Get Perfect Exposure And Colours With Color Match In Davinci Resolve 16

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Datacolor Spyderchekr 24 is the perfect way to get accurate exposure and colours in any camera by using the color match tool inside of davinci resolve 16.
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#DaVinciResolve #Colormatch #Spydercheckr
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Пікірлер: 42

  • @lforet
    @lforet3 жыл бұрын

    This helped a ton. I was already using a ColorCheckr Passport for basic color matching but sometimes I end up with crazy blue/purple shifts and wanted to learn some manual correction methods based on the scopes. This answered exactly that.

  • @jonsirola
    @jonsirola3 жыл бұрын

    Dude my mind just exploded by realizing how aware you are of light temps. I've become a video enthusiast in the last 5 months for a number of reasons and you just showed me the way for further investigation out of the hardware/software side of things. Thank you!

  • @reelhawksstudio
    @reelhawksstudio3 жыл бұрын

    By far, the most accurate and complete WB process I've seen. Great work, and thanks!

  • @satisfieduser2696
    @satisfieduser26962 жыл бұрын

    WOW, crazy good info. Now I realize how basic the TV Broadcasting and Production school I attended was.

  • @McFilmin

    @McFilmin

    2 жыл бұрын

    I am glad I could help 🙂

  • @tomy2t0ne3
    @tomy2t0ne33 жыл бұрын

    What a great tutorial! You helped me fix my bad color so fast!

  • @christopherpackart
    @christopherpackart10 ай бұрын

    Just got a Spyder checkr24 so I'm excited to try it out and color match some in DaVinci Resolve.

  • @RonjaJ
    @RonjaJ3 жыл бұрын

    Great Video! Most videos about color correcting with a color-checker only do the first step (with the overlay). This was very informative and helpful!

  • @marioguerra1222
    @marioguerra1222 Жыл бұрын

    Thanks mate for this great lesson on how to use the color chart.

  • @MarcWebbFilm
    @MarcWebbFilm3 жыл бұрын

    Thanks so much for this, this has really helped my colour correction skills.

  • @ErikFrits
    @ErikFrits2 жыл бұрын

    Wow! It feels like such a casual video but you explained the whole process better than any other video I could find on the topic. Thanks man, Finally I can stop being pinkish in my videos!

  • @itswrongtokillanimalsifyou2837
    @itswrongtokillanimalsifyou28373 жыл бұрын

    Wonderfully definitive video. Good job!

  • @veceslavstanuga8273
    @veceslavstanuga82732 жыл бұрын

    Thank you very clearly demonstrated, very much appreciated best wishes

  • @matt_nomatter
    @matt_nomatter3 жыл бұрын

    this is by far, THE BEST tutorial for color correction that I've ever seen and I've seen a lot of them tutorials. THANK YOU

  • @FelixChamber

    @FelixChamber

    Жыл бұрын

    Agreed. Have been looking for this desperately

  • @DmitryLaierCrypto
    @DmitryLaierCrypto4 жыл бұрын

    Most powerful explanation about color checker and Davinci! Thx bro!

  • @McFilmin

    @McFilmin

    4 жыл бұрын

    Thank you!

  • @MylonasFilms
    @MylonasFilms4 жыл бұрын

    Hey man, Your'e supposed to leave the colour chart tool at 6500. It's standard. That's why your image was very warm straight away. also good to tick the white level box.

  • @MylonasFilms

    @MylonasFilms

    3 жыл бұрын

    @Ignacio Tyson nah no one cares

  • @E-M-T
    @E-M-T5 ай бұрын

    Thats actually cool af

  • @sasqwatch35mm
    @sasqwatch35mm Жыл бұрын

    very good tutorial, glad I've found it!!! good work, thanks a lot!!!

  • @McFilmin

    @McFilmin

    Жыл бұрын

    Glad it helped!

