After Lully, I think de Mondonville is my favourite composer. I've only ever listened to his grands motets, but every single one of them has made me adore his music all the more.

@alanc3134

Жыл бұрын

Agreed. Mondonville is a little different from many of his contemporaries and quite refreshingly so. I highly recommend his “In Exitu Israel”.

@nathanpayne6765

3 ай бұрын

@@alanc3134Just listened to it! It was great!

💓💖05:24 III. Récit de haute-contre: Quia apud te propitiatio 🌟✨🎶💫💖

Outstanding, gracias maestro!

This is just stunning, and to me, elements of classical-era style can be heard so much more than his previous existent grand motets composed just 5 years earlier in 1743. The amazing final fugue (is it technically a fugue though…!?) where each voices entry appears to push the music up a semitone is absolutely astonishing!!

I think is a very good interpretation of this masterwork of Cassanea de Mondonville. I'll compare with the most famous one (Les Arts Florissants) that's including Dominus Regnavit and In Exitu Israel. İt's always a pleasure to have more interpretations to compare .....

@diegogarciacaudillo1524

2 жыл бұрын

What do you think about tuning? 🤔

@pietrolandri6081

2 жыл бұрын

@@diegogarciacaudillo1524 I should listen back again because it's one year since I did last time.

@chrysalifourfour

2 жыл бұрын

@@pietrolandri6081 I think you'll find that they (Arts Florissants) sing mostly out of tune and miss out a lot of the required finesse. This performance although superior has several stylistic issues, but then again the music is quite demanding technically.

@Nooticus

Жыл бұрын

@@chrysalifourfour they definitely dont sing 'mostly out of tune' LMAO thought this version does sound better in some ways, maybe because the recording is much more recent i think.