J. S. Bach: 8 kleine Präludien und Fugen | BWV 553-560 (Leon Kopecny)
J. S. Bach: 8 kleine Präludien und Fugen | BWV 553-560 (Leon Kopecny)
Time stamps
0:00 BWV553 C-Major: Prelude
2:57 BWV553 C-Major: Fugue
4:40 BWV554 D-Minor: Prelude
6:35 BWV554 D-Minor: Fugue
8:39 BWV555 E-Minor: Prelude
10:53 BWV555 E-Minor: Fugue
13:08 BWV556 F-Major: Prelude
14:37 BWV556 F-Major: Fugue
16:35 BWV557 G-Major: Prelude
18:45 BWV557 G-Major: Fugue
20:35 BWV558 G-Minor: Prelude
22:28 BWV558 G-Minor: Fugue
24:46 BWV559 A-Minor: Prelude
26:33 BWV559 A-Minor: Fugue
29:00 BWV560 Bb-Major: Prelude
31:04 BWV560 Bb-Major: Fugue
J. S. Bachs Autorschaft an der vorliegenden Sammlung wird von der Bach-Forschung bezweifelt. Schon in einer Abschrift aus der Mitte des 18. Jh. steht nach Bachs Namen ein in Klammern gesetztes Fragezeichen. Man vermutet die Bach-Schüler Joh. Tobias Krebs oder dessen Sohn Joh. Ludwig Krebs als Urheber, weil thematische Bezüge zu Werken dieser Organisten vorliegen (Bach-Jahrbuch 1937, 66 ff. und 1940/48, 143). Eine Durchsicht der 8 Praeludien und Fugen durch Bach darf als wahrscheinlich gelten.
Die Solmisationstöne begegnen im 16. - 18. Jh. wiederholt als Ordnungsprinzip für Instrumentalsammlungen. A. Valentes "Versi spirituali" (Neapel 1580), J. Kuhnaus "Neue Klavierübung" (Leipzig 1689 und 1692), D. Buxtehudes Triosonaten op. I (Hamburg 1696) und J. C. F. Fischers "Ariadne musica" (Schlackenwerth 1702) mögen als Beispiele genannt sein. In der vorliegenden Sammlung sind nicht 7, sondern 8 Titel gebündelt, die Stufe sol (g) ist doppelt berücksichtigt, in Dur und Moll. Ähnlich wie bei Buxtehude wurden Dur- und Molltonarten gemischt: in Buxtehudes Triosonaten 4 Dur- und 3 Molltonarten, in der vorliegenden Orgelsammlung 4 Dur- und 4 Moll-Tonarten.
Die unsichere Autorfrage beeinträchtigte die Beliebtheit der überwiegend bogenförmigen Praeludien und spielfreudigen Fugen nicht. Knappe Formulierung aller Sätze und Taktwechsel zwischen Praeludium und Fuge in 5 Zyklen erhöhen die Eingängikeit (Selbst motivische Beziehungen zwischen Praeludium und Fuge lassen sich in den Nrn. 3, 4, 5, 7 beobachten). Schon Ph. Spitta wies auf norddeutsche Einflüsse in den Themen der 1., 4. und 8. Fuge hin (J. S. Bach, Bd. 1, 3 1921, 399). Die Pedalsoli im 5. und 8. Praeludium dürften der gleichen Quelle entstammen.
(Rudolf Walter, Heidelberg, Herbst 1979)
Recorded in December 2020
Organist: Leon Kopecny (17)
Recorded via Hauptwerk
Friesach Sample Set by Piotr Grabowski
piotrgrabowski...
Thanks for Listening!
![J.S,Bach Organ Works Selection [ H.Walcha ]](/img/d.gif)
Пікірлер: 114
BWV553 is the first classical organ piece I´ve learned..... It´s pretty simple but beautiful... No matter if it was written by Bach or Krebs, it´s still great
I have played all of these without realizing their greatness. Your interpretation and registration convinced me that I need to revisit these gems. Short pieces played masterfully are always appreciated by audiences of any caliber. Bravo, and thanks for sharing.
Die schönste Interpretation dieser kleinen Werke, die ich bisher gehört habe. 😊 Wunderschöne Registrierung. Tempo perfekt. Herzlichen Dank 😘
He makes Bach and the organ sing. Phrasing is wonderful too.
Ob diese kleinen sehr wertvollen 8 kleinen Präludien und Fugen von Bach stammen oder nicht, spielt doch gar keine Rolle - sie sind bis heute mit Abstand die beliebtesten und zugleich die meistgespielten Werke aus dem Umfeld von Bach… Dem ausführenden Organisten sei an dieser Stelle einen grossen Dank ausgesprochen, für die ausgezeichnete Darbietung der kostbaren Stücke👏👏👏‼️‼️‼️
@LeonKopecny
2 жыл бұрын
Vielen Dank für die netten Worte!
