Janine Jansen and Itamar Golan: Franz Schubert, Sonata in A Major, D. 574
Музыка
Janine Jansen (Violin )and Itamar Golan (Piano)
Franz Schubert, Sonata for Violin and Piano in A Major, D. 574 "Grand Duo"
1. Allegro moderato (0:00)
2. Scherzo and Trio (presto) (9:04)
3. Andante (13:24)
4. Finale (Allegro vivace) (17:49)
Directed by: Isabelle Soulard
Venue: Salle Pleyel (Paris, France)
Broadcast date: Thursday, May 12, 2011 1:00 PM (CDT)
Production date: 2011
Recording date: 12/05/2011
Production: Concert: © Céleste Productions - Les Grands Solistes / Salle Pleyel
About this Piece:
The violin was Schubert’s first seriously studied instrument - barring some piano lessons with his older brother Ignaz - and a family string quartet offered him a chamber music laboratory as a young teenager. The years 1810-1811 were filled with string quartets, and in 1816 Schubert turned to solo violin works in groups of dances (including four comic Ländlers for two violins) and a set of three sonatas for violin and piano (first published posthumously as Sonatinas in an appeal to the amateur market).
Schubert composed this duo sonata for violin and piano the following year, in August 1817. (It too was posthumously published, as Op. 162 in 1851; it was not publicly premiered until 1864.) It is a much more substantial work than its three predecessors, but still a transitional work, balancing the contrasting influences of Beethoven and Rossini with his own maturing lyricism.
Hardly surprising, lyricism won out. Schubert was little interested in virtuosity, and the opening theme is a sunny instrumental song. The minor mode deflection for the second subject and the harmonic and rhythmic stress of the short development are Beethovenian, but the blithe zest and utterly apt tunefulness are pure Schubert.
Beethoven’s influence is also apparent in the brusque accents and gaps of the robust Scherzo in E major, which replaced Schubert’s previously favored minuets and moved up to second position to contrast with the singing first movement. Its chromatically slithery trio section in C major prepares us for the Andantino in that key, whose placid opening is soon supplanted by harmonically mobile drama, ornamented and urged like a Rossini scena. Even the little codetta that closes the A-B-A movement is ominously ambiguous, alternating between C major and C minor.
The athletic finale seems almost a variation on the Scherzo, capturing its exuberant spirit as well as many specific motives and gestures. It also reprises the main harmonic direction of the other movements - A - E - C - in music of great energy and vivacious charm.
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Пікірлер: 27
Such a diversity of creative ideas with this violinist.
Quintessential Franz Schubert, beautifully played.
My goal is to listen to the complete works of Schubert. I know all the familiar ones but there is so much more! Thanks for posting this wonderful piece, beautifully played.
Schubert had an extraordinary gift for melody and the skill to develop it intricately and ingeniously. This is an excellent example, beautifully played.
You two play so well together! Fabulous performance! So creative, full of life, beauty, character and shades. Thank you!
Thanks so much for posting- super helpful as I learn the work to have her musical ideas as a guide!
1:31 GOOSEBUMPS...
AMEI ESSA DUPLA MARAVILHA ❤🇧🇷
❤❤ Maravilha ❤❤🇧🇷🇧🇷
Best of luck to you as the greatest composer created around 1,300 pieces of music. He is God’s gift to us.
@joshuasussman4020
3 жыл бұрын
While I am far from convinced he is the greatest of all composers, he was certainly prolific. A majority of those 1,300 works is made of very short works--about 3 minutes each. So hearing his complete catalogue is actually doable.
@f3dyt
2 жыл бұрын
@@joshuasussman4020 yeah, pretty cool, even if I wouldn't know where to find all of his works
@helenkurdin
2 жыл бұрын
@@joshuasussman4020 Schubert was one of the greatest
Madre mía
Does somoene know the violin maker ? ( she had the stradivarius later 2019 )?
Cristian vou me inscrever no canal ❤👏👏👏👏👏❤🇧🇷
There's something about this video editing I don't like. So much random changing of camera angles to pointless angles. I find it quite distracting.
@jonathancarter2779
2 жыл бұрын
Jensen's posture is also low, leaning and VERY variable. I'm not sure she likes the music-stand's height, though it must be her own choice. And she's wearing reasonably serious heels. Altogether, it's a kind of double-willow effect, as if camera and subject are both dancing in a breeze with bound feet so can't quite catch one another and move together!
Is this what i think it is?
Airy and Lofty
Compare Kagan and Richter doing the same. Also on Utube. Intriguing.
The second part is, in my opinion, more convincing.
...ma non è possibile cercare di sentire un brano e ogni circa 2-3 minuti avere l'interruzione pubblicitaria. Se proprio questa ci deve essere, che sia fatta all'inizio e basta, altrimenti si sottolinea la non competenza e la non comprensione della musica classica e dell'arte in generale da parte di chi la gestisce.
Having played one and having recently sat through a whole and entirely forgettable concert programme of them, I say that Schubert's sonatas for violin/piano are not his BEST compositions, which in my view are his piano works, string chamber music and symphonies.
@marksmale827
8 ай бұрын
Nevertheless, much like the Mozart pianoforte sonatas, they contain many gems...
No
@helenkurdin
2 жыл бұрын
???