So eine Überraschung!!!!!!!! Eine kristallklare Interpretation durch die emotionale Kraft und die Ehrlichkeit der Jugend.. Gutgemacht alle!!!!!!!

So long as such young people can integrate the spirit of Brahms (and Bach, Mozart, Beethoven...) and perform with splendid sensitivity, I know there is hope for the world. Mein Gott -- magnificent!

@mariajosealvarez1180

5 ай бұрын

Yo también pienso así,mientras quede en Europa esta gente tan joven y entusiasta de la música ,habrá esperanza

And so Herr Brahms transformed his tears into gems, his pain into the sounds of Heaven.

Himmlische Stimme von Regula Mühlemann Fantastisch

La plus belle interprétation que je connaisse. Mention spéciale pour Regula Mühlemann. Magnifique.

Wie erfrischend diese jungen Stimmen. Welche Kraft in der Dynamik, wie wunderbar dieser Schmelz in den entsprechenden Passagen und die Phrasierungen sehr gekonnt eingesetzt. Ich habe das Requiem mehrmals mitgesungen und kenne die Schwierigkeiten des Erarbeitens eines solchen Werkes. Mir kommt gerade erst in den Sinn, welche Diskrepanz es ist, wenn junge Menschen so intensiv von der Notwendigkeit des Sterbens singen. Ich selbst habe Ende der 40er Jahre mit dem Chorsingen begonnen, vor 6 Jahren aufgehört, bin aber immer noch dem guten Chorgesang verfallen H. H.

I have only one word to describe this performance of the soprano solo. Superb! Bravo Regula!

I can honestly say she nailed it. Voice suits this song perfectly.

ОХ!..... ВЕЛИКОЛЕПИЕ КАКОЕ - БОЖЕСТВЕННО !!!!🙏♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️😢😢😢😢😢😢😢♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️

Hühnerhaut! Der Chor ist so gut und Regula, Sie sind einsame Spitze!

I have never heard of such a beautiful fifth movement.

My husband and I are enjoying this performance immensely. We will be performing Brahms April 17, 2016. This has been in my life since 1968, at least...

Simply divine Regula !

Whoever this fine ensemble is...bravi to ALL involved. What a brilliant performance. WOW.

@supawels3627

3 жыл бұрын

Was bedeutet "WOW"? Hundebellen? Feuersirene? Oberpfälzer Frage noch dem Hbf?

Fantastisch, so eine wunderbare, wunderschöne Stimme!!! Bin ein grosser Fan von Regula Mühlemann..........und Sie ist jetzt schon ein grosser Star!!!

@fritzbaerbel

4 жыл бұрын

da bin ich dabei! Leider viele Videosequenzen sehr unscharf, auch schlechte Kameraführung / mix

@supawels3627

3 жыл бұрын

@@fritzbaerbel Hören - nicht gucken

@fritzbaerbel

3 жыл бұрын

@@supawels3627 ups... ich dachte für die geile Kombination audio + video auch die Augen benutzen zu müssen.

@wernerklotz8207

2 жыл бұрын

@@fritzbaerbel man sieht und hört sowieso am besten mit dem Herzen 😉

smaller groups sometimes do beautiful jobs with music such as this, I'm comparing to large orchestras and the intimacy of this ensemble is wonderful.

I hope we was her on a more ‘Regula’ basis!

Boy oh boy, that's an unexpected pearl! Bravo Maistro Kämpfen and all of you!

Very well done, a milestone for any choir and orchestra, like going to another galaxy. Great music and musicians.