@fatitankeris6327
2 жыл бұрын
Ich habe viel davon gehört, dass mehrere Werke voraussichtlich von Bach komponiert, stammen eigentlich von anderen Komponisten. Wie viele sind es, denken Sie, oder könnten Sie es mindestens erläutern?
The comfort of Bach‘s music is irreplaceable What a versatile musician Bach was ❗
Übe die zur Zeit mit meiner Lieblingsorgel. 🎼👑🎼👑👑🙂🙂🙂
The wonderful performance of Bach‘s works gives deep emotion, and soothes my soul
great music of J.S. Bach's
@davebarclay4429
Жыл бұрын
Most likely by either J.L. Krebs or J.C.F. Fischer but still good music and fantastic teaching pieces.
Sehr gute Ausführung! Ich übe grad das Erste, macht sehr viel Spass.
Vielen Dank! Hilft sehr beim Selbststudium
Excellent. The best interpretation and registration I ever heard.
Tears. Memorable music which I studied these numbers in a university in USA about 50 years ago😅! Thank you. So good!
Wonderful playing. A truly remarkable instrument well voiced.
Tres belles~~🎉🎉Vous êtes comme Baha.❤❤❤
J'apprécie beaucoup cette interprétation des huit petits préludes et fugues.
@LeonKopecny
2 жыл бұрын
Merci. Ça me fait plaisir.
@azalee1448
2 жыл бұрын
Merci à vous et bravo !💖
So gorgeous. That last piece...wow. Thank you so much for not rushing Bach.
Bravo Leon! Truly fantastic performance of these works - I love your registration, tempo, ornamentation. Stunning!! :)
@LeonKopecny
3 жыл бұрын
Thanks, Glad you enjoyed!
@Vingul
2 жыл бұрын
If you are the same Jerry Martin that composed much of the SimCity 3000 soundtrack, well done.
Fantastico. Non ho parole. Ascoltando questa musica mi distacco da terra e volo. Grazie.
Sehr gut!!!! Die Klassiker für Anfänger auf der Orgel. Muss sehr viel Arbeit gewesen sein...😅 Aber es hat sich wirklich sehr gelohnt. 👏👏👍
@LeonKopecny
3 жыл бұрын
Vielen Dank! Um die 8 kommt man wirklich nicht drumherum! :D
@nicolehmann868
3 жыл бұрын
@@LeonKopecny Allerdings!😂
Sehr erholsam anzuhören, sehr ausdrucksvoll gespielt. Die meisten Organistgen rasen durch die Stücke, als gäbe es einen Geschwindigkeitsrekord zu gewinnen.
Bach says 「My music has admirers and hectic I am sought after and busy. By the way the wonderfulness of these performances is out of this world」
@LeonKopecny
2 жыл бұрын
Thank you very much! :)
@shin-i-chikozima
2 жыл бұрын
@@LeonKopecny You are welcome I hope you are well
nádherné... ĎAKUJEM za nádhernú hudbu Sebastiana a Vašu interpretáciu 😍❤❤❤❤
so breath taking
The production of this recording is superb.
@purplebriggs931
Ай бұрын
the 16' and 32' are very pronounced in the source data.
wunderschön
@LeonKopecny
2 жыл бұрын
Danke!
@giovannibussottoli
Жыл бұрын
Nel corso del punto
@giovannibussottoli
Жыл бұрын
@@LeonKopecny il progetto è ss
I like very much this collection, considering them as miniatures of rare beauty. They are highly instructive.
Да, это Бах, это вечность, это небеса!!!
@gerhardwohlfarth8543
Жыл бұрын
Согласно
Ein toller Klang 👍🎶
No way that you were only 17 playing this. Wow!!! 🙈 Amazing!
@hansherman7456
5 ай бұрын
Why not ?
@davidknizek2852
5 ай бұрын
@@hansherman7456 17 years old is a pretty young age to be alble to master all 8 preludes and fugues 😭
@hansherman7456
5 ай бұрын
@@davidknizek2852 OK really i played them with 18 i guess,didnt know i was that talented. But OK yes only three of them
Nice, bravoo! Excellent registration, tempi and rythm. Finally we listen to a sonor bass LOL. Very great pleasure to listen your interpretation. Thank you indeed. :D
Beautiful rendition. Thanks.
Congratulations on this actually perfect interpretation! Excellent registration. Finally a good, beautiful, powerfully clear pedal and a wonderful flow in his playing, brisk, forward-stepping but without hecticness, without nervousness which one can often observe (hear). What we hear here are really the finest pearls of organ music. The large, quiet arches with the small ornaments, which do not seem marinated, are also wonderful. Leon Kopecny deserves my highest praise without reservation. The other organ works he has published here are also on the same, very, very high level, a real feast for the ears, bravoo o! 👏👏😍👏👏 👋
Esecuzione veramente eminente per qualità, i miei più vivi complimenti Maestro.
