Thanks. I've been enjoying all the videos you've all been sharing with us. I adore your studio space. Looks like a very relaxing place to work. Thanks again and hello from a very cold and rainy England.

Through my own experience and observation of other figurative artists, I have come to conclude that palette organisation is one the foundational cornerstones of success as much as drawing is. However, this "secret" is something that is often (intentionally?) overlooked in many training resources. Thank you Michael, for showing us your system of palette of organisation. Its been insightful.

This is great information, thank you for posting. Out of interest, which of the pigments on your palette here would you use to create the string for the reds?

So so cool! Such great wisdom! Thank you!

@EastOaksStudio

2 жыл бұрын

You are so welcome!

Thank you very much for this pieces of advice. It's been super helpful, Thank you. Muchas gracias. En otro video, escuché que hablaba usted español, porque lo había aprendido en la Argentina.

So I was able to note down the mixing Strings: Neutral Yellow -> High Chroma Yellow Raw Umber > Raw Sienna > Cadmium Yellow > Cadmium Yellow + More & More White Neutral Blue -> High Chroma Blue Ivory Black > Ultramarine Blue > Cobalt > Cobalt + White > Ultramarine Blue + Lots of White I was wondering if I could get how he would mix the reds? I'm learning at the moment so this is such a great reference for me! Thank you so much for sharing :)

@xenoslaura

5 жыл бұрын

Hello! This is how I understood it: Neutral Red --> High Chroma Red Burnt Umber > Burnt Sienna > Alizarin Crimson > Magenta > Magenta + White I think he skipped Cadmium Red because it's redundant with the Cadmium Orange. If you mixed Cad Orange with Magenta (which is bright pink) you can get a brighter red than Alizarin Crimson. :)

@TCee93

5 жыл бұрын

@@xenoslaura Thank you very much!

@willyboychuk9865

7 күн бұрын

@@xenoslaura

@willyboychuk9865

7 күн бұрын

@@xenoslaura

I see all of the colour stains on the pallets and I honestly wish to have something like that some day. I just recently started with acrylics and I plan to learn how

good information ~~!! thks

Thank you 🤙

I just handmade my own just about a half hour ago and it turned out awesome 🤩, I put Linseed oil on it, I am wondering 💭 if I should put a coat of polyurethane on it ?? Any one knows it this is a good idea or not let me know

Thanks for the video, really insightful. What brand raw umber did you say you use?

@michaelparsley7572

3 жыл бұрын

saw it listed in the description of their other video, "Color - Palette review with Michael Klein" Michael Klein walks you through his palette organization and understanding of chroma from highly saturated colors in the lights, to the least saturated colors in the shadow areas. **Colors from Left to Right are as follows : Raw Umber (Old Holland), Burnt Umber (Old Holland), Ivory Black (Old Holland), Ultramarine Blue (Old Holland), Cobalt Blue (W&N), Cobalt Violet (W&N), Magenta (Old Holland), Alizarin Crimson (W&N), Burnt Sienna (W&N), Cadmium Orange (Old Holland), Titanium White (Old Holland), Cadmium Yellow Pale (W&N), Raw Sienna (Michael Harding), Viridian (Old Holland)**

@jand9770

3 жыл бұрын

What was the oil u used? Didn't catch the name..

@judybrisson795

3 жыл бұрын

Thank you

@michaelparsley7572

3 жыл бұрын

@@jand9770 I posted an except from one of his other videos in the comment above, might have to hit 'read more' to see the whole comment/list

@jand9770

3 жыл бұрын

Thank you, again..

Overboard! Can't hair the poetry through the noise..

It’s called rublioff the rublev that you say. It’s A Russian painter. + you make it so difficult.. why is that? Does that make you paint better? Do you even know people can paint with 4 colors + maybe another one or two ?

@sheilacruz7922

11 ай бұрын

You’re RUDE