How did paintings by Venetian Renaissance artists get their special glow?

Тәжірибелік нұсқаулар және стиль

Please watch: "Choosing the Best White for Your Oil Painting"
• Choosing the Best Whit... -~-
Learn how Venetian Renaissance artists achieved their vibrant colors, like the red gown of St. Catherine in Lorenzo Lotto’s painting. In this episode of the Art Materials Advisor, Tatiana discusses the discovery of an unusual ingredient in their paintings that helps explain how Venetians achieved their glorious colors. Join us for this live-streaming event to learn how you can use this ingredient in your paintings.
For more information, read the following articles:
Innovative Materials on the Venetian Renaissance Palette: www.naturalpigments.com/artis...
Italian Varnish-Not a Varnish But an Oil Paint Medium:
www.naturalpigments.com/artis...
#renaissanceart #venetian #artistpalette #oilpaint #paintingtechniques #colornotes
00:00:00 Introduction
00:02:19 Giorgione - The Holy Family
00:04:07 Lorenzo Lotto - St Catherine
00:04:36 Innovative Materials: Glass pigments in Venetian paintings
00:05:23 Innovative Materials Today: Oleogel
00:09:45 Italian Varnish
00:14:31 Venetian Medium: Glass particles
00:23:50 Comparison
00:24:25 Questions and Answers

Пікірлер: 16

  • @sam71119
    @sam711192 жыл бұрын

    Thank you for this video... Virgil is one of the major teachers that I have ever noted as being full of pragmatic Truisms re Traditional Oil Painting and really George you are sitting right next to Virgil... thank you from Australia... The de-mystification of what the old Masters did thru necessity de-frags the mammoth amount of materials we now have available, and the very basis of what the old Masters did is great basis for your research and what I have done with Sun Oils and scrubbing linseed clean, and adding lead strips..l Love you guys. Thank you...

  • @RublevColours

    @RublevColours

    2 жыл бұрын

    Thank you!

  • @RublevColours

    @RublevColours

    7 ай бұрын

    George is sitting next to Virgil?

  • @robinmorgan2713
    @robinmorgan27132 жыл бұрын

    Appreciate the education and concise explanations that can stick in my head while I am in the midst of a glazing decision/debate in my head while in the act of painting. Of course, I can stop and reference your materials, or plan ahead, which many times I do, but I tend to not have that mindfulness when engrossed in the act of painting.

  • @leithomalley
    @leithomalley2 жыл бұрын

    Really interesting and looking forward to experimenting with both..

  • @Luis_D_Ruiz
    @Luis_D_Ruiz6 ай бұрын

    Gracias por compartir esta información. Estoy muy satisfecho con los productos Rublev que uso. Por lo que esta información añadida solo me hace estimar más aún a Natural Pigments y sus colaboradores.

  • @RublevColours

    @RublevColours

    6 ай бұрын

    Gracias, Luis!

  • @huguesbouchard2578
    @huguesbouchard2578 Жыл бұрын

    Thank you for your research, you are advancing research on the old masters. About Maroger, it is written in the introduction of his book that he was not sure of his results and that he did not want to publish them. People have unfortunately considered Maroger's research and its results as the true medium of Rubens. Question, in all your mediums, which one comes closest to the medium of Pierre-Paul Rubens?

  • @RublevColours

    @RublevColours

    Жыл бұрын

    The old masters did not use an oil painting medium in the modern sense. They could modify their paints to suit their purpose because they made their oil paints, unlike artists today.

  • @chrisgriffith1573
    @chrisgriffith1573 Жыл бұрын

    So... Oleogel is a medium made to make use of glazing techniques? It confused me that you have shown it with pigments (colors) that aren't good for glazing... at first I thought you were trying to say it was good for extending without making the paint transparent.

  • @RublevColours

    @RublevColours

    Жыл бұрын

    It was created to be used as a glazing medium.

  • @huguesbouchard2578
    @huguesbouchard2578 Жыл бұрын

    Hello, if I want to create my perfect painting medium for my purposes, is it possible to incorporate glass powder (yours) into a paste medium with calcium carbonate? THANKS.

  • @RublevColours

    @RublevColours

    Жыл бұрын

    Yes, you can use the glass powder in a medium with calcium carbonate.

  • @sohelpervas4821
    @sohelpervas48217 ай бұрын

    does rublive use any solvent into the Italian varnish

  • @RublevColours

    @RublevColours

    7 ай бұрын

    Rublev Colours Italian Varnish contains a small amount of turpentine. There is also a solvent-free version of Italian Varnish.

  • @sohelpervas4821

    @sohelpervas4821

    7 ай бұрын

    @@RublevColours I always use rublive Italian varnish and dark drying oil . But I nourished a different between the colour of tow Italian varnish . what is the maine ratio different of turpintine , oil and beeswax of this tow Italian varnish

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