@LeonKopecny
2 жыл бұрын
Grazie mille!
That was my organ school. Well played ! Best wishes from Hamburg/Germany
BRAVO!!! Beautiful presentation!!! S.D.G.
Rarement joué, considéré comme des oeuvres mineures , selon quels critères ? Dans le lot ,pour certains j'ai mes préférences...Merci Monsieur Kopecny
Уважаю Николая и его сдвиг парадигмы. Качественно. Спасибо. Супер.
Bach‘s music Ìs the cry of the soul , and a profound sigh of God
Trés-très beaux! Merci!💖💖
Excellent registration!
Good organist !! You play as well as my prefered organist, the French one Caline Malnoury
Люблю органную музыку,спасибо!
這8首曲目是彈管風琴的必定訓練
Nearly all scholars are in agreement these works are not those of J.S. Bach (IMSLP dixit).
Wow. As I’ve heard them for the first time.
Who else loves 14:37 in a special way? :)
Bravo
Que habría o que pasaba en la mente de estos creadores al sincronizar semejantes sonidos hay algo que no logro entender porque desde hace muchos años atrás escogí oír esto
Excellent registration, in my opinion!
meravigliosa ! Molto grazie! Az sie chce cwiczyc , swietna interpretacja !
Супер ангел музыка органа 🍒 🍓 🍎 🍇 🍍
Spitze, einfach super
Great !!!!!!!
Absolutely! Exquisite!
What magnificent, musical playing with marvelous registrations! One question: At 0:21 you play re#. I’ve never seen an accidental here, so have always played re natural. Is there musical scholarship that indicates it should be re# ?
Очень люблю органную музыку, как бальзам на душу.
Fantastic! But I would play G major more forte and aggressive Grave part. Good tempo
@LeonKopecny
2 жыл бұрын
Thanks! I might do a new recording with a more suitable interpretation and a better audio quality on a different Sample Set some time.
hoo-ray!
Great. Thanks.
Please know what the organ is and where it is located. Grateful
@LeonKopecny
2 жыл бұрын
It is a 2000 Eisenbarth located in Friesach, Austria.
Bonitos e interesantes (yo los estudie en mis primeros años) pero tal parece que no son de Bach en la NEUE BACH AUSGABE (Nueva edición Bach) no vienen incluidos, además Peter Williams en su libro The Organ Music of J.S. BACH (Cambridge University Press) página 141 comenta: Que pudieron difícilmente haber sido escritos por Bach porque tienen errores como 5as. Paralelas en los Preludios 5 y 8, además de otras objeciones.
♥️♥️🎼🎹
Very well played, congratulations! Would mind to share the registration used for each piece?
🔥🔥🔥🔥🔥🔥🔥🔥
Keith John did a good job aswell!
Mistrzostwo
nice voicing
took 2-3 seconds for me to like and subscribe
@LeonKopecny
2 жыл бұрын
Thank you very much! 🙏
9:58 moment |
18:08😊
Prima gespeeld, maar met te zware registers. Kan veel lichter.
@LeonKopecny
2 жыл бұрын
Bedankt, misschien maak ik binnenkort een nieuwe versie.
Ein par Lese fehler aber sonst wunderschön. Gute Verzögerungen.
The beginning of Prelude F-major would have sounded much better with principal stops, not flutes. And the tempo should be slower. Sometimes it is NOT necessary to follow Bach's instructions in the manuscript so rigorously.
18:8
Prefer a stricter adherence to tempos, but well played otherwise.
why is it so rushed? no offense i'm just curious
@LeonKopecny
2 жыл бұрын
Which Piece do you mean in particular?
@gaborkovacs
2 жыл бұрын
@@LeonKopecny the 1st praeludium - with the echo and everything the parts are like smashing together or idk it just feels weird
@LeonKopecny
2 жыл бұрын
rather fitting for my taste :)
Ich knie,а на русском ,я преклоняюсь.
please, use a metronome..
@jacobusvandijk7536
2 жыл бұрын
yes tempies are sometimes a little weird specially between preludium and fuge but hey one plays how one finds it best even modern songs are played or covered different even in different style As long as people enjoy the music as How in reality Bach played it no one will ever know
@Due152
Жыл бұрын
Um Gottes Willen , bloß nicht…
@nataliemcconnell1527
Жыл бұрын
No! The freedom was the best thing about it. Rhythmic does not equal metronomic.
@bertg5294
Жыл бұрын
@@nataliemcconnell1527 no, it isn't . it is horrible