In conversation with Jerry Saltz on “Art is life”. Warning: includes truth on criticism and dating!

As part of our Book Club, .ART Editorial Executive Evlyne Laurin sat down with Jerry Saltz, Senior Art Critic for New York Magazine and a Pulitzer winner to talk about the release of his latest book “Art is life”. The conversations covered it all: climate activist targeting paintings, Maurizio Cattelan’s banana phenomenon, self criticism and even includes some dating advice!

Пікірлер: 11

  • @frankypandana2041
    @frankypandana20418 ай бұрын

    It is glad that there is Jerry on our planet

  • @user-xi4jw4mh7p
    @user-xi4jw4mh7p Жыл бұрын

    Amazing interview! Wow!… thank you for letting him speaking out completely and letting him be him 😄

  • @dianemcgregor8456
    @dianemcgregor8456 Жыл бұрын

    We love you Jerry! Thank you for your perspective.

  • @lephilistin
    @lephilistin8 ай бұрын

    great interview. Jerry is always a lot of fun.

  • @dodie23
    @dodie23 Жыл бұрын

    🙏 somewhere at 40 mins. a revelation

  • @subliminalart.1637
    @subliminalart.1637 Жыл бұрын

    I've just discovered this lovely guy, where have you been Jerry?.❤👍🇬🇧

  • @allweb429
    @allweb429 Жыл бұрын

    Your book is for everyone ❤

  • @allweb429
    @allweb429 Жыл бұрын

    We love you❤please translate to Spanish your book 🙏 please

  • @dr_shrinker
    @dr_shrinker6 ай бұрын

    I feel patrons or art who pay exorbitant amounts of money for bananas do so because they want to be part of the art itself. The person who sold a banana for $150k is as important as the person who paid $150k. At least in the buyer’s own perspective. That seems to be the only way the buyer can inject themselves into art history.

  • @leststoner
    @leststoner6 ай бұрын

    Failed artist wrote a book on how to be an artist. This is the age we live in.

  • @lastdays9163
    @lastdays9163 Жыл бұрын

    This is a genre. PLEASE critics, galleries and art culture observers have more honest conversations. Critique is important, it ensures only the formidable survive. Fran Leibowitz said that when the HIV/AIDs crisis wiped out the gay community art in all it's forms diminished in quality because both the best artists and the critical tastes were disappeared from the world.