How is a concert grand piano made? | with @NahreSol

Музыка

From the lumberyard to the Elbphilharmonie stage. We took @NahreSol to the large Steinway factory in Hamburg and took a look at the process of creating a concert grand piano.
#steinway #piano #Elbphilharmonie #nahresol #pianomusic #hamburg #creatorinresidence
________
ELBPHILHARMONIE HAMBURG
At the Elbphilharmonie, architecture and music merge to create a unique overall experience. Having first opened its doors in 2017, it has firmly established itself as one of the most popular concert halls in the world, delighting a broad audience with its diverse programme, outstanding acoustics and numerous participatory activities. The building, a converted warehouse positioned on the Elbe River, was designed by the Swiss architects Herzog & de Meuron. As a Hamburg landmark, it attracts millions of visitors each year.
__
STAY IN CONTACT
📱 Facebook: elbphilharmonie.hamburgEN​
📱 Twitter: / elbphilharmonie​
📱 Instagram: / elbphilharmonie
📱TikTok: / elbphilharmoniehamburg
🔎 Google Arts & Culture: g.co/elbphilharmonie️​
📝 Elbphilharmonie Mediathek: www.elbphilharmonie.de/de/med...
__
www.elbphilharmonie.com

Пікірлер: 32

  • @schm4704
    @schm4704Ай бұрын

    I think it's a genius move by Elbphilharmonie to hire Nahre for this kind of job. 👍

  • @ZeeWanNg

    @ZeeWanNg

    Ай бұрын

    so happy and thankful for it!

  • @katrin4390
    @katrin4390Ай бұрын

    Great Video, thanks to the wonderful Thomas for explaining it so well and working so hard!

  • @Soundgear4
    @Soundgear4Ай бұрын

    So interesting, good one Narhe!👌

  • @stratfanstl
    @stratfanstlАй бұрын

    You could record a four hour video in that selection room and people would watch and listen to it multiple times. It would be FASCINATING to be able to compare the sound differences between models as played by the same performer. It would also be fascinating to hear you explain as the performer how slight variations in each design's response feeds back into you as the performer.

  • @helmutsimon8788
    @helmutsimon8788Ай бұрын

    Thank you for this highly interesting journey!! Awesome!

  • @ARClazerbeam
    @ARClazerbeamАй бұрын

    Astounding! Beautifully done and showcased by Nahre. Thank you!

  • @ms77619
    @ms77619Ай бұрын

    Thank you Nahre for sharing this incredible process!

  • @srothbardt
    @srothbardtАй бұрын

    Beautiful

  • @ToastandJam52
    @ToastandJam52Ай бұрын

    LOve it. I'll NEVER be able to afford anything like it but fascinating to see the build process. Thanks!

  • @splashesin8
    @splashesin8Ай бұрын

    Wow! This is kind of mind boggling. Thanks for showing us this Nahre. 😊

  • @evgenluja4655
    @evgenluja465517 күн бұрын

    Nice one, thank you Thomas ✊🏻

  • @SuperWave86
    @SuperWave86Ай бұрын

    That is super cool to know the intense labor that goes into creating a beautiful piece of music sound 🎹 thx Nahre like always to make this short doc on how the Steinway is created, looking forward with more of ur vids, there all super great 👍

  • @henksanders6621
    @henksanders6621Ай бұрын

    Thank you Nahre, I've often watched videos on manufacturing piano's but it's always interesting to see a another one. Especially ofcourse of such a brand like Steinway. I still want to visit the Elbphilharmonie, (watched your video 👍👍 on that too)

  • @jojolapatate2241
    @jojolapatate2241Ай бұрын

    Brilliant ! Loved it

  • @normalizedaudio2481
    @normalizedaudio2481Ай бұрын

    She has a lot of fans on KZread.

  • @theraytow
    @theraytowАй бұрын

    Excellent. I appreciate the tour and behind the scenes info

  • @FatherofEunice
    @FatherofEuniceАй бұрын

    That was really cool

  • @dilbert0815
    @dilbert0815Ай бұрын

    The glue 'perlleim' is a little smelly, but rather ingenious stuff for traditional woodmaking. Huge benefit: it's almost infinite repairable. with some water, a little heat and time, unlike modern glues.

  • @NGwIK
    @NGwIKАй бұрын

    Congratulations.. Very, very good piano video.. from Brazil..

  • @niiiiiiisse
    @niiiiiiisseАй бұрын

    Loved hearing you play pieces from Alice in Wonderland, Nahre!

  • @none5020
    @none5020Ай бұрын

    I would love to be a piano technician

  • @lauraro345
    @lauraro345Ай бұрын

    Some days I don't know if I want to be like my college piano teacher or like Thomas

  • @vipassana72
    @vipassana72Ай бұрын

    Pretty cool. You people of education systems sure do know your stuff. If not for stimulation where oh where would we be? Thank you. 🙂

  • @gadymarcus2362
    @gadymarcus2362Ай бұрын

    Bella/Linda.💘✡️✡️✡️✡️✡️✡️

  • @Emslandkopfnuss
    @EmslandkopfnussАй бұрын

    10:39 Welches ist zweite?

  • @ksilebo
    @ksileboАй бұрын

    15 D´s!

  • @fortepiano_enthusiast-f8t
    @fortepiano_enthusiast-f8tАй бұрын

    very interesting! But why this annoying background music, you feel like in a department store

  • @timschulz9563
    @timschulz9563Ай бұрын

    2:51 Not changing the shape seems really weird to me. Today we have advanced computer simulation tools to optimise shapes. Why shy away from innovation and stick to tradition? Companies that run this way will still exist in a decade, but they won't stand the test of time. Thanks for showing the production of these beautiful instruments!

  • @FBstealsallmyinfos5

    @FBstealsallmyinfos5

    Ай бұрын

    I’m sure they ran the simulations 😉 However, this way of thinking doesn’t really apply to music/arts in general. This shape is responsible for the trademark sound and tonal feel of these Pianos. Changing that arbitrarily to “improve the sound” would just mean destroying the one thing people love about Steinway Pianos. It’s not about efficiency or the “cleanest” sound possible in this case. Take analog synthesizers for example. Yes, digital synthesis (technological innovation) can and does provide a cleaner sound, but as it turns out, people actually love the warm feel of the tonal/pitch imperfections analog synthesizers produce. Which is why even today, 1980s analog synths are incredibly sought after.

  • @badlula17

    @badlula17

    Ай бұрын

    You underestimate the power of tradition and in a craft like classical music atitudes are especially hard to change. How will you sell differently shaped pianos to people who trained on the traditional shape and are used to its response? And who buys a grand piano when just starting out?

  • @joshuacogliati6085

    @joshuacogliati6085

    Ай бұрын

    Hm, people have tried quite a few different shapes, see for example the book "Historical Pianos" Harpsichords & Clavichords by N. E. Michel. I suppose the existence of synthesizers has probably taken away a lot of the interesting in making experimental pianos.

Келесі