Improvise the 1-5-6-4 Chord Progression in... *B MAJOR* (piano chords tutorial)

Музыка

In this piano tutorial you'll learn how to improvise on the 1 5 6 4 chord progression in the often-overlooked key of B major - dive into the world of piano chords and piano improvisation as we unlock your creativity and musical potential!
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We'll explore the benefits of mastering piano improvisation in challenging keys like B major, and demonstrate step-by-step techniques to help you confidently navigate the 1 5 6 4 chord progression. By the end of this tutorial, you'll be equipped with the skills and knowledge to add a touch of originality to your performances and compositions.
What to expect from this tutorial:
1. A thorough breakdown of the 1 5 6 4 (or I-V-vi-IV in roman numeral notation) chord progression in B major.
2. Practical tips and exercises to develop your piano improvisation skills.
3. An in-depth understanding of piano chords and their role in creating beautiful melodies and harmonies.
4. Expert insights on how learning to improvise in difficult keys like B major can expand your musical horizons and make you a more versatile pianist.
5. Practice tips to help you apply what you've learned and develop your own unique improvisational style.
I hope this tutorial will elevate your piano playing and help you tap into the endless creative possibilities that improvisation in “difficult” keys offers. Subscribe to my channel for more piano tutorials, and hit the “like” button to support my content. Don’t forget to leave your questions and comments below, plus any links to your own improvisation efforts - I always like to hear your piano stuff!
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00:00 Why B major - isn't it a black key nightmare?
01:40 The I-V-vi-IV chord progression in B
05:24 Have you got rhythm?
08:54 Getting a bit fancier...
12:30 Set your fingers freeeeeee for cooler sounds
16:01 The cool chromatic mediant
#piano #chords

Пікірлер: 41

  • @BillHilton
    @BillHilton Жыл бұрын

    Don forget to take a look at my Piano Packs - each one with its own dedicated walkthrough video - over at www.billspianopages.com/pianopacks and my ebook bundle deal at www.billspianopages.com/bundle. You can find out more about my new book, How To Be A Better Musician at: www.bettermusicianbook.com And here's the link to my Patreon page: www.patreon.com/billhilton - remember, if you sign up to support me on Patreon you get the Piano Packs at no extra charge!

  • @quezquez3084
    @quezquez3084 Жыл бұрын

    Another fantastic video but the chromatic mediants can only be a major or minor 3rd apart from the tonic chord. In your example it would be a diminished 3rd apart (G## to B). I think that A should rather be interpreted as the 1st chord of a double plagal cadence (A E B).

  • @BillHilton

    @BillHilton

    Жыл бұрын

    Thank you! And thanks for watching far enough to get to that point! Re: chromatic mediants... tricky. Wikipedia says "...there is not complete agreement on the definition of chromatic mediant relationships", which, based on the wildly varying interpretations I've come across, is something of an understatement 🤣. I've always thought the best interpretation was a mediant or submediant that has been chromatically altered - ie shifted up or down a half step and possibly had its tonality inverted (I've never quite bought the idea that tonal inversion is enough, because then you're into discussion of secondary dominants and suchlike). Although the only chord that your definition excludes that mine permits (if I've got this right) is the major or minor built on the minor seventh - ie a whole tone/step from the tonic rather than any kind of third. I guess we're in the same territory as the "is it a second or is it a ninth?" debate...!

  • @coloaten6682
    @coloaten6682 Жыл бұрын

    So much good stuff in this video, thanks Bill. I especially like that you didn't utter the phrase "All the white notes" once. 🤣 I'm so bored of seeing piano videos in C Major. (You're actually way less guilty of this than many others) P.S. For anyone thinking of buying any of Bills books I promise you won't regret it. You always get a huge amount of good knowledge for your money! (Bill didn't pay me to say that, it's genuinely true :) )

  • @BillHilton

    @BillHilton

    Жыл бұрын

    Thanks very much, Col, and thanks also for the recommendation! I'm trying to do more stuff in a variety of keys, because the temptation is always to go for C or F or G or what-have-you. I genuinely don't think the black-note heavy keys are tremendously more difficult, and people can get a lot out of working in them!

