György Ligeti: Six Bagatelles (1953)
00:00 - I. Allegro con spirito
01:11 - II. Rubato, lamentoso
04:23 - III. Allegro grazioso
06:54 - IV. Presto ruvido
07:55 - V. Adagio, mesto
10:20 - VI. Molto vivace, capriccioso
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Ensemble: Berlin Philharmonic Wind Quintet
Year of Recording: 1994
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"These six pieces were originally part of a collection of 12 bagatelles composed for piano between 1951 and 1953. In 1953, Gyorgy Ligeti transcribed six of the bagatelles for a wind quintet made up of flute, oboe, clarinet, horn, and bassoon. With the exception of the second and fifth bagatelles, these are quick, spirited little pieces. They reflect Ligeti's economical approach to composition, as a minimum number of notes are used to maximum effect. The bagatelles are often texturally sparse, with most of the notes either played staccato or strongly accented to create cool but insistent music. The dynamics change frequently, sometimes several times in each bar, and the instruments are often called on to play muted, adding different colors to each piece. Ligeti's bagatelles employ some harsh dissonances and complex ideas; however, they are also very moving and accessible little chamber pieces that explore both the expressive and the purely musical potential of a limited amount of material.
These pieces are very short: most are under two minutes in duration, and none are over three. The first bagatelle, Allegro con spirito, is comprised of only four pitches yet is amazingly varied in expression and is motivically inventive. The second bagatelle is a passionate, anguished Lamentoso. The third is quick, but with longer cantabile melodies juxtaposed with quiet staccato figures. Bagatelle number four is exuberant and strongly accented, while number five, dedicated to the memory of Béla Bartók, begins as a spare adagio, but soon becomes more vivacious as dotted rhythmic figures are added. The final bagatelle is like a wild, frenetic race, and the penultimate measures are marked "as though insane"; but the piece ultimately ends with a soft, muted horn solo." (Alexander Carpenter)
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Пікірлер: 17
A favorite recording of a favorite quintet. Remarkable performances from all, but the hornist? Come on.... Once technique reaches this level, the composer's whimsy and pathos really shine. Ensemble Wien-Berlin (Wolfgang Schulz, flute; Hansjörg Schellenberger, oboe; Karl Leister, clarinet; Günter Högner, horn; Milan Turkovic, bassoon). Högner passed away in 2018.
@danal81
2 жыл бұрын
@PW that’s what he said.
Much more melodic and accessible than I remember Ligeti being!
@premanadi
4 ай бұрын
It's an early piece, not in his mature style yet. Owes a lot to Bartok. He more or less disavowed the early music later on.
I was surprised by the emotional effect that the 3rd movement had on me upon first listening. It’s a great way to introduce yourself to the mixolydian.
Sounds like five birds having a discussion... or maybe an argument. Like the way these instruments interact with each other.
Wonderful discovery 👌
The ending of movement 5 is heavenly
@simonkawasaki4229
5 ай бұрын
Agreed.
They're not from a set of 12 bagatelles but rather 11 musica ricercata for piano
First time listening to this, and this is just arrangements from Musica Ricercata! Very well done arrangements, but still, I expected new music
Ever since we went to Lamont I'm seeing you everywhere.
The beginning sounds like his Music Ricercata, I believe the third or fourth piece
@artemlyubchenko3022
Күн бұрын
Yeah, because this is an arrangement of 6 pieces from Musica Ricercata
4:25
wow I never liked ligeti until this
@premanadi
4 ай бұрын
It's a very early piece. Not his matures style yet.