Jean Sibelius / Symphony No.4

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Jean Sibelius, Symphony No.4 (1911)
Wiener Philharmoniker, Lorin Maazel (cond.) - Vienna 1968

Пікірлер: 16

  • @galas062
    @galas0629 жыл бұрын

    yes....yes..miss Maazel...RIP! :( Thank you!

  • @nostalgicmodernist1399
    @nostalgicmodernist13994 жыл бұрын

    What a wonderful, passionate performance! Gloomy in all the right places! Really finds the interest in some of his more wayward lines.

  • @frankporter6169
    @frankporter61696 жыл бұрын

    For me the Maazel Sibelius Symphonies with the VPO are classics.

  • @giovannirivoira5496
    @giovannirivoira54962 жыл бұрын

    Sibelius 4th and 7th by Maazel are great interpretations!thank you!

  • @Kunstwissenschaftler
    @Kunstwissenschaftler9 жыл бұрын

    amazing

  • @andreashelling3076
    @andreashelling30767 жыл бұрын

    The solocello in the beginning sounds interesting( must have been using a wooden mute), very intensive and rewarding recording yes

  • @shin-gg2rk3mt3d
    @shin-gg2rk3mt3d22 күн бұрын

    マゼールのいわゆる人工的なアーティキュレーションは、シベリウスの音楽には甚だ場違いに聴こえるが、元来鋭角的なこの曲の場合は面白い効果を上げている。

  • @hamjii
    @hamjii5 жыл бұрын

    Looks like Maazel still remains the ONLY conductor who performed 3, 4, 6 with this incredible orchestra, after 50 years since this recording !! Bernstein did leave marvelous recordings (video too thankfully) of 1, 2, 5, 7 and Maazel, Jansons, Oramo performed them, but not 3, 4, 6. So it seems very obvious that the Viennese really don't have feel for this great composer there....

  • @paullewis2413

    @paullewis2413

    4 жыл бұрын

    It isn`t only the Viennese who have been slow to recognize the genius of Sibelius. I understand it was Karajan who introduced him into the repertoire of the Berlin Phil. after some resistance and fortunately Rattle continued. Germany probably has more top World class orchestras than any other country but they are in general very much attached to their own musical background/tradition though fortunately this is now changing and all for the better.

  • @basspoem
    @basspoem8 жыл бұрын

    I find the artwork, figures on bridges impossible to reach or to get off, the symbolic sense of being lost or of being stuck in repetitious behaviour, moving...who is the artist, Neal?

  • @symphonious_rex

    @symphonious_rex

    8 жыл бұрын

    +basspoem - I forgot to make a note of the artists on this one.. I think most of them are anonymous wallpaper art. Images of solitude and searching go nicely with Sib's epic 4th.

  • @patrickstults3132
    @patrickstults31328 жыл бұрын

    I generally don't care for Mazel. This, however, is a surprisingly rewarding performance.

  • @etucker82

    @etucker82

    6 жыл бұрын

    Agreed on both counts.

  • @paullewis2413

    @paullewis2413

    4 жыл бұрын

    Not so surprising. Lorin Maazel was a conductor who at the beginning of his career showed great promise to become of the greats and fortunately made some extremely good recordings in the early to middle 60`s. The promise never fully materialized and his later recordings generally show an average conductor`s work which is quite mysterious as to why this should have happened.

  • @tubemagpie

    @tubemagpie

    Жыл бұрын

    @@paullewis2413 Perhaps a conductor for the concert hall?

  • @raphaelfournier8273
    @raphaelfournier8273 Жыл бұрын

    I find the performance generally very good, even stunning at times, but am not too fond of the way the finale goes here. Too many glissandi, shenanigans and other quirks. Stand here with Kegel, Karajan and Sanderling.

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