BRAHMS GERMAN REQUIEM TEXTS 1. Selig sind, die da Leid tragen, denn sie sollen getröstet werden. Die mit Tränen säen, werden mit Freuden ernten. Sie gehen hin und weinen und tragen edlen Samen, und kommen mit Freuden und bringen ihre Garben Blessed are they that mourn, for they shall be comforted. They who sow in tears, shall reap in joy. Go forth and cry, bearing precious seed, and come with joy bearing their sheaves ----------------------------- 2. Denn alles Fleisch ist wie Gras und alle Herrlichkeit des Menschen wie des Grases Blumen. Das Gras ist verdorret und die Blume abgefallen. So seid nun geduldig, lieben Brüder, bis auf die Zukunft des Herrn. Siehe, ein Ackermann wartet auf die köstliche Frucht der Erde und ist geduldig darüber, bis er empfahe den Morgenregen und Abendregen. Aber des Herrn Wort bleibet in Ewigkeit. Die Erlöseten des Herrn werden wieder kommen, und gen Zion kommen mit Jauchzen; ewige Freude wird über ihrem Haupte sein; Freude und Wonne werden sie ergreifen und Schmerz und Seufzen wird weg müssen For all flesh is as grass, and the glory of man like flowers. The grass withers and the flower falls. Therefore be patient, dear brothers, for the coming of the Lord. Behold, the husbandman waits for the delicious fruits of the earth and is patient for it, until he receives the morning rain and evening rain. But the word of the Lord endures for eternity. The redeemed of the Lord will come again, and come to Zion with a shout; eternal joy shall be upon her head; They shall take joy and gladness, and sorrow and sighing must depart ------------------------------------------------------------ 3. Herr, lehre doch mich, daß ein Ende mit mir haben muß, und mein Leben ein Ziel hat, und ich davon muß. Siehe, meine Tage sind einer Hand breit vor dir, und mein Leben ist wie nichts vor dir. Ach wie gar nichts sind alle Menschen, die doch so sicher leben. Sie gehen daher wie ein Schemen, und machen ihnen viel vergebliche Unruhe; sie sammeln und wissen nicht wer es kriegen wird. Nun Herr, wess soll ich mich trösten? Ich hoffe auf dich. Der Gerechten Seelen sind in Gottes Hand und keine Qual rühret sie an Lord, teach me That I must have an end, And my life has a purpose, and I must accept this. Behold, my days are as a handbreadth before Thee, and my life is as nothing before Thee. Alas, as nothing are all men, but so sure the living. They are therefore like a shadow, and go about vainly in disquiet; they collect riches, and do not know who will receive them. Now, Lord, how can I console myself? My hope is in Thee. The righteous souls are in God's hand and no torment shall stir them ----------------------------------------------------- 4.Wie lieblich sind deine Wohnungen, Herr Zebaoth! Meine Seele verlanget und sehnet sich nach den Vorhöfen des Herrn; mein Leib und Seele freuen sich in dem lebendigen Gott. Wohl denen, die in deinem Hause wohnen, die loben dich immerdar How lovely are thy dwelling places, O Lord of Hosts! My soul requires and yearns for the courts of the Lord; My body and soul rejoice in the living God. Blessed are they that dwell in thy house; they praise you forever ----------------------------------------------------------- 5. Ihr habt nun Traurigkeit; aber ich will euch wieder sehen und euer Herz soll sich freuen und eure Freude soll niemand von euch nehmen. Sehet mich an: Ich habe eine kleine Zeit Mühe und Arbeit gehabt und habe großen Trost funden. Ich will euch trösten, wie Einen seine Mutter tröstet You now have sorrow; but I shall see you again and your heart shall rejoice and your joy no one shall take from you. Behold me: I have had for a little time toil and torment, and now have found great consolation. I will console you, as one is consoled by his mother ---------------------------------------------- 6. Denn wir haben hie keine bleibende Statt, sondern die zukünftige suchen wir. Siehe, ich sage euch ein Geheimnis: Wir werden nicht alle entschlafen, wir werden aber alle verwandelt werden; und dasselbige plötzlich, in einem Augenblick, zu der Zeit der letzten Posaune. Denn es wird die Posaune schallen, und die Toten werden auferstehen unverweslich, und wir werden verwandelt werden. Dann wird erfüllet werden das Wort, das geschrieben steht: Der Tod ist verschlungen in den Sieg. Tod, wo ist dein Stachel? Hölle, wo ist dein Sieg? Herr, du bist würdig zu nehmen Preis und Ehre und Kraft, denn du hast alle Dinge geschaffen, und durch deinen Willen haben sie das Wesen und sind geschaffen For we have here no continuing city, but we seek the future. Behold, I show you a mystery: We shall not all sleep, but we all shall be changed and suddenly, in a moment, at the sound of the last trombone. For the trombone shall sound, and the dead shall be raised incorruptible, and we shall be changed. Then shall be fulfilled The word that is written: Death is swallowed up in victory. O Death, where is thy sting? O Hell, where is thy victory? Lord, Thou art worthy to receive all praise, honor, and glory, for Thou hast created all things, and through Thy will they have been and are created ----------------------------------------------------------------------- 7. Selig sind die Toten, die in dem Herrn sterben, von nun an Ja der Geist spricht, daß sie ruhen von ihrer Arbeit; denn ihre Werke folgen ihnen nach Blessed are the dead that die in the Lord from henceforth Yea, saith the spirit, that they rest from their labors, and their works shall follow them

