Triggering the delay trail with another envelope and VCA is SO cool. that's brilliant and sounds amazing. thanks for the lesson

@OmriCohen-Music

2 жыл бұрын

Glad you enjoyed it!

Very nice, especially the gated clock technique - definitely incorporating that into my generative patches.

@OmriCohen-Music

2 жыл бұрын

There's so much to explore... Cheers!

Learning, then, so much more to learn. Thanks Omri.

@OmriCohen-Music

2 жыл бұрын

Yes, there is so much to explore... Cheers!

Just what I needed 😎

@OmriCohen-Music

2 жыл бұрын

Cheers!

+1 for the "Branches else triggering delay trail" appreciation society - that is a great idea, thanks ! And using comparator to only get certain notes through delay is even better, many thanks !!

@OmriCohen-Music

Жыл бұрын

Glad it was helpful!

Another great video Omri, thank you!

@OmriCohen-Music

2 жыл бұрын

Glad you enjoyed it!

Great tutorial again. Loved the vca to delay on the first vca tail tip. Thanks.

@OmriCohen-Music

2 жыл бұрын

Glad you enjoyed it

Another great one, thankyou Omri

@OmriCohen-Music

2 жыл бұрын

Glad you enjoyed it

This is the first time I have seen that you can use the VCA before a trigger input. This was always a module for me to control the output signal of a VCO. Sometimes I build complicated constructions with switches to control clock signals, I could have just used a VCA :D. My goodness, I have to laugh at myself right now that I didn't think of this sooner. Thanks for the video Omri. It was also very pleasant to listen to the examples :)

@OmriCohen-Music

2 жыл бұрын

Like I always say, voltage is voltage is voltage :)

Will try it out Omri

@OmriCohen-Music

2 жыл бұрын

Let me know how it goes :)

great video as always Omri Cohen ty very much soon vcv 2

@OmriCohen-Music

2 жыл бұрын

Cheers!

Enjoyed it,

@OmriCohen-Music

2 жыл бұрын

Cheers!

I think we are tuned into the same "aether". I've been working with instrument samples and synthesizing real world instruments. A sample of high-middle C on a piano doesn't sound right if it plays a low-middle C. I've used several *comparators* and some steering logic (necessary to individually select if using more than one comparator), to trigger the 12 note range of either a Low-middle C, Middle C, or High-middle C, to use the sample for that range. As for synthesizing real world instruments, many only have a 2 octave range, but one like a tenor sax (very difficult to simulate) has a different tone and resonance in it's upper octave than it does in the lower - making the *comparator* necessary to separate or steer the raw wave through a different set of filters. I also have been using the IMPROMPTU GATE-SEQ-64, clocked by dividing the main clock by 32 to start and stop various "instruments" in the patch. This gives a non random control over an 8.5 minute "song" (at 120 BPM). Even if the instruments are randomly playing notes within a selected scale, the gate sequencer gives it a feeling of being "directed" My activities in VCV have often preceded or coincided with your videos on the same subject or technique by a day or two or three. ... weird, hu!

@OmriCohen-Music

2 жыл бұрын

Oh wow, it sounds like you're deep into this :) I wish you many hours of fun!

@3DPDK

2 жыл бұрын

@@OmriCohen-Music All started 35 years ago at my electronics bench. VCV is less messy and far cheaper!

Oh Yeah .... nice ;-)

@OmriCohen-Music

2 жыл бұрын

Cheers!

Proper

Lovely video, as usual!!! By the way, Bogaudio modules have a dark mode! Takes a bit getting used to, but at least my eyes aren't blasted with white. :D

@OmriCohen-Music

2 жыл бұрын

Thanks! I will have to get used to the dark mode :)

Ummm. Omri, What about the "Heyyy Guyyys!"?! Can't start without that, otherwise it invalidates the whole experience!!!