  • @Oddestmoose19
    @Oddestmoose19 Жыл бұрын

    This is great Adam! Got me to pick up my harp and play for the first time in a while. Would really like to keep ramping up the difficulty with you in this!

  • @janetgoodall6372
    @janetgoodall6372 Жыл бұрын

    Love this! Thanks Bill. 😊

  • @BillHilton

    @BillHilton

    Жыл бұрын

    You're welcome, Janet - hope you're well!

  • @andrewmaul2953
    @andrewmaul2953 Жыл бұрын

    I really appreciate these videos! Stretches the brain for sure, and a perfect complement for those of us mostly doing more "traditional" piano lessons...

  • @BillHilton

    @BillHilton

    Жыл бұрын

    Glad you like them Andrew! Yes, brain-stretching is very much the idea here - watch out for more in the same vein soon...!

  • @jasonbourne488
    @jasonbourne488 Жыл бұрын

    Bill, I’m always thrilled when you have a new lesson and this one is no exception. I was getting frustrated with hand independence and this lesson gives me a fresh approach. Thank you.

  • @BillHilton

    @BillHilton

    Жыл бұрын

    Thank you - I'm really glad you liked it! Have you seen my Train Your Piano Brain series from a few years back? There are a couple of useful things on hand independence in there. Here's the playlist... kzread.info/head/PLpOuhygfD7QnKq5P3mf7TiofvItxhuM2i

  • @mobinvaryan7196
    @mobinvaryan7196 Жыл бұрын

    thanks bill god bless you

  • @BillHilton

    @BillHilton

    Жыл бұрын

    You're welcome!

  • @Martinbeef
    @Martinbeef Жыл бұрын

    Thanks Bill. Another piece of treasure! It sounds so beautiful. I look forward to playing it.

  • @BillHilton

    @BillHilton

    Жыл бұрын

    Thanks Martin! Let me know how you get on, and if you have any questions/problems I can help with!

  • @desmckenzie9341
    @desmckenzie9341 Жыл бұрын

    This is a great lesson. Thanks Bill. Happy trails !

  • @BillHilton

    @BillHilton

    Жыл бұрын

    Thanks Des, and to you!

  • @carolcielle
    @carolcielle2 ай бұрын

    Beautifully explained! Thanks, Bill. ❤ New sub here!

  • @BillHilton

    @BillHilton

    2 ай бұрын

    Thanks Carol, and thanks also for subscribing!

  • @j.nuderscher2258
    @j.nuderscher2258 Жыл бұрын

    Danke!

  • @BillHilton

    @BillHilton

    Жыл бұрын

    Thank you very much indeed - I'm tremendously sorry I didn't notice this when you posted it! I'm really grateful!

  • @jeandusdingdemusic
    @jeandusdingdemusic Жыл бұрын

    Wouaww, ❤ this vidéo. Jean

  • @BillHilton

    @BillHilton

    Жыл бұрын

    De rien - glad you liked it!

  • @Thejackg229
    @Thejackg229 Жыл бұрын

    Great video, Bill! Couldn't believe how good I sounded after breaking it down alongside the video. I really appreciate your improvisation rhythm exercises and would love more! I've been playing 2-5-1-6 progressions in my improv practice but have gotten a little stuck by gravitating to what's familiar/easy; using the same whole/half note rhythms playing octaves in my left hand and randomly pulling from pentatonic scales in the right. Do you have any tips to expand on this? I've been playing in C, would changing keys (maybe to B) be enough to shake it up or what would you recommend?

  • @BillHilton

    @BillHilton

    Жыл бұрын

    Glad you liked it, Jack - thanks for the kind words! As to expanding on, I'd certainly try doing more chord work in the right hand rather than just pentatonic notes: even if the effect you get to start with sounds more like an accompaniment than a melodic improvisation, you'll find it's a good way of developing your sound. Taking right hand chords and just having a go at shifting notes around to see what happens (as I do in this tutorial) can yield some good effects. As always, the best approach with this kind of thing is to experiment on the keyboard first and then try to make sense of it in music theory terms, rather than trying to work outwards from theory. I'd also agree that moving away from C major is a good idea! Have you seen this tutorial? It goes into improvisational approaches to the 1 5 6 4 progression in a bit more depth --> kzread.info/dash/bejne/onaVw7B8c8ncorg.html -- let me know how you get on!