Vielen herzlichen Dank für diese wunderschöne Aufnahme. Grüsse aus München

Sehr wundervoll. Danke.

Se escucha espectacular, con las nuevas tecnicas de grabacion, sonido puro, y los bajos espectaculares haciendo una atmósfera. altamente Espiritual

I sang Brahms "Ein deutsches Requiem" a few times and truly love this performance. Next to Previn's, this is the best that I have heard.

Great! Bravo, Regula!!

Wow, so pleasantly surprised by this performance! Beautiful job! And especially love the soprano!

What sound! I'm seated amongst the woodwinds.

Bella interpretación ! seguiré escuchándolo con detalle..su trabajo musical lo amerita. Mis respetos y gracias por compartir éste espléndido Réquiem.

Such an artistic excellence and beautifulness in this Performance :) I find it so lively sung by these young voices, the balance between the "piano" and "fortissimo" is brilliant. We have been rehearsing this masterpiece and I find this performance my favourite one. Congratulations!!

wunderschön!

Wonderful.Thanks to all for this sublime performance.

For me, this performance is a kind of example, because I am now involved into this Chorus music by myself in a mixed chorus group in Japan. And the number of tenor singers in this group is so small that this example is very good performance to learn a lesson.

ausgezeichnet!!!!!!

La baryton est le plus expressif que j'aie entendu dans cette œuvre. (Et bel homme, de surcroît, pour le peu qu'on l'ait entrevu...)

i think the first line is 'blessed are they that mourn'---can't imagine a more comforting musical response to sorrow--the miking is wonderful here--one feels right there in the strings---

I think the camera man has a thing for Regula. Not that I can really blame him. Beautifully done.

Super Regula Mühlemann, bin ein Fan :-)

@armandopropati

7 жыл бұрын

Coincido con vos Catalina, Regula Muhlemann es una soprano muy buena y madura para su edad. Como ligera posee un legato maravilloso y me encanta su sobriedad para cantar, sobre todo Brahms y Mozart (se nota que tuvo una formación rigurosa) Espero tener la oportunidad de escucharte en vivo alguna vez. Soy de Buenos Aires pero en el verano voy a viajar a Santiago. Saludos

Schade, dass man den Bariton nicht sehen kann, seine Stimme ist außerordentlich gut !

@joesoy9185

Жыл бұрын

22:50

Well done guys! Bravo! It was perfect!

n'oubliez pas la messe en si de bach ,, les lieder de schubert le voyage d'hiver surtout ,, la grande messe en ut de mozart magnifique , les 7 dernieres paroles du christ en croix , la flûte enchantée et tant d'autres ,, il me faudrait des heures pour éditer une liste assez exhaustive , écoutez haendel aussi quelle musicien , les madrigaux de monteverdi , palestrina , guillaume de machaut ect

The angelic Regula. perfect for this requem.