  • @khaleel898
    @khaleel8983 жыл бұрын

    Thanks a lot

  • @JeffBourke
    @JeffBourke Жыл бұрын

    Mate you did a good job but I have to tell you that the colour swatches on the spyder are actually NOT correct for matching to the squares in the vector scope. I made the same mistake. For no good reason whatsoever, data labs decided to use different Color’s than what matches your primary Color’s in the vector scope. If you compare the primary Color swatches on spyder to xrite, they are different Color’s. I know it’s a bummer to hear and I was bummed out too but I feel you are better off knowing this.

  • @glenrose7482
    @glenrose74828 ай бұрын

    Just a heads up I think the colour temperature is saying what temperature should this emulate. Resolves neutral colour temperature is 6500k which is why the first shot too so long much longer to match where as the second was basically spot on and the first one was warmer. I did however like how you explained how to match it manually using the chart in case it needs tweaking.

  • @analogd1823
    @analogd18232 жыл бұрын

    Great!!!! 👍🏻

  • @furkanuyan
    @furkanuyan3 жыл бұрын

    Thanks Bro:)

  • @Aziz-kw6ct
    @Aziz-kw6ct2 жыл бұрын

    Great Great video

  • @saikrishna1155
    @saikrishna11554 жыл бұрын

    Nice explanation I have quick qus...when to apply lut before color corrected ( matching color checker ) or after lut applied ??? What is best way to get perfect color even applied lut....because some luts gets more warm tones some luts get cool tones...waiting for ur reply

  • @bncprado
    @bncprado2 жыл бұрын

    thank you

  • @McFilmin

    @McFilmin

    Жыл бұрын

    You're welcome

  • @monivibes1
    @monivibes19 ай бұрын

    Hey, thanks for the insightful tutorial. I'm curious about how this process compares to using the Color Space Transform (CST) in DaVinci Resolve. If I've already applied a CST, would there be a need to use the color match feature with a color checker? It seems to me that using the color checker might be a combination of CST, white balancing, and some color correction. Am I on the right track ?

  • @roehaus1
    @roehaus14 жыл бұрын

    Brilliant video. Question. I'm shooting Vlog on a GH5 to an Atomos Ninja V and appling a LUT in post. Do I apply the Spider Checker before or after appling the LUT in Resolve? Also using Vlog as my source gamma... what do you think my Target Gamma and Color Space should be?

  • @jelteklaswijnja4055

    @jelteklaswijnja4055

    3 жыл бұрын

    Use the spider to make sure all your shots look the same color-wise; after that you can apply a single LUT to the whole timeline which gives it your desired creative look.

  • @gianlucamingotto
    @gianlucamingotto3 жыл бұрын

    i have a problem with masks in the power window, when i click on the button to see where the mask is operating the frame become black and white where the white is the part where the mask is operating. I'm not able to switch the function to see the colours selected on the frame. Do you know why i see the selected part in white and not the baskground?? 'cos the vectorscope interpratate the white of selection like a white, so i can't calibrate the colours 'cos i can't see them. thank you

  • @shueibdahir
    @shueibdahir9 ай бұрын

    Ofc it became warm since you left the specified WB at 6500k

  • @kellyvill9413
    @kellyvill94134 жыл бұрын

    can this be done in the free version of resolve?

  • @dominey

    @dominey

    3 жыл бұрын

    Yes

  • @vivianvaldi7871
    @vivianvaldi7871 Жыл бұрын

    Strange how every one deals with saturation by his own way, bc here sat is supposed to be at 100%. Some other charts are 50 %. Not to say the X-rite colors (as everybody says) should match better for video. Must say some correction with this Spyder thing sometimes look better, despite reported not correct in sRGB (but correct for Adobe color space, raw color space for photography I believe). For newbies it get's a bit confusing.

  • @petrub27
    @petrub273 жыл бұрын

    brutally rubbish video you do not change the temp, this is the temp of your display you have underexposed the image on acquisition

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