most, if it doesn’t speak to you like Mozart - that’s cool; with many of the great composers who leave me distinctly cool (Debussy for example), I put that down to being my problem rather than that of the composer or his music. I suppose the only thing I’d suggest regarding Haydn, is to try to understand why CPE Bach (in print), Mozart (without reservation), and Beethoven (usually tetchily and grudgingly*) - all pretty good judges - rated Haydn so highly. I may take up your Top 10 idea for Haydn - an interesting challenge. Your spelling of the word favorite would suggest you’re writing from the US; as a good starting place, you might find David Hurwitz’s channel on KZread a useful place for getting a better understanding of what Haydn is really about - The Haydn Symphony Crusade is particularly good, though he has done thoughtful and enlightening reviews of a wide range of works/sets of works which many listeners have found very helpful. * Beethoven when asked to write a Mass for the Eszterhazy family referred to Haydn’s recent examples as: ‘…inimitable masterpieces’, and when finished, handed over the Mass in C: ‘…with trepidation’. Rare compliments indeed to anyone.
9 ай бұрын
Parecida com a sinfonia n° 40 de Mozart
@Sshooter444
8 ай бұрын
The more you understand, the more you appreciate. For me I studied the symphonies in my teens, now I'm in my 50's. I don't "love" all of them, but many I do. the rest I can appreciate.