  • @JoshWalshMusic
    @JoshWalshMusic Жыл бұрын

    I’m here for the chromatic mediants.

  • @coloaten6682

    @coloaten6682

    Жыл бұрын

    Ha ha Josh! I know that you know very well what chromatic mediants are and how to use them! 🤣

  • @JoshWalshMusic

    @JoshWalshMusic

    Жыл бұрын

    @@coloaten6682 better than those robots!

  • @BillHilton

    @BillHilton

    Жыл бұрын

    Whatever the heck THEY are 🤣

  • @biganime8908
    @biganime8908 Жыл бұрын

    Early March 22!!

  • @terrysmith1790
    @terrysmith1790 Жыл бұрын

    I like to know where you put the wright fingers on the piano keys. When reading sheet music. Expecially the low end and high end of the keyboard. Can you you do a video to explain this please. Ty from Terry

  • @BillHilton

    @BillHilton

    Жыл бұрын

    Do you mean like reading notes that fall above and below the staff, Terry? If so, yep - I'll add it to the list!

  • @terrysmith1790

    @terrysmith1790

    Жыл бұрын

    Yes that wright Bill. When I read music notes. I do not know where on the keyboard to put my hands and use the wright fingers. When they are in the center of the stave I have not got a problem.

  • @terrysmith1790

    @terrysmith1790

    Жыл бұрын

    Yes I do mean above and below the stave Bill

  • @blueeyedsoulman
    @blueeyedsoulman Жыл бұрын

    I'm kind of new to this. Still watching and then running over to piano lol. Do most people watch lessons on a large tablet of some kind and keep it on the piano sheet rack? Do any of those tablets have good speakers/ volume. How are most people learning this way?

  • @BillHilton

    @BillHilton

    Жыл бұрын

    I can give you some actual stats there! Over the last 28 days, 61.7% of all views of my tutorials have been on a mobile phone; 24.9% on a desktop or laptop computer; 8% on a tablet and 5.4% on a TV. That will be somewhat skewed by the high view numbers for Shorts (which are almost entirely watched on mobile). So I'd guess that of views of actual full-length tutorials, around 50% are on mobile, 25% on a computer, and the remaining 25% split between tablets and TV, probably weighting heavier towards tablets. Of course, that's all viewers, including the ones who turn up, watch for 10 seconds and then click out: anecdotally, I think tablet usage is much higher among committed repeat viewers. Personally, when I follow someone else's tutorial (or one of my own to remember what I did in it - happens fairly often 🤣) I just put my iPad or my iPhone on my piano's music stand and work from that. The iPad obvs gives a slightly better view, but the phone is good enough (if I wear my glasses...!). Does that help?

  • @blueeyedsoulman

    @blueeyedsoulman

    Жыл бұрын

    @@BillHilton Phone is way to small. I'll just try to find a huge tablet. Vision was never my strong point.

  • @BillHilton

    @BillHilton

    Жыл бұрын

    Let me know how you get on!

  • @deacondeacondeacon
    @deacondeacondeacon Жыл бұрын

    Any chance of the 'How to be a better musician' being released as a real book? I've bought your other books as real books but bought the piano packs as a pdf and it's just not the same lol.

  • @BillHilton

    @BillHilton

    Жыл бұрын

    Yes indeed - I hope to have it in print later this year. The reason I didn’t do a print edition straight away was basically cost: the Ukraine war and various other global economic factors have rocketed the costs of paper, production and distribution for small publishers like me - especially when using a print on demand model, as I do - and it just wasn’t worth it. I’d have spent weeks of work typesetting the book into print format for minimal returns. Things in the sector seem to be improving, though, so I’m hopeful we’ll have one soon. I’m desperate to get it actually in my hands - to me it’s not real until it’s in print!

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