Super performance!

Currently dying in rehearsals, trying to learn that fugue in the 6th movement. It's absolutely gorgeous but bloody difficult. Thank you Brahms.

@CHAARTS

6 жыл бұрын

danke!

Absolutamente maravillosos y coro y orquesta muy equilibrados.

Hermoso!!! Lindo! Beautiful!

There's really no reason for this set up to work.....but WOW does it ever! Stunning. Couldn't stop watching it although the phantom baritone solo was strange (can hear him but can't see him). This is remarkable and extremely well done!

@contraltissima

5 жыл бұрын

you can see him around 23 minutes ;) but he didn't want to be filmed.

@LOVE_is_ALL_there_IS

Жыл бұрын

@@contraltissima I can understand him...Regula was filmed very near in some sequences...just like only one eye was visible ;-) -e.g. 43:12. I would not want this.

very well done, I'm the sound-engineer of this recording by Swiss Radio SRF2 Kultur.

@mireilleassena

7 жыл бұрын

mobilton you did a remarkable job.

@alaster67

6 жыл бұрын

Great recording. Very balanced mix too. (On my iPhone speakers) How did you do it? What mics were the spot & stereo pair/s? How high was it in relationship to floor and ceiling. Which mixer, HD recorder and monitors did you use? Any headphones used?

@thomasramdasvoegeli

5 жыл бұрын

Gut gemacht, Mobilton! Vielen Dank für deine Sorgfalt. Gruss deinem guten Ohr!

@danielpaul4397

5 жыл бұрын

The sound engineer of this recording is a genius.

@staffanolofsson8201

4 жыл бұрын

@@alaster67 And the rest is silence, odd perhaps for a sound-engineer, but I think its a secret.

God Brahms would have loved it!

@hansdoscher3093

6 жыл бұрын

Bastiat in the Andes p

*VON NUUUUUUUUUUUUN AN...* 1:02:56 Das war eine meiner Lieblingsstellen, als ich es mit meinem Chor gesungen habe und das ganze Werk eines meiner Lieblingsstücke. Und diese Aufnahme hat mir hervorragend dazu gedient das Werk ins Ohr zu bekommen. Danke, danke, danke....es ist grandios! ❤❤❤ Alles LIEBE, JULIA 💙💙💙

@LOVE_is_ALL_there_IS

Жыл бұрын

Und auch noch *in EEEEEEEEEEEEWIGKEIT* ☀️ 💚 💛 (18:15)💚 💚 💚

@LOVE_is_ALL_there_IS

Жыл бұрын

Und *JAAAAUAUCHZEN* ☀️ 💚 💛 (20:52) 💚 💚 💚 Vermutlich habe ich zu viele Chor-Lieblingsstellen.... Ich höre schon auf... ❤️ ❤️ ❤️

Berlioz' base line in Harold In Itally sounds like the beginning of the 6th movement of Brahms' Requiem.

Magnífico!

Movement 2, painfully quick in my opinion. Killed the mystery and suspense of it.

Fantásticos.

To me this is one of the top top pieces composed in music history - next to Beethoven's 9 th chorus , and Faure's Req. , + also Mozart's Req. ( but what do I know ??? )

@TimAndyMik

7 жыл бұрын

But what about the perf itself?

@rozconniwestsand7841

3 жыл бұрын

You know plenty!

@barney6888

2 жыл бұрын

You know at least 4 great works!

Muy buenos también los solistas.

Wow - I've never heard the instruments so clearly before.

Ausgezeichnet!

38:00❤❤❤

00:06 Selig sind, die da Leid tragen 09:42 Denn alles Fleisch es ist wie Gras 22:45 Herr, lehre doch mich 32:15 Wie lieblich sind deine Wohnungen 45:00 Denn wir haben hie keine bleibendde Statt

What a marvelous performance! I've heard a number of different performances of this piece and tend to be attracted to the more intimate ones. I find it funny/charming, though, that we barely see the bariton soloist and yet we practically see Regula Muhlemann's pores, the close up is that intense. Moreover, the baritone isn't even listed though you can find his name elsewhere conntected with this performance. Anyway, if anyone knows who the orchestra is, I'd appreciate it.

@CHAARTS

8 жыл бұрын

+Paul Miller Hi Paul, the Bariton did not want to be filmed.... Ronald Rosen

@annem8313

8 жыл бұрын

+CHAARTS made in Aargau The credits below the video say his name is Rudolf Rosen

@paulmiller8209

8 жыл бұрын

Thanks for the explanation. I wonder why...

Ich bin ganz angetan von den schönenStimmen. und dem Orchester

schitterend, welverdiende duim

It´s crazy that the baritone would not like to be filmed. Kind of prima donna? It´s a pity, he is a great voice and artist. besides this problem this is a wonderful performance... for my taste the best in youtube.

@pianodoir

4 жыл бұрын

And it is a small thing, isn't it? Given the excellent quality of the whole!

@pianodoir

4 жыл бұрын

You can actually see him singing at 22:52

@supawels3627

3 жыл бұрын

Music should be heared, not seen.

38:00 Ihr habt nun Traurigkeit.

@pianodoir

4 жыл бұрын

So beautiful

32:15 "Wie lieblich sind deine Wohnungen"

Os solistas cantam e nenhum movimento de câmera sequer consegue dar um close-up em seus rostos, isso é no mínimo muito esquisito. Tirando essa bizarrice do cinegrafista/diretor a interpretação da obra é excepcional...

38:00 "Ihr habt nur Traurigkeit"

The soprano sound prerty as all the concepe/ Shapo!

Timpani are very important in second part (Und alles Fleish) but there is a problema with the recording: one can not hear them even though the percussionist play them. It is a pity!!!

une oeuvre venue de l au delà , brahms utilise la langue allemande , lui le nationaliste fervent , l homme qui enfant parcourait le port de hambourg pour y distraire les marins éméchés buvant dans les bordels ou pulullaient les filles de joies , il y appris les mystères profonds de la nature , pourtant brahms voyagea très peu , la musique se muait en un exutoire fabuleux , cotayant les rivages obscurs de cette mer du nord ou il aimait tant à se promener , méditer , esquisser les chefs d oeuvre à venir , johannes flânait dans sa mystique tragique et joyeuse a la fois , brahms savait que la marche le conduirait auprès des filles qu il ne connaissait que trop bien , en ce 19 eme florissant ou le monde glissait vers une industrialisation forcenée , les découvertes de la science fascinaient le maître de hambourg , vers lui assurant une immunité a laquelle il aspirait ,, le musicien intimiste n usait pas de subterfuges , il en savait les détours , les affres , et les noirceurs immanentes ,, son requiem nous prend par la main , égrénant en notre âme les secrets partiels du génie brahmsien , secrets , uniques , ineffables , puissant en successeur de beethoven qu il ne fût pas au fond , quarante années lui furent pour bâtir sa première symphonie , la dixième du sourd de bonn , on peut y voir un tournant après lequel le compositeur s en ira explorer des morceaux plus dépouillés , plus intimes , plein du secret des soldats celtes qui firent si longtemps rêver le jeune brahms ,,

Smart cameraman does not show Bariton -_-. By the way baritone has very good musicality

Schade, dass man keine Kameraregie geführt hat. Die Bilder sind qualitativ sehr gut, aber man sieht nicht alle Akteure im richtigen Moment. :/

@supawels3627

3 жыл бұрын

Das Brahms-Requiem ist ein Hörstück, kein Sehstück.

Why didn't the baritone want to be filmed?

32:14 Wie Lieblich sind deine Wohnungen

Nice try. But this is "an arrangement" of Ein Deutsches Requiem and I strongly doubt this is a Johannes Brahms' own arrangement...Colours are immensely missing, just as if we would perform LA BOHEME without the main soprano playing Mimi...

The videography is very bad! The unusually close shot on Regina Muhlemann is an interesting concept, but the director and camera operators couldn't decide what to do with it, and the rest of the video is unimaginative and difficult to watch. So many out-of-focus, jerky shots and framing problems. Still, a great performance by the artists. Good sound recording too.

@mobilton1114

7 жыл бұрын

thank you mr. schellhase, I'm the sound-engineer of this recording. And I agree, very good perfomance, but a little bit spooky, cannot really find the baritone Rudolf Rosen...

J. Brahms Glanzstück mit Zuckerguss - bitte nicht naschen (d' Finger ab d' Rösti) !

Missing brass. Didn't Brahms score this for 4 horns, 2 trumpets, 3 trombones and a tuba for the brass section? A good performance but it lacked depth in sound, especially in Part VI "Denn es wird die Posaune schallen". Let the music echo the words! The trumpet shall sound. 1 Corinthians 15:52 You have to have trumpets! It looked like 1 horn was the entire brass section in this performance. :-(

@CHAARTS

6 жыл бұрын

If you would have read the description, you could have saved your time to write all this... it is a chamber-version byJoachim Linckelmann - Carus Verlag. Best

@SailorDon01

6 жыл бұрын

CHAARTS. I lost the chamber-version meaning in the translation. :-( My comment still stands but should be redirected at Joachim Linkerlmann. I am no expert in chamber music adaptations of full scale orchestral works, but I find it unusual for timpani to be scored exactly as in the original and now called chamber music.

@karlbieri7503

3 жыл бұрын

@@CHAARTS ja

Very underequipped in male voices. The usual problem of a Jugendchor. It's hard to find young males who are interested in joining.

@watutman

Жыл бұрын

fact

Way too soft, way too soft!!!!! Where in the workd are the tenors? I don’t hear them at all. A lot of people believe that the singing in this requiem is light but this is NOT the case. One has to have a solid operatic voice for this with full resonant solid chest tones and a great upper middle voice as well, the tenor part sits so high in tessitura but it is NOT meant to be sung falsettoish no no no! The music is heavenly but the singing is very much on the heavier side.

@pianodoir

4 жыл бұрын

Listen from around 36:00 mark and you will hear good strong tenor line!

@beachfanatic2010

4 жыл бұрын

STRONG? You have to be kidding me. It sounds like they are vocally malnourish, anemic and weak, HUNGY. The best Brahms Requiem I’ve heard is the one with Caballe. At least there the tenors have some type of real presence: kzread.info/dash/bejne/eXZ5pq2hnq62XbA.html&app=desktop

@pianodoir

4 жыл бұрын

@@beachfanatic2010 maybe I should have said 36:30 but the recording quality (overall volume) is much better here than in the recording you cite. For me effect is similar. Anyway de gustibus non est disputandum. I have sung this tenor part myself and they are all better than me :)

Nombreuses interruptions en cours de lecture !

I personally don't enjoy those "creative" outfits. It's a requiem.

@thomasramdasvoegeli

5 жыл бұрын

Outfit? Hear the Infit!

If you don't like to be filmed don't be artist

@wernerklotz8207

4 жыл бұрын

I Ger Gonzalez what do you about him? Who has called you to be a judge?

@pianodoir

4 жыл бұрын

Here he is on film singing Le Nozze di Figaro in 2006 www.rudolfrosen.ch/LeNozzediFigaro.html

@pianodoir

4 жыл бұрын

And if you are really curious... look and listen again at 22:52 mark!

Are you serious?!..... It sounds childish to me.

@CHAARTS

8 жыл бұрын

+maria helena Barreiros you like this old woman big vibrato and the brahms creamy sound from the 50ties?? At Brahms time, they did not use vibrato in the orchestra...

@tessaverden1155

7 жыл бұрын

CHAARTS made in Aargau